For the fifth episode of Gagosian Premieres, we celebrate “Anselm Kiefer: Field of the Cloth of Gold”—a new exhibition at Gagosian, Le Bourget—with a conversation between the artist and art historian James Cuno and a debut ballet performance by Hugo Marchand and Hannah O’Neill, choreographed by Florent Melac and set to music composed by Steve Reich. The episode airs on March 23 at 2pm EDT. In this episode of Gagosian Premieres, James Cuno, president and CEO of the J. Paul Getty Trust, speaks to the artist in an exclusive interview about the inextricable relationship between history and place that animates the works on view. Hugo Marchand and Hannah O’Neill—principal dancer and first soloist, respectively, at the Ballet de l’Opéra national de Paris—perform original choreography by Florent Melac in the gallery. Set to Steve Reich’s “Duet,” a contemplative composition scored for two solo violins and a string ensemble, the dance was created in direct response to Kiefer’s exhibition of monumental paintings in the vast Jean Nouvel–designed former airplane hangar.
This film was commissioned by North Lands Creative, as part of the UK in Japan 2019-20 bilateral campaign, a partnership between British Council Scotland and Creative Scotland. Supported by project partners Toyama Institute of Glass Art, Toyama Glass Art Museum and Museum of Arts and Design, New York.
The Premiere is part of the “Glass, Meet the Future” Film Festival 2021”
In Collaboration with Rusty Coin Production and Daniel Del Risco Animation.
Project Developed in part OUR COMMON HUMANITY
Commission for the Royal Edinburgh Hospital —
by Edinburgh Lothian Foundation
Large Scale Installation in Partnership with GRAS Architects ( project lead — Jan Hajek )
Two visionary artists, separated in time and space, are united by a shared fascination with nature. See the work of David Hockney and Vincent van Gogh side by side in Hockney – Van Gogh: The Joy of Nature.
This exhibition examines the common ground between British artist Hockney (born 1937) and Dutch artist Van Gogh (1853–1890). Both expressed their profound love of nature through brilliant color and the capacity to see the world with fresh eyes. The Joy of Nature reveals Van Gogh’s unmistakable influence on Hockney in a selection of carefully selected landscape paintings and drawings.
Through a bold use of color and experimentation with perspective, each artist crafts a painterly world that is utterly individual and true to themselves, yet offers immense universal appeal. The Joy of Nature brings together nearly 50 of Hockney’s vibrant works—ranging from intimate sketchbook studies to monumental paintings, as well as his experimental videos and iPad drawings—with 10carefully chosen paintings and drawings by Van Gogh.
Hockney – Van Gogh: The Joy of Nature premiered at the Van Gogh Museum in Amsterdam, and the Houston presentation marks the first time the two renowned artists have been paired in an American museum exhibition. The MFAH is the only U.S. venue.
Join curators Keith Christiansen, Stephan Wolohojian, and Adam Eaker on a tour through the newly installed European Paintings galleries and explore new dialogues and themes among the works. A New Look at Old Masters is part of the European Paintings Skylights Project and is a prelude to the final, expansive re-installation of the European Paintings galleries that will take place after the project is completed.
As a pioneer of abstraction and a renowned aesthetic theorist, Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) is among the foremost artistic innovators of the early twentieth century.
In his endeavor to free painting from its ties to the natural world, Kandinsky discovered a new subject matter based solely on the artist’s “inner necessity” that would remain his lifelong concern.
In Munich in the 1900s and early 1910s, Kandinsky began exploring the expressive possibilities of color and composition, but he was abruptly forced to leave Germany with the outbreak of World War I, in 1914. The artist eventually returned to his native Moscow, and there his pictorial vocabulary started to reflect the utopian experiments of the Russian avant-garde, who emphasized geometric shapes in an effort to establish a universal aesthetic language. Kandinsky subsequently joined the faculty of the Bauhaus, a German school of art and applied design that shared his belief in art’s ability to transform self and society. Compelled to abandon Germany again when the Bauhaus closed under Nazi pressure in 1933, he settled outside Paris, where Surrealism and the natural sciences influenced Kandinsky’s biomorphic imagery.
More so than any other artist, Kandinsky is intertwined with the history of the Solomon R. Guggenheim Foundation, established in New York in 1937. Industrialist and museum founder Solomon R. Guggenheim began collecting Kandinsky’s work in 1929 and met him at the Dessau Bauhaus the following year. This exhibition draws from the foundation’s extensive holdings to illustrate the full arc of Kandinsky’s seminal career.
Curator: Megan Fontanella
Organized by The Solomon R. Guggenheim Foundation, New York
Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.
Bag making is a complex process. From creative sketches and precise technical drawings, to prototypes and catwalk shows, every stage requires careful thought. Historically and globally, bags have been constructed and embellished in an enormous variety of ways.
Originally hand-stitched at home or crafted in small workshops, today’s mass-produced bags are assembled in factories. Each procedure requires special skills, from pattern-making, cutting and dyeing, to sewing, polishing and finishing.
Take a look behind-the-scenes at Mulberry with Development Team Leader, Alice Gouldbourne to discover more about the precision and technical skill required to produce each one of their iconic bags. Find out more: vam.ac.uk/exhibitions/bags
An exhibition called ‘Masterpieces from Buckingham Palace’ is on display at The Queen’s Gallery in London, featuring 65 Old Master paintings from The Royal Collection.
Focussing on the three types of object featured in the V&A display Renaissance Watercolours: illuminated manuscripts, portrait miniatures and coloured drawings, this film showcases the qualities that made watercolour the medium of choice for many artists during the Renaissance.
A modern-day painting of a pomegranate, using traditional watercolour techniques, by artist Lucy Smith, also demonstrates how watercolour painting remains a versatile medium, ideal for capturing life-like details that help us to record our diverse world.
Dominique Pollès, called Pollès, is a French sculptor born in Paris in 1945. He is considered as the inventor of “organic cubism”.
Like Leonard de Vinci in an anatomical search of perfection, of representation of movement,with an almost scientifical or medical glance, Pollès holds the utmost passion of anatomy: he learns about the human body, the complicated hank of muscles, movements of members and all the bodily mechanics.
That’s why in 1964 he starts medicine school and along side goes to the Charpentier Academy where he follows art lessons. In 1966, he encountered sculpture in London where he was invited by his friend Enzo Plazota. This final step teaching him all the bases of sculpture. Pollès then decides to go to live in Italy, in Carrare, an important art place. He moved in 1970 and settled in Pietrasanta where he still lives.
His sculptures, by creating a vision of the moving being, polished and smoothed, break the pureness of aestheticism. He just knows one theme, one model: the female form. According to Pollès, this is the most beautiful one, the most harmonious one. “When we are looking at a feminine body, it is splendid, it is musical”.
His love of women, the sensuality, the complexity, the shapes and passions, brought him to explore the female form. Since the beginning he has created a singularly stylized cubist form; this becoming his signature form. All are cast in bronze by Pollès himself and made in a series of four with one artist’s proof. His masterliness of the patina is considered unparalleled. The world’s recognition of his craft is evidenced by the many awards he has won, the unique places he has shown and the prestigious private collections he is in, including that of Princess Caroline of Monaco.
Pollès was recently honored in an exhibition outside Paris, sponsored by the French Government, called “Sculptors From Rodin to The Present”. He was one of the few living sculptors to be so honored; the others include Abakanowicz, Arman, Saint-Phalle & Wesselmann. Maurice Rheims, a respected Art Critic, and a member of The French Academy, has said “I consider Pollès to be one of the outstanding sculptors of our time.”
His show in the Bagatelle Gardens in Paris in 1998 was a major honor as he was one of only two artists who have ever been allowed to present their work in the Bagatelle. The other artist is Henry Moore. – Galerie Philia is an internationally recognized contemporary design and modern fine arts gallery representing worldwide known designers and artists.
The Galerie Philia attempts in this way to build bridges between different artistic continents in order to enlighten artworks endowed with a marked artistic depth.
The fifty-sixth Wildlife Photographer of the Year exhibition will immerse you in the breathtaking diversity of the natural world. Explore some of the world’s richest habitats, see fascinating animal behaviour and get to know some extraordinary species.
After more than 49,000 entries were whittled down to just 17, the Duchess of Cambridge (Kate Middleton to her friends) announced the winner of the 2020 Wildlife Photographer of the Year awards at a live-streamed event from London’s Natural History museum this week.
This is one of the more prestigious photo awards going around, with a history going back to 1965. Started by the BBC’s Animals magazine, it aimed to highlight species, behaviors and natural events that few people get to see first-hand. The very first winner was presented with his award by no less than Sir David Attenborough, and for the last 38 years, the winners have been put into an exhibition.