Two visionary artists, separated in time and space, are united by a shared fascination with nature. See the work of David Hockney and Vincent van Gogh side by side in Hockney – Van Gogh: The Joy of Nature.
This exhibition examines the common ground between British artist Hockney (born 1937) and Dutch artist Van Gogh (1853–1890). Both expressed their profound love of nature through brilliant color and the capacity to see the world with fresh eyes. The Joy of Nature reveals Van Gogh’s unmistakable influence on Hockney in a selection of carefully selected landscape paintings and drawings.
Through a bold use of color and experimentation with perspective, each artist crafts a painterly world that is utterly individual and true to themselves, yet offers immense universal appeal. The Joy of Nature brings together nearly 50 of Hockney’s vibrant works—ranging from intimate sketchbook studies to monumental paintings, as well as his experimental videos and iPad drawings—with 10carefully chosen paintings and drawings by Van Gogh.
Hockney – Van Gogh: The Joy of Nature premiered at the Van Gogh Museum in Amsterdam, and the Houston presentation marks the first time the two renowned artists have been paired in an American museum exhibition. The MFAH is the only U.S. venue.
As cultural institutions struggle to return to a semblance of normality, some spaces are drawing on all sorts of resources to keep fulfilling their role in society. FRANCE 24’s Renaud Lefort took a walk around the French capital, meeting its artists and artisans to see how they’re dealing with these unprecedented circumstances.
In the Italian city of Florence, high-quality colored paper and gift wrap have a long tradition. In fact, some of it is still made by hand. These papers are famous for their delightful patterns, shiny colors, and their Italian Renaissance-era motifs. We went to visit paper manufacturers in Florence to find out more about this age-old tradition!
The Scottish Colourists were some of the most important and avant-garde artists working during the early 20th century. Their art was bold and vibrant and unlike anything that had been produced in Britain before. Sotheby’s upcoming sale ‘The Way of Colour: Pictures from the Harrison Collection’ (10 – 17 March) offers Fauvist inspired paintings by George Leslie Hunter, stunning still-lifes by Francis Campbell Boileau Cadell and Cezanne-like work by Samuel John Peploe.
Mark McDonald, Curator in the Department of Drawings and Prints, takes us on a virtual tour of Goya’s Graphic Imagination to explore how Goya’s drawings and prints allowed him to share his complex ideas and respond to the turbulent social and political changes occurring in the world around him.
In this week’s episode of “Cocktails with a Curator,” we welcome the Frick’s new Assistant Curator of Sculpture, Giulio Dalvit. In his premiere episode, he discusses one of the important bronze statuettes in the collection, a “Hercules” by Antico. A celebrated artist of great technical virtuosity, Antico worked primarily for the powerful Gonzaga family in Mantua in the late fifteenth and early sixteenth centuries. In celebration of Isabella d’Este, the marchioness of Mantua and one of Antico’s patrons, thisweek’s complementary drink is a glass of Malvasia, a sweet wine that Isabella would drink at breakfast. To view this object in detail, please visit our website: https://www.frick.org/anticohercules
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon explores Piero della Francesca’s “St. John the Evangelist,” one of the few major works by the Renaissance artist in the United States. This striking panel was originally part of a polyptych commissioned for the high altar of Sant’Agostino in Piero’s hometown of Borgo San Sepolcro. The polyptych was probably dismembered in the mid-16th century, less than one hundred years after it was made, and many fragments are now lost. Enjoy this week’s program with a bourbon-powered Saint cocktail or a refreshing Grapefruit Citrus mocktail.SHOW LESS
In this week’s episode of “Cocktails with a Curator,” journey to sixteenth-century Rome with Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he discusses El Greco’s “Vincenzo Anastagi,” one of three important paintings by the Renaissance artist in the Frick’s collection. Born in Crete, El Greco spent a formative seven years in Rome, where he painted this rare, full-length portrait of a minor aristocrat from Perugia then serving as Sergeant Major of Castel Sant’Angelo. Look closely at this unusual painting while sipping an Ouzo Lemonade, which gets its kick from the anise-flavored spirit popular in the artist’s birthplace.
The Musée d’Orsay is the second most-visited museum in France after the Louvre. In 1986, this former Paris train station became a showcase for Impressionist art. The exhibition rooms are constantly evolving because only half the paintings are on display at any one time; the others are kept in the storeroom. Curators regularly renew the exhibits. Sometimes, the masterpieces require the expert care of restorers, who then have the delicate mission of bringing the paintings back to life. We take a closer look.
The Musée d’Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d’Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography.