Vincent van Gogh, The Starry Night, 1889 (June, Saint Rémy), oil on canvas, 73.7 x 92.1 cm (The Museum of Modern Art) Speakers: Dr. Beth Harris and Dr. Steven Zucker
A painting has to be an experience for 52-year old Dutch Painter Simeon Nijenhuis, it needs to “live” and touch your senses. If you look at a painting of chestnuts, you should be able to smell the autumn. In order to meet its own standards, Simeon Nijenhuis must therefore work thorough.
Each new topic means many studies before and he is continually exploring new possibilities. He is not only concerned to master the technique, but also to develop his own vision. And it may be said that Simeon Nijenhuis has more than succeeded in this. His paintings are compelling, contemporary and very personal. And my senses at least ask for more.
“Gerhard Richter: Cage Paintings”—an exhibition presented by Gagosian in New York and Beverly Hills—with Hans Ulrich Obrist and Richard Calvocoressi, featuring a musical performance and reading by Patti Smith and new choreography created and performed by Rashaun Mitchell + Silas Riener to music by John Cage in response to the work.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Prime is considered one of the most influential artists in the history of Los Angeles wall writing. He uses unorthodox methods for graffiti painting, incorporating rollers, brushes, and experimental materials while combining traditional graffiti and gang-styled writing with calligraphy.
Writing on walls has existed in many forms since ancient times, with examples of graffiti dating back to ancient Egypt, Greece, and Rome. Discover the work of Prime, one of Los Angeles’s most influential street artists, and explore the artist’s practice and his interplay of words and images, a tradition that began thousands of years ago.
Learn more about this artist and the program “Writing on the Wall” https://www.getty.edu/museum/programs…
French contemporary artist JR unveiled his latest art installation which gives an impression of cliffs below the Eiffel Tower.
Andy Warhol created his first painting of Marilyn Monroe in 1962, in the wake of the American movie star’s sudden death at the age of 36. Tragedy, and its portrayal in modern mass media, fascinated Warhol; at the time of Monroe’s death, the artist was enmeshed in his Death and Disaster series, an exploration of gruesome images found in newspapers and magazines. Monroe’s death pushed the narrative of tragedy and celebrity one step further, and in it Warhol found inspiration for arguably the most important suite in his oeuvre. Dating from 1967, Marilyn Monroe is a complete portfolio of ten screen prints, each produced in a different combination of intense, flat colors. This portfolio, which comes from the estate of Barbara Spiegel Linhart, who purchased the works from David Whitney in 1969, is the best possible example of this important set of screenprints, and is a highlight of Sotheby’s Contemporary Art Evening Sale this May.
Roberto Matta’s Prince of Blood (triptych) was not only the painter’s first contribution to Surrealism, it was also the first artistic attempt to visualize Einstein’s theory of space-time. In this episode of Anatomy of an Artwork, discover how Matta was inspired by Marcel Duchamp to create a work that gives visual form to a world in flux and contradictions.
Roberto Sebastián Antonio Matta Echaurren, better known as Roberto Matta, was one of Chile’s best-known painters and a seminal figure in 20th century abstract expressionist and surrealist art.
A film about the Exhibition “After Raphael. 1520 – 2020” at the State Hermitage Museum. Director of the film – Manas Sirakanyan. The film was made with the support of the U.S. Ambassadors Fund for Cultural Preservation, U.S. Embassy Moscow and the Hermitage Museum Foundation (USA)
Raphael is the most influential artist of the Modern Era. Over the course of five centuries, exponents of Mannerism and Academicism, Caravaggisti and masters of the Baroque, Romantics and Modernists have invariably compared their own work with Raphael’s legacy. What is the cause of such fame? What did his name represent in this or that historical period, and what does it represent today? What connects the artist’s followers in different centuries? The exhibition in the Hermitage is an attempt to answer those questions and to look at the art of the past 500 years through the lens of Raphael’s influence.
The large-scale display includes more than 300 exhibits – paintings, graphic art, sculpture and applied art from the Hermitage’s own stocks and twelve other collections in Russia and Western Europe. They include both famous masterpieces and previously unknown works. Dozens of paintings and pieces of graphic art are leaving the museum’s storerooms and being presented to the public for the first time, while a whole number of the exhibits are going on show after painstaking restoration in the Hermitage’s workshops.
The display opens with works by the master himself: a painting and drawings from European collections. Without claiming to be a full representation of the artist’s oeuvre, they serve to set the tone, as it were, and after viewers have “tuned themselves in” it will be easier for them to identify echoes of Raphaelesque harmony in the works from later centuries. The choice of graphic art for this purpose reveals another dimension to the main metaphor: it is specifically the beauty of the clear, precise line, so evident in the drawings made by the master’s own hand, that lies at the foundation of the aesthetics of Raphael himself and many of his followers.
Two visionary artists, separated in time and space, are united by a shared fascination with nature. See the work of David Hockney and Vincent van Gogh side by side in Hockney – Van Gogh: The Joy of Nature.
This exhibition examines the common ground between British artist Hockney (born 1937) and Dutch artist Van Gogh (1853–1890). Both expressed their profound love of nature through brilliant color and the capacity to see the world with fresh eyes. The Joy of Nature reveals Van Gogh’s unmistakable influence on Hockney in a selection of carefully selected landscape paintings and drawings.
Through a bold use of color and experimentation with perspective, each artist crafts a painterly world that is utterly individual and true to themselves, yet offers immense universal appeal. The Joy of Nature brings together nearly 50 of Hockney’s vibrant works—ranging from intimate sketchbook studies to monumental paintings, as well as his experimental videos and iPad drawings—with 10carefully chosen paintings and drawings by Van Gogh.
Hockney – Van Gogh: The Joy of Nature premiered at the Van Gogh Museum in Amsterdam, and the Houston presentation marks the first time the two renowned artists have been paired in an American museum exhibition. The MFAH is the only U.S. venue.