Once a hunting lodge for the Bourbon monarchs, the Museo di Capodimonte in Naples is now home to one of the world’s most significant collections of Italian painting. This exhibition at the Musée Louvre in Paris (7 June–8 January 2024) brings more than 60 masterpieces from the museum to France. Highlights of the paintings on view include Parmigianino’s Portrait of a Young Girl (or Antea) (1524–27) and Guido Reni’s Atalanta and Hippomenes (1620–25).
17 March – 18 June 2023
The exhibition features Black artists who created some of the most spectacular and ingenious works of the last century. Working in near isolation from established practices, they made masterpieces that tackle issues such as enslavement, segregation and institutionalized racism. The exhibition runs until 18 June 2023.
France-Amérique Magazine – June 2023 – The issue explores the art world on both sides of the Atlantic Ocean! First, read how American sculptor Alexander Calder produced a mobile to support Free France during World War II – this is our cover story.
By Guy Sorman
A book co-edited by Lynn Gumpert, director of the Grey Art Gallery at NYU, is shaking up preconceptions about the contribution of American artists in France following World War II. We asked her about this little-known period, when Paris was still as much a hub of artistic creativity as New York City.
Also in this issue, discover the little-known contribution of American artists in 1950s France; read our interview with Delphine de Canecaude of Chargeurs Museum Studio, the French company that has outfitted many of America’s largest museums; and enjoy our profiles of Clark Art Institute director Olivier Meslay and French-American graffiti legend John “JonOne” Perello.
By Guénola Pellen
The dynamic fortysomething was hired to run Chargeurs Museum Studio in February. As the world leader in cultural engineering and production, the French company has designed the National Museum of the U.S. Army, the National Museum of African American History and Culture, and the new wing of the American Museum of Natural History, which recently opened in New York City.
He tells us about the project. And this episode’s Work of the Week is The Room, Part 1 (1975) by the late San Francisco-born painter Joan Brown. The painting is part of the touring survey that opens this week at the Carnegie Museum of Art in Pittsburgh, and Liz Park, the curator of the Pittsburgh show, tells us more about it.
Keith Haring: Art Is For Everybody, The Broad, Los Angeles, 27 May-8 October; Art Gallery of Ontario, Toronto, 11 November-17 March 2024; Walker Art Center, Minneapolis, 27 April-8 September 2024.The rehang of Tate Britain is open now.Joan Brown, Carnegie Museum of Art, Pittsburgh, 27 May-24 September. Orange County Museum of Art, Costa Mesa, California, 7 February–1 May 2024. Joan Brown: Facts & Fantasies, Matthew Marks Gallery, New York, until 17 June.
5/24–9/17/2023
“This summer, our visitors will have the opportunity to encounter an exciting artistic medium—the relief: an art form between painting and sculpture that literally breaks through the confines of the frame and bursts the boundaries of our sense of sight! We are devoting a major exhibition to this sometimes underacknowledged medium.”
Is it painting or sculpture, surface or space? Hardly any artistic medium challenges our sense of sight like the relief. And that is what has always made it so appealing for the most famous artists. From 24 May to 17 September 2023, the exhibition will present prominent works spanning some 160 years by Bertel Thorvaldsen, Jules Dalou, Auguste Rodin, Medardo Rosso, Paul Gauguin, Henri Matisse, Pablo Picasso, Alexander Archipenko, Jean Arp, Kurt Schwitters, Sophie Taeuber-Arp, Yves Klein, Louise Nevelson, Lee Bontecou and others.
The Art Newspaper’s live editor, Aimee Dawson, and our contributing editor Anny Shaw take the temperature of the market in New York.
Just as we completed the episode, the US Supreme Court ruled that Andy Warhol infringed on the photographer Lynn Goldstein’s copyright when he created a series of silkscreens based on her photograph of the late rock singer Prince. Coincidentally, we had already recorded an interview with our New York correspondent Laura Gilbert about the fact that a Manhattan judge last week refused to throw out two photographers’ long-running copyright lawsuits against the artist Richard Prince, for his New Portraits series, which appropriated their original images. 2021.
May 14–Sep 4, 2023
This video maps their journeys, shedding light on this pivotal period in their careers and the landscapes that inspired them.
Rubble is like a plant’s blossoms; it is the radiant highpoint of an incessant metabolism, the beginning of a rebirth.
—Anselm Kiefer
Kiefer’s thirteenth solo exhibition at Gagosian since 1998, hortus conclusus follows Questi scritti, quando verranno bruciati, daranno finalmente un po’ di luce (Andrea Emo) at Palazzo Ducale, Venice (2022–23) and Exodus, a bicoastal exhibition presented at the gallery in New York (2022) and at Gagosian at the Marciano Art Foundation, Los Angeles (2022–23).
This coming October, Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut (LaM) in France will present Anselm Kiefer: Photography at the Beginning, the first exhibition dedicated to the artist’s photographs.
The photographer Ala Kheir joins us from Khartoum to tell us about the conflict in Sudan and how it is affecting him and other artists. We talk to Alyce Mahon, the co-curator of Sade: Freedom or Evil, a new exhibition at the Centre Cultura Contemporània de Barcelona (CCCB) in Barcelona about the 18th-century writer and libertine the Marquis de Sade and his artistic and literary influence, particularly in the 20th and 21st centuries.
And this episode’s Work of the Week is Gwen John’s La Chambre sur la Cour (1907-08), a painting of John herself in a Parisian interior. The picture is one of the highlights of an exhibition dedicated to John at the Pallant House Gallery in Chichester, UK.Ala Kheir on Instagram @ala.kheir.Sade: Freedom or Evil, Centre Cultura Contemporània de Barcelona, until 15 October.
Alyce Mahon, The Marquis de Sade and the Avant-Garde, Princeton University Press, $47/£40.Gwen John: Art and Life in London and Paris, Pallant House Gallery, Chichester, 13 May-8 October. Alicia Foster, Gwen John: Art and Life in London and Paris, Thames and Hudson, $39.95/£30. Out now in UK, published in the US on 18 July.
Boomers Daily 