“It seems to me that a lot of our conceptual ideas are already carried out in the past. And we’re at a point to inherit those ideas to the future.”
“When I was nine years old, I was looking through her collection of postcards of all the Western art,” Mori remembers: “Somehow I found Jackson Pollock’s no. 13 painting. And I was so thrilled. I didn’t know what abstract painting was, but I really felt freedom.” Today, Mariko Mori works in various mediums, from photography and sculpture to installation and architecture. Her studio – and home – was the first architectural project she did. The house is located at Okinawa, a tropical island south of Japan.
Inspired by the surrounding nature Mori wanted “the house to be an extension of that. A part of nature.” The untraditional shape of the house is eye-catching: “Originally, I was thinking of just building an architecture building, but it became more like a sculpture or form,” she says and continues: “The shape tried to accommodate the wind coming from the north.” This explains why the building is smaller in one part and bigger in another.
Mariko Mori is a Japanese multidisciplinary artist. She is known for her photographs and videos of her hybridized future self, often presented in various guises and featuring traditional Japanese motifs. Her work often explores themes of technology, spirituality and transcendence.
Japanese artist 
Boomers Daily 