“The Consolidation of Collections: New Light on the 18th-Century British Art Market” An in-depth study by the editorial team and guest contributors exploring how major British estates restructured their private galleries during the mid-1700s. The article utilizes newly discovered ledger books to trace the provenance of several key Italian Baroque works.
“Paolo Veneziano and the International Gothic in Venice” Following the research trends seen in the early part of the year, this feature provides a technical analysis of recently restored altarpieces attributed to Veneziano, focusing on the use of ultramarine and gold leaf techniques that defined the Venetian style in the 14th century.
“Nicholas Lanier and the ‘Star’ Drawings: New Discoveries” Building on recent scholarship (featured in related symposiums), this article identifies several previously unrecognized drawings from the collection of Nicholas Lanier (1588–1666). It specifically examines the “star-shaped marks” used by Lanier and his uncle Jerome to catalog their sixteenth-century Italian acquisitions.
Editorial and Shorter Notices Editorial: “The Future of Art History in the Digital Age” Editor Christopher Baker discusses the balance between traditional archival research and the integration of AI and digital imaging in art historical authentication.
Object in Focus: “George Frederic Watts’s Satan (1847)” A specialized notice providing a new interpretation of Watts’s massive canvas. The author argues that the figure’s pose was inspired by the Monte Cavallo Horse Tamers in Rome rather than the Apollo Belvedere, as previously thought.
Exhibition and Book Reviews The Farnese Gallery Drawings (Musée du Louvre, Paris): A critical review by Ketty Gottardo on the exhibition focusing on the Carracci brothers’ preparatory works.
Studio Prints: A History, 1968–2011: A review of the new publication by Paul Holberton Publishing, detailing the impact of the London workshop on 20th-century printmaking.
Modernizing the Catalog: A review of the Patek Philippe exhibition and the intersection of fine horology with decorative arts history.
LITERARY REVIEW : The latest issue featuresRitchie Robertson on Weimar * Charles Darwent on Louise Bourgeois * John Guy on the Tudors * Kirsten Tambling on dogs in art * Piers Brendon on Churchill and the crown * Saul David on AI warfare * Simon Nixon on private equity predators * Nigel Andrew on outsider animals * Zoe Guttenplan on Beatrice Warde * Maren Meinhardt on women and music * Lucy Lethbridge on swimming * Diane Purkiss on being published * Anthony Pagden on the West * Michael Reid on Lula * Anthony Teasdale on Tory leaders * Anna Reid on Vera Gedroits * Wendy Holden on Elizabeth II * Harriet Rix on trees * Emma Smith on Shakespeare’s identity * Jane Yager on Herta Müller * Sheena Joughin on Siri Hustvedt * Adam Kucharski on evidence * Keith Miller on Douglas Stuart * Natalie Perman on Jem Calder * and much, much more…
Weimar Germany: Death of a Democracy By Victor Sebestyen
Weimar: Life on the Edge of Catastrophe By Katja Hoyer
The small town of Weimar is overladen with historical associations. Goethe spent more than fifty years there as an employee and friend of Duke (later Grand Duke) Karl August. After the last grand duke abdicated in November 1918, the National Assembly met in Weimar to draw up a new republican constitution for Germany. Other symbolically charged venues considered were Nuremberg (home of Dürer) and Bayreuth (because of Wagner), but it was Weimar that gave its name to the period of German history from …
Having been named for her father, Louis, a mere dealer in antique tapestries, seemed insufficiently romantic to Louise Bourgeois, who was born on Christmas Day in 1911. She preferred the idea that her namesake was Louise Michel, ‘the red virgin of Montmartre’, an anarchist heroine of the Paris Commune. It wasn’t true, of course, but …
A phrase like ‘fortress England’ seems to echo down the centuries, and turns up again in This Little World, Nandini Das’s new study of identity and belonging, cross-border migration, assimilation and estrangement in the period between 1500 and the restoration of Charles II. Das seeks to unmask the period’s most fundamental assumptions about English … read more
In March 2022, soon after the full-scale Russian invasion of Ukraine began, Kyiv-based illustrator Masha Foya produced what I think is one of the Guardian Weekly’s most powerful covers on the war, concerning the devastation of Mariupol. So it’s a pleasure to feature Masha’s work again for the current edition, this time marking 40 years since the Chornobyl nuclear disaster.
“Since childhood, the story of Chornobyl has always made me feel a strange dissonance – such a tragedy occurring on a beautiful spring day in April,” explains Masha on the thought process behind her design, in which seasonal greens fade away into ominous skies.
It also reflects present-day anxieties. For a special report, Pjotr Sauer visits the site of the world’s worst nuclear accident and sees up close how the giant containment structure around the failed reactor is in urgent need of costly repairs after a Russian drone strike, as fears grow of a possible new catastrophe.
Five essential reads in this week’s edition
Environment | Why apes are more like us than we ever thought Imagination, reason and ability to recognise faces from the past are not the sole preserve of humans, studies show. Gloria Dickie reports
Finance | The wagering of war Once largely siloed to sporting events, betting has now spread to include contracts on news events where insider information could pay handsomely. With over $1bn in perfectly timed bets on the Iran war having recently been seen, Lauren Aratani explores what exactly is going on
Feature | The big game hunters who believe they can save Africa’s wildlife One way to pay for wildlife conservation is to allow the rich to bag a few animals for high prices. But critics see this approach as an exercise in neocolonialism. Cal Flynwent in pursuit of answers
Opinion | Starmer’s listless government shows zombie politics is the new norm Distracted, listless and unambitious – the British PM’s true form has finally emerged. But whatever comes next must end this ruinous cycle for the country, argues Nesrine Malik
Culture | Iron Maiden on 50 years of heavy metal madness As a career-spanning documentary hits cinemas, the legendary rock band revisit their path from pubs to stadiums over half a century of headbanging hits. Harry Sword buckles up
From the 16th century onwards, as European powers feverishly colonised the world, the possibility of a Northern Sea Route connecting the Atlantic to the Pacific, from Scandinavia to the Bering Strait, tantalised the Dutch and the British as an alternative to the southern routes to Asia and the Americas, which were dominated by Portugal and Spain. But the route only became a reality in the Soviet era, after investments in scientific, economic, industrial and military infrastructure in Siberia.
This is what distinguishes hyperpolitics from the mass democracy of the mid-20th century. Symbolic political gestures are now commonplace, but paid membership of organisations and parties has plummeted. The left has failed to find a replacement for trade unions as a basis for collective action in civil society. Political movements are easy to join, and just as easy to leave.
De Kooning’s Suburb in Havana is a counter-revolutionary painting. Well, of course. It is counter-revolutionary because it is counter everything, versus everything, lost in suburbia. It wants to show us how hard it had to work to get precisely nowhere. Why nowhere was where it wished to get to is a question it leaves to the viewer.
Can there be poetic justice in politics? Perhaps once in a lifetime. In 1989, a young Viktor Orbán bravely told the crowds in Budapest’s Heroes’ Square that it was time for the Russians to go home, just as protesters had demanded in 1956; almost four decades later, he was heckled on the campaign trail with the same words.
The exact reasons are often left vague and the successors to be determined, but people are leaving the Administration—including three Cabinet secretaries. By Benjamin Wallace-Wells
Can the E.P.A. Survive Lee Zeldin?
The agency, which was founded to protect the environment and human health, has cancelled safety regulations, supported coal, and stopped caring about climate change. By Elizabeth Kolbert
Donald Trump’s Economic Warfare Abroad Comes Home
From tariffs to the war with Iran, the President is blowing up the global economy.
Boomers Daily 