A quarter century after the attacks, the grief, wars, and political furies of their aftermath still shape American life. By Jill Lepore
Have Conservatives Taken Sexy Back?
The culture wars have come for lingerie as the right, once the advocates of promise rings and purity culture, embarks on a crusade to “Make America Hot Again.” By Jennifer Wilson
Saudi Arabia’s Pursuit of Michelin Stardom
The kingdom, seeking to rebrand as a culinary juggernaut, has bankrolled new restaurants and conscripted big-name chefs. Will it succeed? By Ruby Tandoh
Donald Trump’s Capital Makeover
A coterie of advisers, planners, and architects is enabling the President’s passion project—renovating D.C. in his own image. By Antonia Hitchens
What’s the point of literary criticism? In June the University of Exeter announced plans that might make roughly a third of its English department – one of the best in the country – redundant. Other institutions, including Canterbury Christ Church University, have stopped offering English degrees altogether. Most mainstream publishers now wouldn’t dream of publishing a work of literary criticism, as they happily did in the 1970s and 1980s. Even literary biography, literary criticism’s previously marketable stepsister, no longer brings a gleam to a publisher’s eye. The grassroots of the subject are also suffering badly. Since 2000 the number of people taking A-level English literature in England has dropped by around a third, to around 36,000, with an even higher drop among male students.
A Sicilian Man: Leonardo Sciascia, the Rise of the Mafia and the Struggle for Italy’s Soul by Caroline Moorehead
The Beast in the Clouds: The Roosevelt Brothers’ Deadly Quest to Find the Mythic Giant Panda by Nathalia Holt
The Twitnam Summer: Friendship, Satire and the Writing of ‘Gulliver’s Travels’ by Hester Grant
Dolly Parton belonged to a beloved category: the outlaw Christian, who loved Jesus and refused to hate anyone else.
Cinema Lessons from a Trash-Movie Auteur
Why do we love trash and hate slop? Neil Breen’s so-bad-they’re-great movies elucidate the difference.
The Floods Nepal Didn’t Cause
Flash floods, triggered by a glacial collapse in the Himalayas, have killed at least five hundred people in a nation that has contributed little to climate change but is disproportionately affected by it. By Ishaan Tharoor
How the Meta Settlement Could Change the Internet
Even while refusing to admit legal fault, the parent company of Facebook and Instagram has accepted, for the first time, that much of its business model is unacceptable for children. By Nathaniel Lubin
New Maps Show How Israel Has Thwarted Hopes for a Palestinian State
The breakneck expansion of settlements in the West Bank has rendered American talk of a two-state solution increasingly irrelevant.
The SAVE America Act is just one part of a package that includes an executive order and threats of prosecution, all in an effort to make Trump’s math work. By Amy Davidson Sorkin
The Big, Dumb, Gluttonous Fun of America’s Semiquincentennial
In D.C. and the Dakotas, at rodeos and powwows, celebrating the country means taking in pride and disappointment and fellow-feeling. By Rachel Monroe
The End of the European Summer
As extreme heat overwhelms the Continent’s great cities, they are racing to transform themselves for a climate that they were never built to withstand. By Eric Klinenberg
As Abdul El-Sayed, Michigan’s newly elected Democratic nominee for the U.S. Senate, put it, “People really effing hate data centers.” By Benjamin Wallace-Wells
The Delusions of John Roberts
The Chief Justice insists that his Supreme Court isn’t biased even as it keeps making dramatic leaps rightward. By Margaret Talbot
Are You a Human?
From branding irons to iris scans, the ancient business of proving who you are has never been stranger—or more lucrative. By Jill Lepore
Inside Russia’s New Gulag
Human-rights groups estimate that more than ten thousand Ukrainian civilians have disappeared into the Russian prison system. This is the story of one cell.
Christopher Nolan’s $250 million action movie version of Homer’s ancient Greek poem is an entertaining way to hide from the high temperatures for a few hours. Nolan’s trademark jumps and twists in the narrative structure are relatively easy to follow, and appropriate for The Odyssey, a narrative of tales nested in tales. My teenagers had a good time. Unlike some of Nolan’s other films, The Odyssey is not boring, thanks to the source material, which is impossible to mess up entirely. It’s a family-friendly audiovisual spectacle, like an elaborate Fourth of July fireworks display – and with about the same level of narrative and emotional depth.
Beijing is competing with the U.S. for tech supremacy. Who wins will have huge political implications. By Evan Osnos
The Failures of the Fauci Hearing
Senator Rand Paul may have approached the matter with theatrics and ill will, but Dr. Anthony Fauci’s decision not to testify was a loss. By Amy Davidson Sorkin
How Roy Cohn Taught Donald Trump Everything
The lawyer who showed an outer-borough striver how to ignore the rules, avoid a paper trail, and make up a good story for the media. By Kai Bird and Susan Goldmark
Gadi Eisenkot, whose view of war is shaped by the loss of his son, is, in manner and character, the anti-Bibi. By David Remnick
The Men Who Made Theory French
French theory, as taught in American classrooms, has acquired a reputation of forbidding difficulty and hauteur. A new history seeks to surface its human side. By Dayna Tortorici
News, Views and Reviews For The Intellectually Curious