The launch of Disney+ has brought a bit of magic to a company whose stock had taken a nosedive after the coronavirus shut down theme parks and movie theaters. WSJ explains how Disney’s streaming platform has become a top competitor in an already crowded field. Photo illustration: Jacob Reynolds/WSJ
Leaders in government and tech want to rewrite a law that governs the internet. WSJ explains Section 230, how it shaped the modern internet, and what lawmakers and tech executives want to change.
Photo illustration: Carlos Waters/WSJ
The Chinese-owned app TikTok has been labelled a national-security threat by the U.S., but it’s not unique in the data it collects. WSJ explains why countries are building digital walls and treating user data like a sovereign asset, and how that could change our tech.
Illustration: Zoë Soriano
With more than 500 hours of video uploaded every minute and over 1 billion hours watched every day, Google’s YouTube is the world’s second largest search engine. And its meteoric growth hasn’t subsided, over 2 billion users visit the site every month. CNBC takes a look at how the video platform has changed over the past 15 years and if it can stay on top.
The Justice Department is filing an antitrust lawsuit against Google. Here’s how the tech giant ended up in the crosshairs of federal regulators.
WSJ’s Jason Bellini reports. Photo: Getty Images
Creating the perfect food commercial isn’t just a matter of great styling and a mouth-watering dish. Sometimes, you need a robot. Steve Giralt is a “visual engineer.”
Check out his Instagram for more: https://www.instagram.com/stevegiralt…
Monocle 24 – The Stack looks at first issues of European magazine titles on the newsstands: ‘Limbo’, ‘Légende’, ‘command+i’ and ‘The White Room’.
I WAS A COMPETITIVE BIRDER in high school. My family drove all around the countryside, so I spent a lot of time in the car, and I had to keep myself busy and project my brain somewhere. I would bring sketchbooks and field guides that I got from the library. I had started an Envirothon team at my school, to compete in the national decathlon pitting nerdy teens against each other in their knowledge of soil surveys, forestry, wildlife, and aquatic ecology.
I was the birding specialist. I learned more than two hundred birdsongs and birdcalls from CDs and from the field. I participated in other competitions where I would win binoculars and forty-pound bags of birdseed. I didn’t even have a bird feeder—I’d just become obsessed.
Unlike bird-watchers, birders often rely first on auditory cues to identify a species. You immediately know so much about the bird—its seasonal plumage, age, sex, if it’s making a courtship call or a warning call—from listening. The second thing you cultivate is an idea of where the call is coming from, so you can zero in on it. You develop a spatial awareness, so even with your eyes closed the woods become a vivid visual experience.
A steward of the Susquehanna River in Pennsylvania once took me out in a canoe to this extremely remote location to see a bald eagle’s ten-foot nest. Eagle populations had been devastated by the use of DDT. At the time, all nest sites had to be reported to the government and kept secret. In 2007, the bald eagle was removed from the list of threatened and endangered species, and ever since, I would catch myself looking out for them whenever I’d pass a lake or river. Where I work, in upstate New York, I see bald eagles all the time. Two years ago, I found a nesting pair in Poughkeepsie near a waste-treatment plant on the Hudson River. I just spent time watching and drawing them. It was very unglamorous. They eat garbage. They’re like pigeons. The river freezes in the winter, and I have a vivid memory of watching this wet, bedraggled eagle on a chunk of ice.
Cy Gavin is an American artist that lives and works in New York. Gavin often incorporates unusual materials in his paintings such as tattoo ink, pink sand, diamonds, staples, Bermudiana seeds, and cremains. Gavin also works in sculpture, performance and video.
Alexander Vreeland, grandson of fashion journalist Diana Vreeland, tells us about his new book, ‘Bon Mots: Words of Wisdom from the Empress of Fashion’.
Diana Vreeland’s insightful edicts and evocative aphorisms remain her strongest legacy. She looked at life as a romantic and lived through dreams and imagination. Showing leadership, vision, and timeless wit, this book celebrates her visionary words that not only transformed the world of fashion, but also gave us sage advice to live by.
Sourced and edited by her grandson Alexander, Diana Vreeland: Bon Mots covers Vreeland’s incisive views of subjects such as allure, fashion, and style (“I mean, a new dress doesn’t get you anywhere; it’s the life you’re living in the dress”); beauty (“The neck is the beginning and end of looking like anybody”); age (“The quickest way to show your age is to try to look young”); color (“Black is the hardest color to get right–except for gray”); and her powerfully creative way of thinking (“I’m looking for the suggestion of something I’ve never seen”) Brought to life by illustrator Luke Edward Hall, Bon Mots vividly displays Mrs. Vreeland’s original thought and speech, which is equally as inspiring and relevant now as it was then.
About the Author
As offices and businesses around the world slowly begin to reopen, the spotlight turns to one of the most traditionally uninteresting forms of transportation: the elevator. Modern cities are intrinsically reliant on these vertical transports which, in light of the global pandemic, can carry new risk factors.