New Photography Books: “Neon Road Trip” By John Barnes (March 2020)

John Barnes Neon Road Trip book March 2020The vivid photographs are arranged according to the signs’ imagery, with sections such as Spirit of the West, On the Road, Now That’s Entertainment, and Ladies, Diving Girls & Mermaids. Sixteen of the most iconic landmark signs include brief histories on how that unique sign came to be. A resource section includes a photography index by location and a Neon Museums Visitor’s Guide.

Take to the road to discover the history and artistry of North America’s disappearing neon signs.

Neon Road Trip chronicles the history of the commercial neon sign with a curated collection of photographs capturing the most colorful and iconic neon still surviving today.

John Barnes studied art, graphic design, sculpture and photography, earning a BFA degree in documentary photography from the University of Delaware 1984. He worked as a commercial advertising photographer for over fifteen years both on the east coast and in San Francisco, and has been a fine art photographer for the last 30 years. He recently spent the last two years traveling around the United States and Canada photographing iconic neon signs. John resides in Seattle but spends most of his time traveling taking photographs.

Interviews: 71-Year Old Singer James Taylor On His Audiobook “Break Shot”

NPR Weekend Edition Sunday logoJames Taylor has been a household name for a long time now. Taylor was just 20-years-old when he released his self-titled debut in 1968; in the half century since then, he has sold over 100 million albums and cemented his status as one of the most successful American singer-songwriters.

But in Break Shot: My First 21 Years, his audio memoir on Audible, Taylor narrates his life before fame — including details of his struggle with drugs, alcohol addiction and time in psychiatric institutions. Taylor is also looking back with American Standard, a new album that revives the American Songbook tunes of his childhood.

NPR’s Lulu Garcia-Navarro spoke with Taylor about revisiting his fraught early memories, dealing with fame at an early age and his connection to The Beatles. Listen to their conversation in the player above and read on for highlights from the interview — including a few audio excerpts from Break Shot.

Mayo Clinic Health: “Obesity Epidemic And Popular Diet Trends”

On the Mayo Clinic Radio program, Dr. Donald Hensrud, director of the Mayo Clinic Healthy Living Program, discusses the obesity epidemic and talks about popular diet trends, including intermittent fasting.

This interview originally aired Feb. 8, 2020.

Learn more about intermittent fasting: https://www.mayoclinic.org/healthy-li…

New Exhibitions: 84-Year Old Artist Paul Kolker – “Dialogical Perception…Art As Experiment” (Video)

Paul Kolker is pleased to present his seventy-third solo exhibition, Dialogical Perception… Art as Experiment at his studio, the PAUL KOLKER collection, 511 West 25th Street from February 6 through March 27, 2020.

Paul Kolker (b. 1935) is a New York-based artist with doctorate degrees in medicine and law. He began his career of painting and sculpture in the 1960s, illustrating his peer review medical journal articles and life-casting anatomical models. In the 1970s he treated his art production as a post-minimalist experiment questioning experience and using the viewer as the measuring instrument as well as the interpreter of the experiment’s results. Many of his early works are sculptures, each painted in an elemental color, black or white.

In 1975 Kolker developed a keen and hands on understanding of light optics when he purchased a first generation three tube front end television projector with an alignment grid. That grid became the infrastructure for his works, which involved fractionation of a photographic image and the use of modular panels and canvases to create large scale works. In the 1980s Kolker began making light sculptures using one-way mirror and LED message screens, reflecting ad infinitum. In 2001, when he moved into his studio in Chelsea, he created an algorithm for a process of painting minimal shapes, such as a dot or square, in elemental colors (never mixed with each other, but sometimes mixed with black and/or white to form tints and shades). This process is called ‘fracolor’ in attribution to Benoit Mandelbrot’s fractal geometry, wherein minimal shapes and forms are serially replicated, like branches on a tree, rectangles on a grid, or pixels and dots on a television display screen.

As a result, Kolker’s works have become reminiscent of our pixelated world of digital information transfer, as we see it up close as grids of colored dots on our television, computer and cell phone screens; and how more highly defined that screen becomes when viewed from afar. His works are observational experiments which cry out to us, “Because of biases of color, shapes, parallax and perspective relative to where we stand as the observer, a dot may be a universe; and a universe may be a dot.”

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