On the day of the survey, the reader will only have to stop the car in front of Livraria Lello and the delivery will be made by a collaborator directly through the window.
Since it first opened its doors in Rio de Janeiro in 1870, Granado has remained true to its founding mission: to concoct local, natural remedies and cosmetics, crafted from flora of Brazil. Such a formula is responsible for Granado’s endurance through time and its current standing as Brazil’s oldest pharmacy and apothecary.
This stunning and fascinating addition to Assouline’s Legends Collection chronicles Granado’s triumphant transformation from a small Rio shop into an international brand lauded for creating sustainable and stunningly-packaged products made from plants, herbs and flowers native to the region.
Today, Granado has three boutiques in Paris and a significant online presence in Europe; but the story of Granado’s rise begins with the tale of one man’s singular vision. At a time when medicines used toxic substances such as mercury and arsenic, José Antonio Coxito Granado began to develop natural alternatives that would quickly revolutionize the world of pharmaceuticals in Brazil. In a text enlivened by more than 200 images that capture the bright colors, botanical terrain, and vibrant aesthetics of Rio, writer Hermés Galvao traces the brand’s history, from its modest roots to its time as the Official Pharmacy of the Brazilian Imperial Family and its eventual growth into a global brand under a new family’s ownership. Featuring an illustrious cast of characters and overlapping with some of the most influential eras in Brazilian history, the story of Granado is a tale as rich as the land that yields its products.
Hermés Galvão was born in 1975 in Rio de Janeiro. He is the author of Como Viajar Sozinho em Tempos de Crise Financeira e Existencial, published in the Brazilian market in 2016. He was a columnist for Vogue Brasil for five years and contributes to GQ and Casa Vogue, writing about travel and urban behavior around the world. Galvão conducted the image research for Assouline’s 2016 title In the Spirit of Rio; Granado is his his first book for Assouline as a writer.
Bruno Astuto is a Brazilian journalist and has been contributing to Vogue Brasil for more than a decade. A worldwide ambassador of Brazil’s fashion and lifestyle, and a bibliophile who owns more than 10,000 books, he is the author of several books, including Catarina de Médicis, Somos Todos Iguais, and In the Spirit of Rio.
100 years ago the brothers Adolf (“Adi”) and Rudolf Dassler made their first pair of sports shoes. Hundreds of groundbreaking designs, epic moments, and star-studded collabs later, this book presents the first visual review of the adidas shoe through more than 350 models including never-before-seen prototypes and one-of-a-kind originals.
Shot using the highest reproduction techniques, these images reveal the fine details as much as the stains, the tears, the repair tape, the grass smudges, the faded autographs. It’s all here, unmanipulated and captured in extremely high resolution—and with it comes to light the personal stories of each individual wearer. We encounter the shoes worn by West Germany’s football team during its “miraculous” 1954 World Cup win and those worn by Kathrine Switzer when she ran the Boston Marathon in 1967, before women were officially allowed to compete; custom models for stars from Madonna to Lionel Messi; collabs with the likes of Kanye West, Pharrell Williams, Raf Simons, Stella McCartney, Parley for the Oceans or Yohji Yamamoto; as well as the brand’s trailblazing techniques and materials, like its pioneering use of plastic waste that is intercepted from beaches and coastal communities.
Accompanied by a foreword by designer Jacques Chassaing and expert texts, each picture tells us the why and the how, but also conveys the driving force behind adidas. What we discover goes beyond mere design; in the end, these are just shoes, worn out by their users who have loved them—but they are also first-hand witnesses of our sports, design, and culture history, from the beginnings of the Dassler brothers and the founding of adidas until today.
From a The Economist online article (March 23, 2020):
In this year of coronavirus contagion, however, the prospect of cheek-by-jowl hanami parties has alarmed the authorities. Tokyo’s government has urged people to steer clear of gatherings “that involve food and drink” to slow the spread of infection. To little effect.
EVERY MARCH and April trees along the banks of the Meguro river in Tokyo fleetingly erupt with fat pink and white cherry blossoms, heralding the arrival of spring. For a few glorious weeks, millions of people across the city flee the drudgery of the office and factory to spend an hour or two in places like this, eating and drinking under falling sakura petals. It is a ritual with ancient roots, with a chapter devoted to it in “The Tale of Genji”, a tenth-century work that is perhaps the world’s first novel.
To celebrate our forthcoming book about Japan, we are presenting a new film series that dives into the intriguing ecosystem that has preserved Japanese traditional skills over centuries. Meet the people who are future-proofing the age-old know-how.
Cork is the second largest city in Ireland. Located in the south-west of Ireland, in the province of Munster, since an extension to the city’s boundary in 2019, its population is c.210,000.
The city centre is an island positioned between two channels of the River Lee which meet downstream at the eastern end of the city centre, where the quays and docks along the river lead outwards towards Lough Mahon and Cork Harbour, one of the largest natural harbours in the world.
Originally a monastic settlement, Cork was expanded by Viking invaders around 915. Its charter was granted by Prince John in 1185. Cork city was once fully walled, and the remnants of the old medieval town centre can be found around South and North Main streets. The third largest city by population on the island of Ireland, the city’s cognomen of “the rebel city” originates in its support for the Yorkist cause in the Wars of the Roses. Corkonians sometimes refer to the city as “the real capital”, a reference to its opposition to the Anglo-Irish Treaty in the Irish Civil War.