Victoria and Albert Museum (March 28, 2023) – Inspired by traditional oil paintings, sculptor Elliot Walker works with molten glass at exceptionally high temperatures and speed to create unique 3D still life sculptures. Step inside his studio to see each stage of this extremely challenging process, as he creates a new work made up of three-dimensional sliced fish, in response to a tiny fragment of a Middle Eastern glass beaker in our collection.
Video timeline:00:00 In the studio 01:10 Elliot’s still life series 01:45 Design inspiration from the V&A collection 03:03 Hot workshop: gathering molten glass with a blowpipe 03:30 Building up layers of clear and coloured glass 03:56 Spiralling the coloured glass 04:15 Shaping the glass with different tools 04:50 ‘Swedish’ or bubble overlay technique 05:57 Creating the fish shape 06:41 Adding surface texture, fins and a metallic finish 08:14 Cold workshop: cutting and polishing 09:17 The finished piece
Bon Appétit (March 21, 2023) – A perfect Peking Duck is maroon in color, with crispy skin encasing juicy, tender meat— and Han Li-Jun, founder and head chef of Chili House in San Francisco, has been in the craft of making it for 3 decades. Watch him break down each step in the intricate process, as demonstrated by his collaborator Chef Han, in serving authentic and traditional Peking Duck.
Chili House SF is an authentic Chinese Food Restaurant located in the Richmond District of San Francisco, California. Our executive chef, Chef Han, has been cooking since 1988 and has had the privilege of serving his cuisine to Chinese Presidents and Foreign Ministers.
“This is going to change the world as we know it.”
“The pictures are a documentation of the brutality within the conflict itself. It’s about civilians and civilian casualties because they are the ones hit the hardest. “
“The Russians are terrorizing the civilian population. They are hitting civilian infrastructure, may it be water, electricity, or heating. That brutality is extremely important to show. For me, it is about getting as close to these people as possible.”
Grarup is convinced that the ongoing war in Ukraine will mark the beginning of a new area that will isolate Russia from the Western World for generations to come: “I have been covering wars and conflicts for the last 35 years – just about every conflict you can imagine. In many ways, the brutality of the genocide in Rwanda in 1994 is second to none. But the war in Ukraine comes really, really close. It’s basically a country which is desiring democracy and freedom and independence – and because of that, its people are killed.”
Grarups also reflects upon his feelings covering the war, such as his general discomfort with silence as “you can be sure that something is about to happen.” On the other hand, he sees the necessity to document the war for future generations and the possible prosecution of war crimes. “What I like about black-and-white photography is its timelessness. We think in our part of the world that the world has changed, developed, and moved far away from what we have seen historically.
But the fact is: It hasn’t. It’s still the same atrocities. It’s still the same victims.” Jan Grarup was born in Denmark in 1968 and is today regarded as one of the leading and most experienced war photographers globally. Already in 1991, the year of his graduation, he won the prestigious Danish Press Photographer of the Year Award, a prize he would receive on several further occasions. In 1993, he moved to Berlin for a year, working as a freelance photographer for Danish newspapers and magazines. Afterwards, Grarup covered many wars and conflicts worldwide, including the Gulf War, the Rwandan genocide, the siege of Sarajevo and the Palestinian uprising against Israel in 2000.
His coverage of the conflict between Palestine and Israel led to two series: The Boys of Ramallah, which earned him the Pictures of the Year International World Understanding Award in 2002, followed by The Boys from Hebron. His book, Shadowland (2006), presents his work during the 12 years he spent in Kashmir, Sierra Leone, Chechnya, Rwanda, Kosovo, Slovakia, Ramallah, Hebron, Iraq, Iran, and Darfur. In the words of Foto8’s review, it is “intensely personal, deeply felt, and immaculately composed.”
His second book, Darfur: A Silent Genocide, was published in 2009. In 2017 he released the prizewinning bestseller And Then There Was Silence. He is currently working on a follow-up called While We Bleed with Danish author Adam Holm about the war in Ukraine. Jan Grarup has won numerous prizes for his dedicated work, for example eight World Press Awards, the Pictures of the Year International World Understanding Award, the UNICEF Children Photo of the Year Award, Visa d’Or, Leica Oskar Barnack Award, to mention a few of the more prestigious ones. Jan Grarup was interviewed by Marc-Christoph Wagner in Copenhagen, Denmark.
The interview took place at the Danish War Museum in March 2023 on the occasion of Grarup’s exhibition One Year With War. Camera: Jakob Solbakken Edited by: Helle Pagter Produced by: Marc-Christoph Wagner
The Museum of Modern Art (March 17, 2023) – In our latest ArtSpeaks episode, Eana Kim, Vilcek Fellow in Paintings and Sculpture chose Henri Matisse’s “Dance (I)” because his work led her life in an unexpected direction.
“What really struck me was Matisse’s journey from mastering all the academic skills to unlearning everything to create his own art,” Kim says. “He really tried to dig into and explore the fundamental elements, like forms and colors. He was looking into something more essential to create something pure. I needed to follow that path.”
In the online edition of MoMA’s ArtSpeaks program, we invite staff members, artists, and special guests to share personal impressions of an artwork in the galleries. Here, curator Eana Kim examines Matisse’s iconic expression of pleasure and joy.
Dezeen (March 16, 2023) – Japanese architect Shigeru Ban explains how his egg-shaped music auditorium acts as a western gateway to Paris in the last instalment of Dezeen’s Concrete Icons series produced in collaboration with Holcim.
The video features La Seine Musicale, a music complex that houses a large multipurpose concert hall and a smaller auditorium. The musical facility is located on the Ile Seguin island near Paris’s western suburbs, occupying a third of French architect Jean Nouvel’s mixed-use masterplan of the island.
Additional footage courtesy of La Seine Musicale, by Arthur Maneint, Hensli Sage and Noesys Prod.
March 9, 2023: The Lightship L1 was tightly engineered for zero emissions, for comfort, and built to last. We started with aero principles to create a near-zero range loss for EVs and lower costs at the gas pump. From the battery and solar roof down to appliances, every decision was about ease of use.
And of course, relaxing just outside nature’s door. Kick back with plenty of room to gather and stow it all away in smart storage solutions. Add the bonus of powering your home or charging your EV, and this is unlike any travel trailer you’ve ever had.
Financial Times (February 27, 2023) – F1 is undergoing a kind of revolution, with new rules, new tech, new teams, and new fans – boosted by the Netflix show Drive to Survive. Ahead of the first race of the season in Bahrain, the FT goes behind the scenes at the McLaren Technology Centre, where the team is competing to get their cars back to the front of the grid.
Classic Driver (February 23, 2023) – The Lincoln Indianapolis concept was created in 1955 by Carrozzeria Boano, using the chassis and running gear from the 1955 Lincoln. The only time it was shown to the public as a new concept study was at the 1955 Turin Motor Show.
If you’re planning to hit The Ice St Moritz this weekend, prepare to be amazed at the sight of this unique Lincoln Indianapolis that’s likely to ‘out-jet’ anything that even the famous jet-set resort has to offer.
Monocle Films (February 20, 2023) – Peris Costumes is the world’s largest company dedicated to selling and renting costumes for film, stocking more than 10 million garments. Monocle took a peek behind the scenes of its Madrid-based HQ to meet its artisans and see how the industry is booming, thanks to the rise of streaming platforms.
Sotheby’s (February 3, 2023) – Reminiscent of a landscape, or the strata of a Monet waterlily painting, the horizontal swathes of paint migrate across Abstraktes Bild in wave like-motion across the breadth of the canvas. Texture, colour and structure are here deployed with spectacular force, with the gliding scrape of the squeegee revealing the kaleidoscopic architectural structure of the artist’s underpainting.
It is a masterpiece created during the critical year of 1986, which saw the artist’s first large-scale touring retrospective and was also the year in which Richter first took up the squeegee as his principal compositional tool. He has only ever produced 24 Abstraktes Bild of this magnitude (with a width greater than 380 cm), of which half of these reside in museum collections across the globe.
Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other.
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