Tag Archives: New York

New Destination Bars: “Fever-Tree Porch” Is In “Iconic Location” In NYC

From a Forbes.com online review:

A collection of mixed drinks at the new Fever-Tree Porch at Bryant ParkANTHONY DEEYINGExpect many of those chairs to be filled in the months ahead. The Winter Village is a huge draw, built around a massive ice rink enjoyed by upwards of 300,000 skaters throughout the holiday season. “We want people to enjoy great cocktails and drinks at the Porch, to take time to relax and appreciate the city with all its extraordinary energy,”

Earlier this month, cocktails started pouring at Fever-Tree Porch–a new, branded bar in Manhattan’s tree-lined Bryant Park. The year-long partnership marks the first of its kind between one of New York City’s premiere public spaces and the world’s top-selling purveyor of premium tonics and mixers. It also provides an al fresco outpost for some of the 12 million visitors making their way through the destination, annually. Given its prime location at the corner of 6th Avenue and 40th Street–one of the most trafficked sections in the country–the folks behind it are gearing up to serve as many as 75,000 cocktails over the course of the next 12 months.

To read more: https://www.forbes.com/sites/bradjaphe/2019/11/13/fever-tree-opens-its-first-ever-branded-bar-in-new-york-city/#56dae5434636

Museum Insider: Curators & Artists Oversee New Frames, Placement Of Paintings At MoMA (Video)

The new MoMA opens. Cherished works return to the walls of the galleries in brand new frames, while curators and artists watch the completion of the reinstallation. After being closed for four months, MoMA reopens its doors to the public.

TABLE OF CONTENTS

0:13 – Associate sculpture conservator Roger Griffith and sculpture conservation fellow Joy Bloser clean Arthur Young’s Bell-47D1 Helicopter.

0:52 – Senior curator of Painting and Sculpture Anne Umland and chief curator of Painting and Sculpture Ann Temkin oversee the hanging of Pablo Picasso’s “Les Demoiselles d’Avignon.”

1:20 – Peter Perez, frame shop foreman, discusses “The Starry Night’s” new, black frame.

2:53 – Artist Amy Sillman explains how she curated and arranged “The Shape of Shape,” part of the long-running Artist’s Choice exhibition series in which artists selects works to show from the Museum’s collection

4:17 – Photography curator Sarah Meister and conservator Lee Ann Daffner adjust the lighting on Joseph-Philibert Girault de Prangey’s “Rome. Arch of Septimus Severus and Capitoline Lion.”

5:02 – Senior deputy director of exhibitions and collections Ramona Bronkar Bannayan and director of exhibition design and production Lana Hum make a final checklist of things to accomplish before the opening.

5:32 – Artist Betye Saar sees her exhibition for the first time.

7:11 – Manager of enterprise applications Rik Vanmechelen and developer Ryan Sprott check the new ticket machines.

8:04 – Chief facilities and safety officer Tunji Adeniji welcomes the public to the new MoMA on opening day.

8:30 – Silent film accompanist Ben Model improvises a live piano soundtrack for Frank Powell’s 1915 film “A Fool There Was.”

9:12 – Security supervisor Chet Gold greets volunteer Fred Liberman. Gold returns to his favorite room in the new MoMA.

Restaurant Reviews: The “Pilar Cuban Eatery & Bakery” In Brooklyn – “Authentic Delicacies”

From a New Yorker online review:

Pilar Cuban EateryChief among these delicacies is Cuban lard bread, which is what inspired the opening of Pilar Cuban Bakery: Ricardo Barreras, the owner of Pilar Cuban Eatery, next door, decided to start baking it himself, using dough, shipped frozen, from a trusted supplier in Florida. When he realized that his kitchen wasn’t big enough for the operation, he figured he might as well open a second place.

On a recent morning in Bed-Stuy, a young boy pressed his face against the glass case at Pilar Cuban Bakery and began to moan. “Mom, Mom, Mooooom. I want this!” he declared plaintively, pointing to an enticingly glossy Key-lime pie, sliced into neat wedges. “And what about this?” he exclaimed, moving on to the coconut-chocolate bars.

To read more: https://www.newyorker.com/magazine/2019/11/11/the-auspicious-treats-of-pilar-cuban-bakery-and-win-son-bakery

Museum Exhibitions: “The Renaissance Of Etching” At The Metropolitan Museum Thru Jan. 20, 2020

From a MetMuseum.org online release:

The Renaissance of Etching Metropolitan Museum NYThis exhibition traces the first sixty years of the etched print (circa 1490 to circa 1560), from its emergence in the workshop of the German printmaker and armor decorator Daniel Hopfer to the years when a range of artists from Germany, Flanders, Italy, and France began experimenting with etching. Approximately 125 etchings, produced by both renowned and lesser-known artists, are displayed alongside a number of drawings, printing plates, illustrated books, and armor.

The history of printmaking has been punctuated by moments of great invention that have completely changed the course of the medium. The beginning of etching in Europe in the late fifteenth and early sixteenth centuries—when the technique moved out of the workshop of armor decorators and into those of printmakers and painters—represents one of those pivotal moments. Etching, essentially drawing on the surface of a metal plate, had an ease that opened the door for all kinds of artists to make prints. The pioneers of the medium included some of the greatest painters of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder.

To read more: https://www.metmuseum.org/exhibitions/listings/2019/renaissance-of-etching

Cocktail Scene: “Dante” In New York City Voted “2019 Worlds Best Bar”

From a Food & Wine online article:

Dante NYC Negroni…at Camden’s Roundhouse in London, the annual list of the World’s 50 Best Bars was announced—and this year, New York’s Dante took home the grand prize. The West Village aperitivo bar and restaurant, which is famous for its extensive Negroni menu (and pop-up Negroni fountain), was ranked in 9th place on last year’s list, and also won “World’s Best Bar” and “Best American Restaurant Bar” at Tales of the Cocktail in New Orleans earlier this year. 

The World's 50 Best BarsThe World’s 50 Best Bars 2019

1. Dante–New York

2. Connaught Bar–London

3. Florería Atlántico–Buenos Aires

4. The NoMad–New York

5. American Bar–London

6. The Clumsies–Athens

7. Attaboy–New York City

8. Atlas–Singapore

9. The Old Man–Hong Kong

10. Licorería Limantour–Mexico City

11. Manhattan–Singapore

12. Native–Singapore

13. Carnaval–Lima

14. Katana Kitten–New York

15. Guilhotina–São Paulo

16. Three Sheets–London

17. Himkok–Oslo

18. High Five–Tokyo

19. Salmón Gurú–Madrid

20. Paradiso–Barcelona

To read more: https://www.foodandwine.com/news/worlds-best-bars-2019?did=446693-20191021&utm_campaign=faw-travel-tips_newsletter&utm_source=foodandwine.com&utm_medium=email&utm_content=102119&cid=446693&mid=25675223965

Architecture: The Frank Lloyd Wright Designed Guggenheim Museum Celebrates 60th Year

Frank Lloyd Wright Guggenheim MuseumThis year marks the 60th anniversary of Frank Lloyd Wright’s building for the Solomon R. Guggenheim Museum. Since opening its doors on October 21, 1959, the architectural icon has inspired countless visitors and is widely seen as Wright’s masterpiece.

From its opening to the present day, the Solomon R. Guggenheim Museum has been an unparalleled physical and cultural presence in the New York landscape.

Over the course of the sixteen-year period between the commissioning of the Solomon R. Guggenheim Museum in 1943 and its 1959 opening, the project underwent a series of revisions. The iconic spiral form remained primarily unchanged, but a close reading of documents in the Guggenheim Museum Archives sheds additional light on an array of obscure details that were designed out over time to accommodate budgetary, programmatic, and structural needs and constraints.

To read more: https://www.guggenheim.org/the-frank-lloyd-wright-building

Top New Exhibitions: “The Last Knight” At The Metropolitan Museum, NYC Through Jan 5, 2020

From the MetMuseum.org online:

The Last Knight Metropolitan Museum of Art Exhibition BookThe Last Knight: The Art, Armor, and Ambition of Maximilian I examines the profound significance of European armor at the dawn of the Renaissance, through the lens of Emperor Maximilian I’s (1459–1519) remarkable life. On view only at The Met, The Last Knight coincides with the five-hundredth anniversary of Maximilian’s death, and is the most ambitious North American loan exhibition of European arms and armor in decades. Including 180 objects selected from some thirty public and private collections in Europe, the Middle East, and the United States, The Last Knight will explore how Maximilian’s unparalleled passion for the trappings and ideals of knighthood served his boundless worldly ambitions, imaginative stratagems, and resolute efforts to forge a lasting personal and family legacy.

This exhibition features many works of art on view outside Europe for the first time, including Maximilian’s own sumptuous armors that highlight his patronage of the greatest European armorers of his age, as well as related manuscripts, paintings, sculpture, glass, tapestry, and toys, all of which emphasize the emperor’s dynastic ambitions and the centrality of chivalry at the imperial court and beyond.

To read more: https://www.metmuseum.org/exhibitions/listings/2019/last-knight-art-armor-ambition-maximilian?utm_source=Exhibitions&utm_medium=email&utm_campaign=2019_1019_Met_Exhibitions