
THE NEW CRITERION: The latest issue features….

THE NEW CRITERION: The latest issue features….

LITERARY REVIEW OF CANADA: The latest issue features…
On the connection between books and home Kyle Wyatt
Does healing the world mean abandoning capitalism? Darrell Varga
Where non-sovereign nations dwell George Anderson
Jackie Robinson’s season in Montreal David Marks Shribman

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….
Svetlana Alexievich on the Art of Oral History: “If you cut straight to the part you need, which is what journalists do, it won’t be interesting, and it won’t be the truth, either. Not the whole truth.”
Donald Antrim on the Art of Fiction: “I deplored the idea that writing involves suffering, that it had to be a bloodletting. Later I found out that it would be, and maybe should be.”
Prose by Eka Kurniawan, Angie Sijun Lou, Brian Ma, Scott McClanahan, Sam McKinniss, Tomoka Shibasaki, and Woo Dayoung.
Poetry by Asha Futterman, Zakaria Mohammed, Geoffrey G. O’Brien, Vasko Popa, Diane Seuss, and Natalie Shapero.
Art by Gertrude Abercrombie, Silke Otto-Knapp, and Laura Owens; cover by Elizabeth Glaessner.

THE NEW YORK REVIEW OF BOOKS: The latest issue features ‘Fall Books’…
As AI erodes our attention spans and expressiveness, philosophers like Simone Weil and Arthur Schopenhauer offer profound insights on what it means to be an individual.
Timely questions lurk at the heart of connoisseurship: What counts as originality, what value do we place on it, how do we protect it?
The Connoisseur: A Cultural History by Peter Burke
The Goldsmith’s Debt: Conceptions of Property in Early Modern Art by Shira Brisman
Among its peers in the Ivy League, Dartmouth was perfectly positioned to resist Trump’s attack on higher education. It chose not to.
In The Diversity of Morals, Steven Lukes attempts to reconcile philosophical arguments that there is one morality despite cultural differences with empirical studies that suggest it’s all relative.
The Diversity of Morals by Steven Lukes

TIMES LITERARY SUPPLEMENT: The latest issue features ‘Philip Zelikow and Anchit Sathi on progress, AI and the death of the author…..
When doctors and families fall out over medical intervention By Charles Foster
Looking at John Berger By Margaret Drabble
Can literary culture survive in the era of machine intelligence? By Anchit Sathi
Why nations win or lose the technological race By Philip Zelikow

MONTHLY REVIEW MAGAZINE: The latest issue features ‘India’s Ruling Class and the Global Crisis’….
In recent years, India’s ruling classes claimed—and perhaps came to believe—that their time had come on the world stage. India was the fastest-growing major economy, due soon to be the third largest, constituting a new global power. India’s biggest tycoons figured among the world’s top twenty billionaires, part of the transnational elite. Prime Minister Narendra Modi declared that India would be a “developed country” by 2047, the centenary of the end of colonial rule.

It’s getting on for twenty-four years ago that I first read Patricia Highsmith’s The Talented Mr Ripley (1955). Books tend to come to us when we need them, and it’s easy to see why Tom Ripley’s project of self-reinvention and triumphant class resentment was so appealing to me as a twenty-year-old undergraduate.
Few groups in history have been so variously defined, quarrelled over, misrepresented and appropriated as the Vikings. Their identity elusive, they have been passed around like historiographical tokens to the detriment of a deeper understanding of their cultural and political milieu. Neil Price’s The Sea-King and the Sorceress sidesteps these often sterile debates by examining the lives – and deaths – of more than twenty figures from the Viking Age and using them to shed light on wider themes, a bottom-up approach which is both logical and engaging.
A highly readable gallop through one of the world’s most complex political environments, The Cauldron is brilliant on narrative, weaker on analysis. Simon Sebag Montefiore has set himself a formidable task: to compress the modern history of a region extending from Morocco to Iran, and from the fall of the Ottoman Empire to the wars of 2026, into a single volume. The result is an exuberant pageant of sultans, shahs, kings, colonels, spies, revolutionaries and assassins. Few historians could move so confidently from the salons of Cairo to the palaces of Riyadh, from Atatürk’s Ankara to Khomeini’s Najaf, while keeping so many figures vividly in play.
When Donald Trump fired him after just eleven days as his director of communications, Anthony Scaramucci thought his career was over. He had become such an object of ridicule that a crisis PR adviser suggested he lie low for a few years before attempting to start again. Instead, the self-styled ‘front stabber’ from New York – who had naively assumed that a successful Wall Street career could equip him for the toxic political swamp of Washington, DC – launched himself into a round of media interviews, choosing to roll with the punches.

TIMES LITERARY SUPPLEMENT: The latest issue features ‘Fighting Over King Arthur’ – Marion Turner on a legend’s global appeal.
The versatility of Arthur and his legends By Marion Turner
Nigerian scammers and their targets By Sally Hayden
How William Empson viewed Virginia Woolf’s diaries By Mark Thompson
Frida Kahlo, iconized: ‘I would not like to become famous’ By Miranda France

THE NEW CRITERION: The latest issue features a new series on “The Classical Inheritance”…

LITERARY REVIEW OF CANADA: The latest issue features…
A bit of welcome news Kyle Wyatt
From Sophocles to Danielle Smith Troy Nahumko
Where does higher education go next? Spencer Morrison
Sandford Fleming’s cables and clocks Michael Ledger-Lomas
The next move in championship chess Mark Plotkin