JUNE 30, 2020: INEOS Automotive today reveals the exterior design of the Grenadier, its forthcoming, no-nonsense 4×4 vehicle for the world, another step on the road towards start of production.
Built from the ground up on an all-new platform, the INEOS Grenadier has been designed on purpose: namely to meet the demands of its future owners for a rugged, capable and comfortable go-anywhere working vehicle.
“The brief was simple. We set out to design a modern, functional and highly capable 4×4 vehicle with utility at its core”, said Toby Ecuyer, Head of Design. “A design that is ‘easy-to-read’, with no ambiguity about the Grenadier’s role in life. There to do everything you need, and nothing you don’t. Nothing is for show. Modern engineering and production techniques ensure the Grenadier is highly capable, but we have been able to stay true to the essence of creating a utilitarian vehicle that will stand the test of time”.
Ilse Crawford is a designer, academic and creative director with a simple mission to put human needs and desires at the centre of all that she does. As founder of Studioilse, together with her multi-disciplinary, London-based team, she brings her philosophy to life.
This means creating environments where humans feel comfortable; public spaces that make people feel at home and homes that are habitable and make sense for the people who live in them. It means designing furniture and products that support and enhance human behaviour and actions in everyday life. It means restoring the human balance in brands and businesses that have lost their way. As founder of the department of Man and Wellbeing at the Design Academy Eindhoven, her mission extends to nurturing a new generation of students to always question why and how their work improves the reality of life.
A selection of three essential articles read aloud from the latest issue of The Economist. This week, Amazon is essential, but vulnerable; (10:35) pandemic politics in Britain; (18:15) and the United Nations after 75 years.
The wisteria at Petworth’s private garden is simply astonishing. Non Morris takes a look at how it’s done, with pictures by Val Corbett.
The beautiful pergolas in the Cloister Garden are trained with Wisteria floribunda Alba, a white Japanese wisteria selected for the tantalising length of its racemes — up to 24in — and the way the flowers open gradually along the stem, which prolongs its flowering period. The wisteria is pruned once only, in September.
Miller’s Penguin book covers and ironic titles catch the art world’s eye
These covers are closer to still life studies, rather than two-dimensional posters. Experimenting with different paper sizes and angles, he occasionally shows their spines, and the shadows they cast. It is a celebration of books as treasured objects. His drawings – in particular his studies for his large-scale oil paintings with their notes scribbled down the margins – are some of his most intimate works to date.
The ensuing images are humorous, sardonic and nostalgic at the same time, while the painting style hints at the dog-eared, scuffed covers of the Penguin classics themselves.
Starting with Jay Jopling in 1996, when Miller exhibited in a group show at London’s Institute of Contemporary Art, his works have garnered many a famous fan. Amongst which are AC/DC’s guitarist Angus Young, David Bailey, and Elton John – whose work amusingly, if a little painfully, bears the title ‘International Lonely Guy.’
George Michael, with his Harland Miller piece ‘Incurable Romantic Seeks Dirty Filthy Whore‘ commanded £237,500 in the posthumous auction of his art collection last year.
Sarah Watkinson is Wytham Woods’ first poet in residence. She leads us through a delicate maze of woodland and words, weaving together nature, research and poetry. In their work, scientists are objective: they don’t express opinions, they don’t talk about themselves. Poetry would seem science’s diametrical opposite: it’s traditionally inward-looking and self-reflective. Sarah’s writing combines her scientific background and her love for form and words in the most delicate and unexpected way: observing the world, for her, is a form of poetry.