From a New York Times Magazine article (Feb 7, 2020):
Is being an editor in chief again something you’d ever think about doing?
I have to suppress those feelings, because I love content, to use the horrible word, and editors now are so beleaguered that all the fun that I had isn’t there to be had. It’s a shame that editors get so little time now to think about stories and writers. Most of their time is spent having incredibly boring meetings about distribution and platforms and branded digital content. All this stuff, it’s just incredibly miserable. What I love, and what I’ve always loved, is telling stories.
What’s a third-rail conversation that you’re not having or that isn’t happening at Women in the World events? #MeToo is fraught, because anything can be taken and become this flying I.E.D. that can mess you up. It’s difficult to have a debate about that topic, because all the things that people say off-camera they don’t want to say in public.
Unlike most journalists, Tina Brown carries with her an aura of swashbuckling glamour, a remnant of her starry, high-budget run during the 1980s and ’90s as editor in chief of Vanity Fair and then The New Yorker. Like many journalists, Brown, 66, has pivoted in recent years to an adjacent line of work, in her case the live-event business. Her Women in the World Summit, which has hosted speakers like Oprah Winfrey and the Nobel Peace Prize winner Nadia Murad, is held each spring at Lincoln Center. (The New York Times was once a partner in the business.) She has also written two best-selling books, “The Vanity Fair Diaries” and “The Diana Chronicles,” a tell-all about the British royal family.
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