Although our galleries are temporarily closed we wanted to share the Andy Warhol exhibition at Tate Modern with you. Join Tate curators Gregor Muir and Fiontán Moran as they discuss Warhol through the lens of the immigrant story, his LGBTQI identity and concerns with death and religion.
Meet the man behind the brand. It’s a Warhol you might not know, with some artworks you may not have seen before.
This documentary is an intimate portrait of British sculptor Phyllida Barlow during her preparation for the major survey ‘cul-de-sac’ at the Royal Academy last year. Directed by Cosima Spender, this film maps the roots of Barlow’s oeuvre, as she revisits childhood memories, domestic and urban spaces, and their subsequent role in her creative process.
Phyllida Barlow began studying at Chelsea College of Art in 1960, and went on to study and teach at Slade School of Art for more than twenty years, becoming Emerita Professor in 2009. She was elected a Royal Academician in 2011, and represented Great Britain in the 2017 Venice Biennale, where she created the ambitious installation, ‘folly’.
Watch this evolution and the artist’s influences in ‘PHYLLIDA’. ‘I want the work to be traversed in a way that your memory of it is tested, so that you keep forgetting what you’ve seen’, Barlow explains, ‘I think that is the nature of sculpture – not something that can be held as a whole image in your head, only as fragments… The spaces, the silences in between, are as much a component of the work as the thing itself.”
‘PHYLLIDA’ is produced by Hauser & Wirth, in association with Third Channel and Peacock Pictures.
“In my paintings, I try to capture the hidden beauty found in the unexpected places and fleeting moments of everyday life. I continue to be intrigued by the urban landscapes of inner cities – their active streets, time worn buildings and multiple layers of decay, renewal and adaptation – that proudly display the effects of age and use, which I see as testaments to strength, character and authenticity in contrast with modern society’s demand for newness, imitation, disposability and easy duplication.
Dan Graziano is an award winning, nationally exhibited artist whose paintings capture the hidden beauty found in the unexpected places and fleeting moments of everyday life. Incorporating dramatic light, shadow, color and perspective, his compositions feature a diversity of subjects – from a simple still life to rugged coastlines, active urban life, lively cafes and bars, small rural towns and forgotten roadside relics. His work has been featured in numerous publications and is in the collections of private and corporate collectors throughout the world.
His artistic vision began taking shape in the 60’s, during America’s explosive political, cultural and artistic awakening. His first formal training focused on advertising and illustration, but a career opportunity in architecture and urban planning altered his original direction.
When he returned to painting, he was drawn to the rich complexity of the urban landscape – inspired by Edward Hopper and other urbanist painters. As an accomplished blues guitarist (his other great passion), he found the city streets, time worn buildings and multiple layers of decay and repair a visual parallel to the spirit and culture of the music.
“My work is influenced by the American realists such as Sargent, Hopper and the three generations of Wyeths along with California painters Wayne Thiebaud and Richard Diebenkorn.”
FEATURES | Michael Prodger visits the newly resplendent Gemäldegalerie Alte Meister in Dresden; Yinka Shonibare talks to Samuel Reilly; Seamus Perry considers the visual qualities of Wordsworth’s poems; Tim Smith-Laing on the modern monsters of Léopold Chauveau; Emilie Bickerton looks at how museums tackle the subject of cinema; Christopher Turner talks to Grażyna Kulczyk, founder of the Muzeum Susch
REVIEWS | Matthew Sperling on Picasso’s works on paper at the Royal Academy; Nicholas Hatfull on Edward Hopper at the Fondation Beyeler; Scott Nethersole on Renaissance art in the regions of Italy; Alan Powers on the life of Humphrey Stone; Max Norman on a new study of Poussin; Peter Parker on John Minton’s illustrations for Elizabeth David’s cookery books
MARKET | Tim Maxwell and Tamara Bell on cybersecurity; and the latest art market columns from Susan Moore and Emma Crichton-Miller
Monocle 24 speaks with Gill Saunders and Margaret Timmers about their upcoming book ‘The Poster’ from Thames & Hudson in partnership with the V&A.
Featuring posters from the world-class collection of the Victoria and Albert Museum, this book is the perfect resource for all those who appreciate one of the most popular art forms.
Even in the digital age, the printed poster has continued to be one of the most influential and well-loved ways of informing and entertaining audiences. A powerful means of mass communication, posters are an invaluable resource for understanding the time periods in which they were produced and distributed and have often played key roles in shaping society.
Organized into seven thematic chapters, The Poster brings together more than 300 examples that offer a comprehensive history of the poster as a medium that has been used to share, sell, or incite political and social change. The text traces the poster through innovations in design, illustration, typography, and printing, as well as movements in art, including Art Nouveau, modernism, Art Deco, psychedelia, and punk.
Featuring works by A. M. Cassandre, Henri de Toulouse-Lautrec, Alphonse Mucha, Milton Glaser, Paula Scher, and Peter Gee, and many more, this book is an essential resource for graphic designers, illustrators, and anyone interested in social and political history.