
THE NEW CRITERION: The latest issue features….

THE NEW CRITERION: The latest issue features….

PORTICO LITERARY QUARTERLY: The latest issue features….
By Michael Crews
Tracy Daugherty’s biography of Cormac McCarthy is a landmark publication. Putting together the life of a writer who not only shunned publicity but actively worked to keep fans, journalists, the media, and academics off his trail requires the powers of both a skilled biographer and a nosy private detective. In that latter role, some of what Daugherty has uncovered is unsavory, though with the recent revelation of McCarthy’s relationship with Augusta Britt, who was sixteen when they began an affair, readers may be prepared for some of the shocks. One of Daugherty’s leitmotifs is McCarthy the “bad boy” and “outlaw,” and though such appellations risk cliché, the story he tells is of a man who, at least in the first half of his life, preferred the company of moonshiners, gamblers, hard drinkers, and petty criminals like his old Knoxville pal John Sheddan, who seems to have been the Falstaff to McCarthy’s Prince Hal.
Helen Andrews
There are two books before me, which, if I mistake not, will mark an epoch,” wrote W. E. B. Du Bois in The Crisis magazine in 1924. One was a novel of middle-class African-American life by Jessie Fauset called There Is Confusion. The other was a collection of stories, songs, poems, and character sketches called…
Christopher J. Scalia
During the last quarter of the twentieth century, few writers were more admired by peers and critics than Andre Dubus. But because Dubus’s territory was the relatively confined space of the short story and novella, he never enjoyed great commercial success or recognition. Dubus was destined to be a writer’s writer—what Joshua Bodwell calls a…
By Lionel Shriver
In that we’ve been married for sixteen years, you really don’t have to try so hard to make your feelings known,” Janet said at the wheel. “I’m well aware you don’t want to do this.”
“I THINK I’ve been pretty stoic about it,” Rick said, eyes to the thick woods he’d be reflexively scanning for deer. Ever since they’d planted an ambitious garden behind their upstate New York summerhouse, the creatures that had once seemed so exquisite had become evil incarnate.
“Stoic? More like long-suffering,” Janet said. “You’ve hardly said a word the whole way here. But there’s no point in having joined Saint Peter’s if we don’t put our beliefs into practice. Charity doesn’t only mean parting with twenty bucks to get someone at the door to go away. It means sometimes doing what’s right when you don’t feel like it.”

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….
Svetlana Alexievich on the Art of Oral History: “If you cut straight to the part you need, which is what journalists do, it won’t be interesting, and it won’t be the truth, either. Not the whole truth.”
Donald Antrim on the Art of Fiction: “I deplored the idea that writing involves suffering, that it had to be a bloodletting. Later I found out that it would be, and maybe should be.”
Prose by Eka Kurniawan, Angie Sijun Lou, Brian Ma, Scott McClanahan, Sam McKinniss, Tomoka Shibasaki, and Woo Dayoung.
Poetry by Asha Futterman, Zakaria Mohammed, Geoffrey G. O’Brien, Vasko Popa, Diane Seuss, and Natalie Shapero.
Art by Gertrude Abercrombie, Silke Otto-Knapp, and Laura Owens; cover by Elizabeth Glaessner.

We asked artist and folklore fanatic Ben Edge to give us a crash course in British folk art. By Ben Edge
Richard Dadd was a Victorian artist whose elaborate worlds radiate with imaginative power. Here are five things to know about Dadd’s life and art.
Discover the historic Fine Rooms at the heart of Burlington House and see treasures from the RA Collection spanning more than 300 years.

Gagosian Quarterly: The latest issue features a detail of Brice Marden’s The Propitious Garden of Plane Image, Second Version (2000–06) on the cover.
On the occasion of the publication of Brice Marden: Catalogue Raisonné of Paintings, 1961–2023 this fall and of a corresponding exhibition of the artist’s work at Gagosian, New York, we invited Glenn Lowry, a friend of the artist’s and former director of the Museum of Modern Art, to reflect on moments spent with Marden and on the enduring power of his art.
Celebrating the collector Laurent Asscher’s new art space in Venice, William Middleton underscores the richness of Asscher’s relationships with artists.
Eileen Costello explores the oft-overlooked importance of paper choice to the mediums of drawing and printmaking, from the Renaissance through the present day.

THE NEW YORKER MAGAZINE: The latest issue cover features “Lennart Gäbel’s “Showstopper” – Commuter couture.
A quarter century after the attacks, the grief, wars, and political furies of their aftermath still shape American life. By Jill Lepore
The culture wars have come for lingerie as the right, once the advocates of promise rings and purity culture, embarks on a crusade to “Make America Hot Again.” By Jennifer Wilson
The kingdom, seeking to rebrand as a culinary juggernaut, has bankrolled new restaurants and conscripted big-name chefs. Will it succeed? By Ruby Tandoh
A coterie of advisers, planners, and architects is enabling the President’s passion project—renovating D.C. in his own image. By Antonia Hitchens

THE NEW YORK REVIEW OF BOOKS: The latest issue features ‘Fall Books’…
As AI erodes our attention spans and expressiveness, philosophers like Simone Weil and Arthur Schopenhauer offer profound insights on what it means to be an individual.
Timely questions lurk at the heart of connoisseurship: What counts as originality, what value do we place on it, how do we protect it?
The Connoisseur: A Cultural History by Peter Burke
The Goldsmith’s Debt: Conceptions of Property in Early Modern Art by Shira Brisman
Among its peers in the Ivy League, Dartmouth was perfectly positioned to resist Trump’s attack on higher education. It chose not to.
In The Diversity of Morals, Steven Lukes attempts to reconcile philosophical arguments that there is one morality despite cultural differences with empirical studies that suggest it’s all relative.
The Diversity of Morals by Steven Lukes

TIMES LITERARY SUPPLEMENT: The latest issue features ‘Philip Zelikow and Anchit Sathi on progress, AI and the death of the author…..
When doctors and families fall out over medical intervention By Charles Foster
Looking at John Berger By Margaret Drabble
Can literary culture survive in the era of machine intelligence? By Anchit Sathi
Why nations win or lose the technological race By Philip Zelikow

LONDON REVIEW OF BOOKS: The latest issue features…
By Colin Burrow
What’s the point of literary criticism? In June the University of Exeter announced plans that might make roughly a third of its English department – one of the best in the country – redundant. Other institutions, including Canterbury Christ Church University, have stopped offering English degrees altogether. Most mainstream publishers now wouldn’t dream of publishing a work of literary criticism, as they happily did in the 1970s and 1980s. Even literary biography, literary criticism’s previously marketable stepsister, no longer brings a gleam to a publisher’s eye. The grassroots of the subject are also suffering badly. Since 2000 the number of people taking A-level English literature in England has dropped by around a third, to around 36,000, with an even higher drop among male students.

THE YALE REVIEW: The latest issue features….
My encounters with literary greats by Lucy Sante
Edgar Allan Poe’s stories are full of ghastly crimes, but the true horror lies in their confessions. By Emily Ogden
On facing the white page by Tom McCarthy