Classic and #vintage cars brought a touch of extra style and nostalgia to #Paris on Sunday, Jan. 31. Around 700 vehicles of various eras took part in the 21st winter crossing of the French capital. A variety of vehicles including #cars, buses, motorcycles, mopeds and even tractors could be seen driving across the city.
Jaguar Classic will be creating a limited number of new hand-built examples of the ultimate 1953 Le Mans 24 Hours-winning C-Type for the first time with fully- authentic new disc-brakes. Eight new C-Type Continuation cars will be built ahead of a racing-inspired celebration event for their owners in 2022.
Building from their experience with the Lightweight E-Type, XKSS and D-Type continuations, Jaguar Classic engineers have consulted Jaguar’s archives and cross-referenced scan data taken from an original C-Type in conjunction with the latest computer aided design technology to create the most authentic car possible.
In the late 1960s, Portuguese racing driver Heitor de Moraes took his Renault 8 Gordini from Corsica to Poland, rallying all across Europe. Now, the ocean blue car has found a new owner and a new sportive duty – carrying surfboards in style from Lisbon to the Algarve.
The year was 1968: six years before the so-called ‘Carnation Revolution’. Life in Portugal at that time could be tough. Not for Heitor de Moraes, though: this was the year he became the first owner of a pretty special blue car. Fast-forward to 2020, and another chapter of the car’s history was written, with its third owner also driving it along the curving roads of southern Portugal. Only this time, with surfboards on the roof.
The car was purchased from Timeless Garage in Lisbon (which had carried out a full restoration) and that’s why the story you see in the pictures starts there. A few days later, after some small mechanical corrections and a surfboard roof rack installation, the real mission began: the blue car hit the curves of the Algarve once again. It quickly became clear that even after more than 50 years, Amédée Gordini’s great engineering talent still shines through.
“My primary era is clearly the ’60s,” he says. “For these scenes, I use period photos with the agreement of their photographer and allow myself some freedom on the framing, for example. I like racing cars, and if they have flaws or imperfections, I represent them faithfully, of course.”
“My master is Leonardo da Vinci, who is the ultimate reference in drawing because of his mastery of blur and movement,” he says. “There’s an indeterminate aspect to these drawings that’s essential. It reminds me of Picasso’s famous phrase ‘finishing a drawing, what a horror’ – that’s exactly it, I always leave an area of blur and a part of emptiness. The viewer fills that space with their experience, their story. In this way, a drawing is simply an exchange – an encounter between two people.”
Few artists, like Yan Denes, understand how to make the thrill of speed tangible for the observer with pen and paper. Not only did he design Scuderia Ferrari’s anniversary helmets in Formula 1, but he is also inspired by historic motorsport.
While the vast majority of Denes’ commissions come from owners of modern Ferrari race cars such as the 360 Challenge, 430 GT2, 488 GT3 and FXX, Yan is actually better known for his passion for historic racing scenes.
It has to be said that Denes is a virtuoso when it comes to transcribing speed and movement.
“It’s a privilege to work with these fantastic cars,” enthuses James “and we benefit from incredible craftsmen and Chris’ vast experience. These are important cars, looked after sympathetically. When we restore cars, we’re careful and fastidious in retaining the soul, but we also understand that cars evolve”.
In keeping with the colour British Racing Green, CKL Developments prides itself on being understated, not flashy. Inside a pristine brace of high-roofed, modern industrial units near Hastings, in Britain’s East Sussex countryside, you’ll find cars that are maintained to be enjoyed, driven and raced.
CKL is not, the team is at pains to point out, a museum. It’s the absolute authority on Jaguar-engined sports cars of the ’50s and ’60s and looks after some of the most historic and important British cars of that era, sympathetically restored, preserved of soul and performing at their zenith. The team can service, restore, repair, prepare, race, build, sell, store and transport your pride and joy as required.
From 0 to 100 km/h in 2.4 seconds – that’s how fast the Elektrus can accelerate, making it one of the fastest electric cars in the world. It’s just one of the many exceptional cars in Michael Fröhlich’s collection. The German multi-millionaire collects and designs cars of all types; from vintage vehicles to curious custom-builds that more resemble works of art. He even owns one of the Queen’s old Rolls Royces, but he’s deliberately letting that fall apart…
The 1955 Chevrolet (sometimes referred to as ‘55 Chevy) is an automobile which was introduced by Chevrolet in Autumn 1954 for the 1955 model year. It is considered a huge turning point for the manufacturer and a major success. It was available in three models: the 150, 210, and Bel Air.
The ’55’s top trim offering was the Bel-Air, which had more chrome than the 150 or 210. The Bel-Air, 210 and 150 model could be bought as a four-door, or could be bought as a two door with a post between the front and rear passenger windows, known as the two-door sedan.
The Bel-Air or 210 model could also be had as a two door with no post between the side windows. This was known as the sport coupe, or better known by collectors as “the two door hardtop”. Since this model had no post between the two side windows, it had a shorter roof and longer rear deck than the two door sedan had. Chevy also offered a convertible, with the same shorter roof and longer rear deck as the sport coupe, and it was offered in Bel-Air trim only.
1955 also saw the introduction of the Bel Air Nomad, a sporty two-door station wagon which featured frameless door glass and elongated side windows. The unique roof design of the Nomad came directly from the 1954 Corvette Nomad, a “dream car” designed to be shown at auto shows as a concept sport wagon. Although regarded as one of the most beautiful station wagon designs of Fifties, the Nomad sold poorly, partly due to its price tag (one of the most expensive models in the Bel Air lineup) as well as its lack of four doors. Also the Nomad’s two-piece tailgate design was prone to let excess rainwater leak through to the interior.
The ’55 offered a wide array of colors. One solid color, which was standard for the 150, could be had for the 210 or Bel Air…or nineteen different two-tone color combinations were also available.
Animated and Directed by: João Elias
Have you ever seen a car spreading its wings? Now you do.
This is a full cgi shortfilm featuring the most iconic car of all time, the Mercedes-Benz 300SL Gullwing, at least in my opinion…
I always loved this car, and when I first started this project, I didn’t just wanna make a car rolling by in the desert, I knew there was a bigger story to make, it had to fly. Following its name legacy, I dived deep in this crazy rollercoaster of assembling car parts, raging though the desert of Bonneville salt flats, in order to build a full chassis so the flying body kit could land. After this, the rest is music. A symphony of a few animated shots of this beauty gloriously riding through the desert, creating clouds of smoke through the landscape while hearing that amazing engine roaring.
This is “Gullwing”.
Music: Evan Macdonald.
Sound design: João Elias
The Mercedes-Benz 300 SL (chassis code W 198) is a two-seat sports car that was produced by Mercedes-Benz as a gullwinged coupe (1954–1957) and roadster (1957–1963). It was based on the company’s 1952 racer, the W194, with mechanical direct fuel-injection which boosted power almost 50% on its 3-litre overhead camshaft straight-6 engine. Capable of reaching a top speed of up to 263 km/h (163 mph), it was both a sports car racing champion and the fastest production car of its time.
Max Hoffman, Mercedes-Benz’s authorized United States importer at the time, inspired the 300 SL and correctly perceived an American market for such a car. The company introduced the 300 SL in February 1954 at the International Motor Sports Show in New York City instead of in Europe to get it into U.S. buyers’ hands sooner.
SL is the short form for “super-light” in German, Mercedes’ first use of the designation, referring to the car’s racing-bred light tubular frame construction.
The 300 SL was voted the “sports car of the century” in 1999.
This year, the race had its own challenges, as the pandemic ripped across the world. The Mille Miglia usually takes place in May, but was postponed until October this time round — and many had feared it might be cancelled altogether. But the show must go on — and the sight of more than 400 stunning classic cars glinting in the autumn sun is one I will remember for a very long time.
The first Miglia Mille took place in 1927, founded by a group of car enthusiasts in the town of Brescia, Northern Italy — the race was their response to the region’s loss of the Italian Grand Prix to Monza, seven years earlier. A 1,000 mile loop around Northern Italy (hence the name), the race took place every year for three decades, save for a break during the Second World War. But the perilous, do-or-die nature of the contest led to many crashes and more than ten fatalities, and the final chequered flag fell in 1957. In the 1970s, the Mille Miglia was reborn as we know it today — more of a grand tour than a hotly-contested, breakneck race (although some drivers, even now, forget this from
time to time.)
One of the most iconic cars from Bentley’s history – Sir Tim Birkin’s 1929 supercharged 4½-litre “Blower” – is to be reborn with a new build of 12 matching cars, each individually handcrafted by a team of specialists from Bentley’s bespoking and coachwork division, Mulliner. Together, the new cars will form the world’s first pre-war race car continuation series.
Only four original ‘Team Blowers’ were built for racing by Birkin, in the late 1920s. All were campaigned on the racetracks of Europe, with the most famous car – Birkin’s own Team Car No. 2, registration UU 5872 – racing at Le Mans and playing a pivotal role in the factory Bentley Speed Six victory in 1930.
Now, using a combination of generations of handcraftsmanship skills and the very latest digital technology, the 1929 Team Blower will be the master example for 12 continuations – one for each race that the original fleet of four Team Blowers competed in.