Ms. O’Loughlin participates in a sport called tower running, which involves racing up skyscrapers, towers and stadium stairs. She’s ranked first in her age group nationally and 76th among women globally, according to the Towerrunning World Association. “I never take an elevator up a building unless it’s the only way up,” says Ms. O’Loughlin, who lives in a retirement community in Denton, Texas.
Ms. O’Loughlin runs the 20 floors of a building at Texas Woman’s University in Denton on Mondays and Thursdays. There are 20 steps a floor and she usually runs three to four reps. Leading up to a race, she will increase to five reps, and she descends backward, holding the railing. “It saves your knees,” she says. “I realize I’m 75, not 20.”
When Marsha O’Loughlin goes to Paris this March, she won’t be snapping photos of the Eiffel Tower. She’ll be too busy running up its stairs.
The 75-year-old is one of 131 participants who plan to compete in the 2020 Verticale de la Tour Eiffel, a race up 665 of the tower’s stairs.
‘SAISONS’ is a tribute to the grandiose and mystical landscapes of the Massif Central, an immaculate place located in the middle of France. From winter to spring, from summer to autumn, athletes practice their own disciplines in a wild and singular environment. Whether it’s on snow, land, water or in the air, they do it without any concession, in a full commitment.
SKIER: Gaëtan Carlier
VTT: Arthur Parret / Paul Couderc
WAKEBOARD: Maxime Roux
PARAPENTE: Romain Montimart
VFX by: Fabien Feintrenie and Jean-François Fontaine
ORIGINAL MUSIC BY: Erik Groysman
‘WAITING FOR A SIGN’ (Scratch Massive AND Koudlam)
SOUND DESIGNERS: Zane Wood and Shea Webster
RE-RECORDING MIXER: Juan Carlos J. Torres
Laurent Durieux is a famous Belgian illustrator well known to lovers of pop culture and collectors for his reinterpretations of posters of cult films. Each of his American exhibitions was sold out during the opening night and in the presence of thousands of enthusiastic fans.
This book will be his first monograph and will cover his entire career, with a particular focus on his posters of the most emblematic alternative films (notably Jaws, The Birds, Vertigo and The Master). The book includes a 6-page section of art on rejected and unpublished posters and a preface by filmmaker and collector Durieux Francis Ford Coppola.
De Beauvoir and Beckett despised each other – and lived essentially on the same street. While quite literally dodging one subject or the other, and sometimes hiding out in the backrooms of the great cafés of Paris, Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile.
Drawing on Bair’s extensive notes from the period, including never-before-told anecdotes and details that were considered impossible to publish at the time, Parisian Lives is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers.
In 1971 Deirdre Bair was a journalist and recently minted PhD who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could write his biography despite never having written – or even read – a biography herself. The next seven years of intimate conversations, intercontinental research, and peculiar cat-and-mouse games resulted in Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch?
But it’s Beaujolais Nouveau that he is most famous for, the annual celebration, on the third Thursday of November, of the first red wine to be released from the region. It’s a tradition that dates back to the 19th century, but his efforts played a definitive role in making it the international celebration it is today, so much so that he was known as the “king of Beaujolais.” Over the years, Les Vins Georges Duboeuf has expanded their Beaujolais Nouveau offerings to include a rosé and a Beaujolais-Villages Nouveau (which was particularly lovely this past year, and is still drinking beautifully).
There are a handful of names in the world of wine that have broken through the barriers of the business and come to signify an entire region, or style or more elementally, the deeply felt joy that drinking it evokes. Georges Duboeuf, who passed away on January 4, at home in Romanèche-Thorins, managed to achieve all three—and then some.
Michael Wolf achieved fame when he won the 2005 World Press Photo with his China, Factory of the World project, and the 2010 World Press Photo with his Tokyo Compression. The present book offers his personal take on the French capital. Singling out typical architectural features of the Parisian landscape he renders the seemingly banal immortal, as only he knows how.
Roofs, chimneys, and lights provide the pictures with rhythm, with their colours, shapes, and above all their volumes. Wolf invites the reader to enter his highly distinctive visual world and let his gaze follow the snaking lines of walls and gutters, dwelling on unexpected details lovingly picked out. The photographer’s underlying desire is to encourage us to consider the environmental and architectural context that provides a framework for all these rigorously rectangular features.
This dreamlike journey into a Paris viewed from the rooftops is underlined in the second part of the book. The shadows of trees decorate the façades of various buildings, creating a visual poetry and prompting an intimate dialogue where, in the absence of all human presence, nature and architecture blend into one another.
Michael Wolf (1954-2019) lived in Europe, America, and Asia, spending his last years in Hong Kong. A German photographer specialized in urban shots, he graduated in photography from the Folkwang University of the Arts in Essen, where he studied under Otto Steinert. Among his most noteworthy projects are the “beehive” skyscrapers in Hong Kong. The focus of his research is city life, especially in overpopulated contemporary metropolises, and their inhabitants’ loss of individuality. Wolf’s work has been displayed in a variety of locations, including the Venice Biennale of Architecture, the Aperture Foundation Gallery in New York, the Hong Kong Shenzhen Biennale, and the Museum of Contemporary Photography in Chicago. His works are also present in many permanent collections, including those of the Metropolitan Museum of Art in New York, the Museum of Contemporary Photography in Chicago, and the German Architecture Museum in Frankfurt.
Johan-Frederik Hel Guedj, a French writer, has published two novels (Le traitement des cendres, L’amour grave), a collection of short stories (De mon vivant), an account of polar exploration (Chercheurs d’éternité), and an essay on Orson Welles (La règle du faux). He lives in Brussels and writes on contemporary art in the daily newspaper L’Echo/De Tijd.