‘The Scream,’ arguably the most iconic image in art, is the centerpiece of a new museum dedicated to its creator Edvard Munch in Oslo.
Munch Museum is an art museum in Oslo, Norway dedicated to the life and works of the Norwegian artist Edvard Munch. As of the summer of 2021, 28000 pieces of art are being moved from the museum at Tøyen, to the museum at Bjørvika, Oslo.
Alex Roediger, MoMA’s senior information coordinator, looks at Helen Frankenthaler’s “Jacob’s Ladder” (1957) with a painter’s eye, and finds that “more paint” isn’t always the key to making a dramatic statement—even in Abstract Expressionism.
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Picasso’s stunning painting ‘Femme Accroupie’, offered in Sotheby’s upcoming Modern Art Evening Sale (9 October | Hong Kong), is a portrait of his ultimate muse and wife, Jacqueline Roque. In this latest Expert Voices, Sotheby’s Chairman Brooke Lampley tells us of the huge artistic inspiration Jacqueline had on Picasso. Discover how this work was the final summation of an entire series of portraits of her, and how it was inspired by master artists of previous centuries.
Watch a video preview of the exhibition, “Surrealism Beyond Borders,” on view at The Met from October 11, 2021–January 30, 2022. Nearly from its inception, Surrealism has had an international scope, but knowledge of the movement has been formed primarily through a Western European focus. This exhibition reconsiders the true “movement” of Surrealism across boundaries of geography and chronology—and within networks that span Eastern Europe to the Caribbean, Asia to North Africa, and Australia to Latin America. Including almost eight decades of work produced by artists from over 45 countries, “Surrealism Beyond Borders” offers a fresh appraisal of these collective concerns and exchanges—as well as historical, national, and local distinctions—that recasts appreciation of this most revolutionary and globe-spanning movement. Learn more about the exhibition: https://www.metmuseum.org/exhibitions…
Vincent Van Gogh was a master of creating sumptuous still lifes. In this latest Expert Voices, Sotheby’s specialist Simon Stock describes how his painting “Nature Morte: Vase Aux Glaïeuls”, offered in Sotheby’s upcoming Modern Art Evening Sale (9 October | Hong Kong), perfectly captured the essence of the artist’s first summer in Paris in 1886. Discover how the artist infused his inspiration of Japanese wood block prints into his paintings, and how he painstakingly captured the joy of living in his still lifes, but also the transience of life.
The Musée de l’Orangerie presents an exhibition bringing together the works of Chaïm Soutine (1893–1943), painter of the Paris School of Russian origin (now Belarus) and Willem de Kooning (1904-1997), abstract expressionist American of Dutch origin.
This exhibition will focus more specifically on exploring the impact of Soutine’s painting on the pictorial vision of the great American painter.
Soutine indeed marked the generation of post-war painters by the expressive force of his painting and his figure of “accursed artist”, grappling with the vicissitudes and excesses of Parisian bohemia. His work was particularly visible in the United States between the 1930s and 1950s, when the figurative artist of European tradition was re-read in the light of new artistic theories. The gestural painting and the pronounced impasto of Soutine’s canvases lead critics and curators to proclaim him a “prophet”, herald of American abstract expressionism.
It was precisely at the turn of the 1950s that Willem de Kooning began the pictorial work of Women, canvases in which a singular expressionism was built, between figuration and abstraction. The development of this new language corresponds to the moment when the painter summons the artistic universe of Chaïm Soutine and confronts it. De Kooning discovered his predecessor’s paintings in the 1930s, then at the retrospective which devoted the painter to the Museum of Modern Art in New York in 1950. He was then particularly marked by the presentation of Soutine’s paintings in the Foundation’s collections. Barnes of Philadelphia, where he visited with his wife Elaine in June 1952.
At the time of his death, Auguste Rodin (France, 1840-1917) was counted among the most renowned artists in the world. A century later, after numerous reassessments by generations of art historians, Rodin continues to be recognized for making figurative sculpture modern by redefining the expressive capacity of the human form. This installation spans three galleries and features nearly 100 Rodin sculptures essential to telling his story and representing his groundbreaking engagement with the body. Drawn from the extensive holdings of the Cantor Arts Center, the largest collection of sculptures by Rodin in an American museum, it also presents comparative works by his rivals, mentors, admirers, and imitators.
Check out the Cantor for publications about August Rodin and his works, available for purchase in the Cantor’s Atrium.
