Financial Times – The FT’s Daniel Garrahan and food critic Tim Hayward visit Silo, a ‘zero waste’ restaurant in Hackney, which rejects the bin, makes ice cream from waste bread, turns seaweed into pendant lighting and ‘upcycles’ used wine bottles
SILO BEGAN IN AUSTRALIA IN 2011 WITH ARTIST JOOST BAKKER WHO PROPOSED THE IDEA OF ‘NOT HAVING A BIN’… FROM THAT POINT SILO’S CHEF AND OWNER HAS BUILT THE BUSINESS UP TO BEING THE WORLD’S FIRST ZERO WASTE RESTAURANT.
SILO IS A RESTAURANT CONCEIVED FROM A DESIRE TO INNOVATE THE FOOD INDUSTRY WHILST DEMONSTRATING RESPECT: RESPECT FOR THE ENVIRONMENT, RESPECT FOR THE WAY OUR FOOD IS GENERATED AND RESPECT FOR THE NOURISHMENT GIVEN TO OUR BODIES. THIS MEANS WE CREATE EVERYTHING FROM ITS WHOLE FORM, CUTTING OUT FOOD MILES AND OVER-PROCESSING, WHILST PRESERVING NUTRIENTS AND THE INTEGRITY OF THE INGREDIENTS IN THE PROCESS.
Dezeen – In the first instalment of Dezeen’s new Concrete Icons series produced in collaboration with Holcim, MAD Architects founder Ma Yansong explains how his firm’s sinuous concrete library in Haikou, China encourages visitors to use their imagination.
Yansong is the first participant in Concrete Icons, a new video series profiling the most iconic contemporary concrete buildings by the world’s leading architects. The video focusses on MAD’s Cloudscape of Haikou, a library with a flowing form cast in white concrete located in a waterside park in Haikou on the island of Hainan.
Completed in 2021, the 1,000-square-metre structure houses a library, cafe, restrooms, showers, a nursery room, and bike storage, and acts as a waystation for visitors to the park. Speaking to Dezeen in an exclusive video interview filmed at MAD’s offices in Beining, Yansong explained how the building is designed to put visitors in a contemplative or imaginative state of mind.
MAD Architects, led by Ma Yansong, has announced the opening of the Cloudscape of Haikou is located on the southern tip of China. A unique urban public and cultural space for citizens and visitors to Haikou, this flowing, sculptural concrete form was named as one of the “most anticipated architecture projects of 2021” by The Times of London.
A prominent port city on the southern tip of China, Haikou was once an important stop on the Maritime Silk Road. With the establishment of the Hainan International Tourism Island and Hainan Free Trade Zone, Haikou’s influence has seen a gradual resurgence in modern times. Meanwhile, Haikou’s government is also enriching the city’s cultural importance, through enhancing the social attributes of the city’s public spaces, and strengthening the connection between the city, humanities, and architecture. The Cloudscape of Haikou is one such culmination of this effort.
The Cloudscape of Haikou is the first of sixteen coastal pavilions commissioned by the Haikou Tourism and Culture Investment Holding Group to rejuvenate the historic port city, with the aim of improving public space along the coastline. Known as “Haikou, Pavilions by the Seaside,” the initiative invited teams of internationally recognized architects, artists, and interdisciplinary professionals to create sixteen landmark public stations.
National Gallery of Art – Joan Miró finished “The Farm,” his first masterpiece, 100 years ago. To celebrate, curator Harry Cooper and Joan Punyet Miró, Miró’s grandson, get together to tell the tale of this seminal painting from their perches at the National Gallery of Art in Washington, D.C. and Miró’s farm in Mont-roig del Camp, Spain. From Pablo Picasso in Paris to Earnest Hemingway in Cuba, you won’t want to miss the epic journey of Miró and his beloved “The Farm.”
Joan Miró i Ferrà was a Spanish painter, sculptor and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981.
Sotheby’s – Head of contemporary Art, David Galperin reflects upon how Willem De Kooning makes the impossible possible in Collage (1950) one of De Kooning’s most pivotal abstract paintings, which has been in the private hands for more than seven decades. Undoubtedly, Collage is a key painting within De Kooning’s color abstraction series, marking the beginning of a style that would define his work for decades to come.
Willem de Kooning was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried.
Financial Times – It could be the Shazam of smells. A California-based start-up has developed a device to sniff out substances such as drugs, explosives and viruses. Sniff tech is a burgeoning sector which could have major implications in fields including healthcare and security but may also raise issues over individual privacy. The FT’s Patrick McGee takes a trip to the lab and gets a good whiff of how the future might smell.
Koniku builds smell cyborgs. We will put out small form factor smell cyborgs in 10 million homes inside this decade. We aim to securely and safely diagnose disease and maintain health and wellness in real-time. We are building a marketplace that makes every individual the CEO of their own health.
This extraordinary Francis Bacon triptych from the William S. Paley Collection is one of the true masterpieces of his career and marks the first inception of his painting of Henrietta Moraes, who became one of his most famous and preferred sitters.
Held in stewardship by the Museum of Modern Art in New York for the last 30 years, it is coming to market for the first time since William S. Paley acquired it from the Marlborough Gallery.
Francis Bacon was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
In the town of Saumur in France’s Loire Valley, the riders of the Cadre Noir represent excellence in the world of French equestrianism. The military-style academy trains elite riders who take part in top international competitions. Its expertise has been recognised by UNESCO, which listed it as Intangible Cultural Heritage in 2011. FRANCE 24 takes you behind the scenes of the stables.
The Cadre Noir is a corps of ecuyers, or instructors, at the French military riding academy École Nationale d’Équitation at Saumur in western France, founded in 1828. It also performs as an equestrian display team. Its name comes from the black uniforms that are still in use today.