“God wants, Man dreams, work is born”
Fernando Pessoa
Jose Gourmet combs the coasts of Portugal and Spain to find seafood of distinction. They believe in the principles of fair trade, often paying in advance and never negotiating for better pricing. The artwork of Luis Mendonça on the packaging is meant to pay homage to the these fishermen and canneries who rely on manpower and life long dedication to their trade.
Adriano Casal Ribeiro, aircraft pilot, dreamed! The work was born!
A Q&A with Gémeo Luís of José Gourmet
JOSE Gourmet was born when Adriano Casal Ribeiro, lived in Macau and dreamed of Portuguese delicacies that he was unable to buy.
Portugal lived written in markets of longing, without shine, and ACR dreamed of selling our country on the front line. Together with his wife, Sofia Almeida Santos, flight attendant, a designer friend, Luís Mendonça, reinvented the iconic products of Portugal!
Canned foods, olive oils, jams, Port wine, cherry and brandy. They chose the best producers in Portugal, encouraged good fair trade practices and created very attractive and sophisticated packaging to sell the best we produce.
They are passionate about human nature and their ability to create, cooperate and involve a society that aims to be more attentive, sustainable, diverse and socially responsible. That was how JOSE GOURMET was born!
Throughout, the attention to detail is meticulous: mosaic floors of mythical beasts; intricately painted ceilings of interlocking wooden beams. The walls of the Andron, traditionally the male quarters of an ancient Greek household, are streaked with three types of Tuscan marble: ochre Siena, mauve Fleur de Pêcher, and grey-white Carrara. In Mrs Reinach’s bathroom, an immense bathtub weighing one tonne is balanced on two lion paws. Above its ornamental bronze taps, a low-relief frieze depicts the chariot of Demeter. From every window stretches a panorama of glittering blue.
“Tangier is the crossroads of so many civilizations,” says AD100 talent Frank de Biasi of the evocative Moroccan port city that he and his partner, the multifaceted designer Gene Meyer, have made their home. “There’s a central energy here,” he explains, “where the Atlantic meets the Mediterranean, where Europe meets Africa. It’s a psychic point like no other place.”
“Our SUSTAINABLE HOME is made of matter and spirit. The raw material, the unused by-products of the mining activity, is the main component: from it we take advantage of its qualities and properties. Finding an ecologically suitable use for this waste determines the unique character of the housing unit. In its spirit, the housing unit intends, in addition to its technical function, to be a home, a place for each person to feel valued, welcomed in their dreams, hopes and desire to live together. Each house, even in its simplicity, must be able to create a sense of pride and self-esteem ”, adds Gustavo Penna.
Edward Hopper’s world-famous, instantly recognizable paintings articulate an idiosyncratic view of modern life, unfolding in a world of lonely lighthouses, gas stations, movie theaters, bars and hotel rooms. With his impressive subjects, independent pictorial vocabulary and virtuoso play of colors, Hopper’s work continues to this day to color our memory and imaginary of the United States in the first half of the 20th century.
oil paintings. These paintings testify to the artist’s great interest in the effects of color and his mastery in depicting light and shadow, at work whether the artist was painting alienated figures in dreamlike interiors or desolate American landscapes.
Octavian Report “Rostrum” spoke with him about a major theme in Shakespeare’s work and life: disease. Specifically, pandemic plagues, which ravaged London repeatedly throughout Shakespeare’s career, shuttering the theaters, and which appear (obliquely and otherwise) in some of his greatest plays.