Bon Appétit (March 21, 2023) – A perfect Peking Duck is maroon in color, with crispy skin encasing juicy, tender meat— and Han Li-Jun, founder and head chef of Chili House in San Francisco, has been in the craft of making it for 3 decades. Watch him break down each step in the intricate process, as demonstrated by his collaborator Chef Han, in serving authentic and traditional Peking Duck.
Chili House SF is an authentic Chinese Food Restaurant located in the Richmond District of San Francisco, California. Our executive chef, Chef Han, has been cooking since 1988 and has had the privilege of serving his cuisine to Chinese Presidents and Foreign Ministers.
FRANCE 24 (March 21, 2023) – Once important seats of Christian worship, and now treasures of the country’s heritage, French abbeys often have surprising histories. That’s the case of Fontevraud abbey, in the former duchy of Anjou. Run by a woman during its heyday, the abbey was turned into a prison after the French Revolution.
In Alsace, the abbey of Mont Sainte-Odile is famous for its supposedly miraculous spring water. Finally, on the outskirts of Montpellier, Valmagne abbey used to be a wine cellar. Visitors can still observe the gigantic barrels that were once used to store thousands of litres of wine.
My husband doesn’t enjoy peeling oranges. He doesn’t like the little white webs of pith or the way the juice trickles between his fingers and soaks and stains the skin. He’s not a fan of pips. The citrus-sweet taste he could take or leave. If I had to choose between him and my favourite fruit, I like to think I’d stick with him.
When Clare wakes, the car is moving along a wide valley between fields of grazing cattle. She shifts in her seat, her side sweaty where her brother Robbie has been leaning against her. The last thing she remembers is crossing into Austria at a high pass, a young border guard peering in at them through the drizzle. Now the sun is out, and the tarmac is steaming in the heat. At a junction, her father slows down. ‘This is it,’ he says, turning the car. They pass through a village, all whitewashed houses with large overhanging roofs. In the deserted square is a small inn, Der Jäger painted across one wall in beautiful gothic script. Next to the lettering is a twenty-foot-high figure of a hunter in Tyrolean leather trousers and green hat, striding across a mountain side. Clare notices that he has the same jaw as John Travolta in Grease.
The Local Project – (March 21, 2023) – Celebrating a 1970s clifftop house and its original design, Stawell House by Architects EAT is a culmination of subtle restorations and additions that bring a modern liveliness to the home’s 50-year-old history.
Video timeline:00:00 – Introduction to the 1970s Clifftop House 00:26 – The Location and The History 00:56 – Clifftop Views 01:14 – A Walkthrough of the Home 01:53 – Experiencing Everything Nature Has to Offer 02:08 – The Materials 03:18 – A Personal Project for the Owners 03:57 – The Landscape 04:18 – A Restoration Project not a Redesign
Located in Studley Park, Melbourne, the 1970s clifftop house showcased original architecture that could not be replicated. However, desiring a respectful and modern update the clients chose to collaborate with Architects EAT, who agreed that retaining Stawell House’s character was important. While also taking on the role of project managers, the owners were able to maintain an intimate and collaborative throughout the entire process of restorations. Overlooking the Yarra River, the 1970s clifftop house asserts itself as part of the landscape blending effortlessly into the topography.
As the house tour begins, Stawell House’s modern renovations unfold like a sincere love letter to its original form. Beginning from the façade, the red brick home references the traditional build, yet once the door opens modern uplifts begin to take centre stage. After a linear skylight leads onto the kitchen and dining space, guests and owners make way to the balcony, which overlooks the west. Additionally, a spare bedroom and bathroom and the master bedroom have been installed on the entrance level to allow the owners ease of movement from private rooms to the public spaces.
Located downstairs, the guest room has been built with an ensuite containing an outdoor bathtub allowing the guest to fully experience the elements. To deal with the effects of a west-facing house, the architects have delivered a range of architectural devices which includes external steel shading. The external materials used for the 1970s clifftop house provide a weather resistance while also maintaining a tree like appearance to fit in with the surrounds. Honouring the original layout of the home, the floorplan remains wide as to allow an ease of movement and living.
Furthermore, timber cladding has been heavily featured on the internal walls and windows. Taken from the original home, the timber has been painstakingly removed, sanded and oiled again before re-use. Managing the entire construction process themselves, the owners work closely with the builders and trades to deliver personal modern updates to the 1970s clifftop house. Showing Architects EAT a range of design inspirations found in magazines, the owners were able to collaborate and create a home that reflects their personalities.
Additionally, the owner has also worked on the landscape, adding a deep personal touch that will grow with the home. Focused more on restoration rather than redesign, Architects EAT have worked closely with the owners and the trades to create a defining home for the modern age.
Bleeding the city with the heart and soul of the art form, we take the plunge into the world of spray paint, tags, and throw-ups that steered a global cultural movement. Presented by K11 MUSEA and K11 Art Foundation, curated by “Champion of Graffiti and Street Art” Jeffrey Deitch,the exhibition brings the extensive history and evolution of street art to the people,
Over 100 works showcase the visions of more than 30 artists, including some of the most recognisable names of the medium — from veterans Jean-Michel Basquiat, Keith Haring, and FUTURA, to young bloods KAWS, AIKO, and more.
“This is going to change the world as we know it.”
“The pictures are a documentation of the brutality within the conflict itself. It’s about civilians and civilian casualties because they are the ones hit the hardest. “
“The Russians are terrorizing the civilian population. They are hitting civilian infrastructure, may it be water, electricity, or heating. That brutality is extremely important to show. For me, it is about getting as close to these people as possible.”
Grarup is convinced that the ongoing war in Ukraine will mark the beginning of a new area that will isolate Russia from the Western World for generations to come: “I have been covering wars and conflicts for the last 35 years – just about every conflict you can imagine. In many ways, the brutality of the genocide in Rwanda in 1994 is second to none. But the war in Ukraine comes really, really close. It’s basically a country which is desiring democracy and freedom and independence – and because of that, its people are killed.”
Grarups also reflects upon his feelings covering the war, such as his general discomfort with silence as “you can be sure that something is about to happen.” On the other hand, he sees the necessity to document the war for future generations and the possible prosecution of war crimes. “What I like about black-and-white photography is its timelessness. We think in our part of the world that the world has changed, developed, and moved far away from what we have seen historically.
But the fact is: It hasn’t. It’s still the same atrocities. It’s still the same victims.” Jan Grarup was born in Denmark in 1968 and is today regarded as one of the leading and most experienced war photographers globally. Already in 1991, the year of his graduation, he won the prestigious Danish Press Photographer of the Year Award, a prize he would receive on several further occasions. In 1993, he moved to Berlin for a year, working as a freelance photographer for Danish newspapers and magazines. Afterwards, Grarup covered many wars and conflicts worldwide, including the Gulf War, the Rwandan genocide, the siege of Sarajevo and the Palestinian uprising against Israel in 2000.
His coverage of the conflict between Palestine and Israel led to two series: The Boys of Ramallah, which earned him the Pictures of the Year International World Understanding Award in 2002, followed by The Boys from Hebron. His book, Shadowland (2006), presents his work during the 12 years he spent in Kashmir, Sierra Leone, Chechnya, Rwanda, Kosovo, Slovakia, Ramallah, Hebron, Iraq, Iran, and Darfur. In the words of Foto8’s review, it is “intensely personal, deeply felt, and immaculately composed.”
His second book, Darfur: A Silent Genocide, was published in 2009. In 2017 he released the prizewinning bestseller And Then There Was Silence. He is currently working on a follow-up called While We Bleed with Danish author Adam Holm about the war in Ukraine. Jan Grarup has won numerous prizes for his dedicated work, for example eight World Press Awards, the Pictures of the Year International World Understanding Award, the UNICEF Children Photo of the Year Award, Visa d’Or, Leica Oskar Barnack Award, to mention a few of the more prestigious ones. Jan Grarup was interviewed by Marc-Christoph Wagner in Copenhagen, Denmark.
The interview took place at the Danish War Museum in March 2023 on the occasion of Grarup’s exhibition One Year With War. Camera: Jakob Solbakken Edited by: Helle Pagter Produced by: Marc-Christoph Wagner
The Northern Mariana Islands lie in a crescent moon south-southeast of Japan. At the lower point is Guåhan, also known as Guam, an island that is geologically part of the same volcanic chain but that set itself apart by becoming an unincorporated U.S. territory instead of remaining part of the Commonwealth.
BANZEIRO—THIS IS WHAT THE PEOPLE of the Xingu call places where the river grows savage. Where, if you’re lucky, you can make it through; where, if you’re not, you can’t. It is a place of danger between where you’re coming from and where you want to go.
Our Spring 2023 issue speaks to the language of nature and features works in or about translation. Here, Orion staffers and friends pulled together a list of their favorite fiction and nonfiction books that in some way reflect this literature of etymology.
This slim fantastical novel reads like an incantation. Set in rural late-19th century Iceland, its braided, lyrical, fugue-like narrative is tender and electric. Here we find a cruel priest named after a monster, trapped in an ice cave, raving at a dead fox. But too, a kindly herbalist burying his friend with her feather collection—a young woman with Down syndrome who spoke a language of her own—who he rescued from an unthinkable fate. This was my first encounter reading Sjón, who is apparently so big in his home country he doesn’t need a last name, but the book’s otherworldliness made perfect sense when I learned he writes lyrics for Björk. This one will haunt me for a while.
In Lulu Miller’s Why Fish Don’t Exist, naming becomes an imposition, an attempt at order and, sometimes, hierarchy. In this book—part memoir, part biography—Miller is searching for a reason to keep living, a sense of order in a chaotic world, and she does so by looking to a taxonomist who spent his life naming the creatures under the sea: David Starr Jordan.
March 21, 2023: The Zoo Zürich is a zoo located in Zürich, Switzerland and is considered one of the best zoos in Europe. Opened in 1929, it is the third oldest zoo in Switzerland and it accumulated a collection of 2,200 specimens of 300 species by its seventy-fifth year.
The over 90-year-old Zurich Zoo lies in an idyllic location on the Zürichberg, in the city’s Fluntern quarter. The zoo is located high above the rooftops of Zurich, surrounded by greenery, yet can still be reached quickly and easily from the city center.
Approximately 4,000 animals representing 380 different species live at Zurich Zoo. The oldest resident is Nigrita, a Galapagos giant turtle. She is over 70 years old and has been living at the zoo since 1946.
March 21, 2023: What’s next for Emmanual Macron after Monday’s no-confidence votes?
Plus: a look at the latest market turbulence after the Credit Suisse deal, how Greece was trying to attract new business opportunities at this year’s Mipim property trade fair and how Finns have reacted to the news that their country has been ranked the world’s happiest for the sixth year running.
Plans that would bury carbon underground rather than release it in the air have stoked debate over climate and property rights, creating unlikely alliances and stirring memories of fierce battles over oil.