An invitation into any artist’s imagined world involves an intimacy rarely encountered outside of portraiture, but Matthew Wong does this without fear by relying on our one nugget of shared understanding – Shangri-la. What is paradise after all but knowing and being known? “You sit in front of this painting, and it overwhelms you.” – reveals our specialist Isabella Lauria, –
“We get lots in our dreams, and this painting makes me feel lost in the best way.” Post-War and Contemporary Art Day sale, October 7 2020
Matthew Wong was a Canadian artist. Self-taught as a painter, Wong received critical acclaim for his work before his death in 2019 at the age of 35. Roberta Smith, co-chief art critic at The New York Times, has praised Wong as “one of the most talented painters of his generation.”
Three Musicians, 1921 by Pablo Picasso Three Musicians is a large painting measuring more than 2 meters wide and high. It is painted in the style of Synthetic Cubism and gives the appearance of cut paper. Picasso paints three musicians made of flat, brightly colored, abstract shapes in a shallow, boxlike room.
‘Motherwell was one of the finest American painters of the 20th century, most definitely,’ says Dedalus Foundation CEO Jack Flam. ‘His paintings mix raw energy with a spiritual gracefulness that sets them apart.’
Few artists were as intrinsically connected to Abstract Expressionism as Robert Motherwell (1915-1991). Unlike Mark Rothko and Jackson Pollock, whose stars burned brightly but briefly, Motherwell remained prolific throughout his 50-year career. He was a searching artist whose output, though determinedly abstract, was also hugely varied.
Motherwell’s ‘Elegies to the Spanish Republic’ series is widely regarded as the high point of his career, with examples found in several major museum collections — they have consistently achieved the artist’s highest prices at auction too.
On Motherwell’s death in 1991, the eminent art critic Clement Greenberg wrote that ‘although underrated today… he was one of the very best of the Abstract Expressionist painters’.
Barbara Rudolph is an Arizona artist specializing in realism oil paintings that most often include a bird. Her painting backgrounds can be either realistic, or contemporary with design elements, but always to showcase the finest of details in her main subject. She will paint many layers, allowing each layer of oil paint to dry in between.
Barbara’s work is often sprinkled with an element of humor, She takes time to photograph and place each object within the scene she paints. “I enjoy getting absorbed in a new painting and letting it gradually reveal its own story”, she says. “The messages and symbolism in my work help to connect viewers to my subjects. I’m always thrilled when someone steps in for a closer look and responds with a laugh or smile.”
Barbara’s appreciation and desire to create art began at an early age. She later earned her Bachelor of Arts degree in 1990 from her home school of Arizona State University. She first entered the professional world of art through graphic design, which then led her to paint for a variety of fine art publishers for many years to come. She eventually opened her independent home studio where she now works full time.
For more than twenty five years, Barbara’s paintings have been on display in various galleries and also in private collections across the United States and Canada. She is a long standing member of the “International Guild of Realism.” Some of her recent works have been chosen as finalists in the prestigious “Art Renewal Center” Salon competition,” which is the leading revival of realism art.
“Art is such an integral part of my life. It brings me joy to be able to create paintings that bring happiness into people’s lives.”
NEWSTATESMAN (August 26, 2020) – Towne (1739-1816) was born on the fringes of London and apprenticed to a coach painter, a skill that demanded the type of precise brushwork that was to become evident in all his later work. He went on to study at William Hogarth’s St Martin’s Lane Academy, Britain’s foremost school of art prior to the establishment of the Royal Academy in 1768. By a quirk of geography, the greatest British landscapist and fellow chronicler of the Lake District, JMW Turner, would be born just 100 yards away in 1775.
In 1780 he made a lengthy drawing trip to the Continent but it wasn’t until 1786 that he visited the Lake District. He proved indefatigable, making 100 drawings and watercolours over the course of two weeks: he often put brief details on the back of his work (“½ past 7 O clock/The sky a Clear warm light/mountains a solemn purple tint/the Lake reflecting the sky, the/Sun in the picture”) and so we know that on 17 August alone, for example, he made seven drawings.
Born in Italy, Carlo has been always deeply passionate about drawing.
After graduating in Architecture at the Polytechnic of Milan, he chose to further his education attending art and design studies. He collaborated with the premier italian designer Bruno Munari, an amazing experience that influenced his way to see the world.
As an editorial and advertising illustrator, Carlo works with major italian magazines and newspapers and with international clients in Europe and in the U.S.
His distinctive style continually wins Italian Illustration awards and the work has been selected by The American Illustration Annual and won the Gold Medal Award in Creative Quarterly’s #15 contest and Awards of Excellence from Communication Arts.
In 2015 he wrote and illustrated I am Milan, followed by I am London and I am New York the first title of a new book collection, published by Moleskine, dedicated to the main cities of the world.
Join us – if you dare – as we follow the acclaimed Argentinian artist Tomás Saraceno into his installations of intricate spider webs inhabited by solitary, social and semi-social spiders, bridging the architectures of each other’s webs.
In the video, Saraceno talks about how spiders mirror human beings and help us understand ourselves and the way we live. “Every day, I try to enter territories, or thoughts, or ways of working, which might challenge ourselves and might challenge how we see the world.”
Observing a spider in its web for more than twenty minutes, Saraceno argues, can completely change your life and way of noticing things, revealing an unseen world. In connection to this, he feels that art and science – as well as other forms of knowledge – combined, can help us “form new alliances between disciplines and lose our comfort zone of operating and seeing and perceiving and being in the world. To try to find new ways to work and to be.”
Tomás Saraceno (b. 1973) is an Argentinian artist. Saraceno is particularly known for his large-scale, interactive installations and floating sculptures, as well as his interdisciplinary approach to art. With his practice, he explores new sustainable ways of inhabiting the environment.
His work has been exhibited at prominent venues all over the world, including the 58th La Biennale di Venezia in Venice, Palais de Tokyo in Paris, and Museo de Arte Moderno in Buenos Aires. Saraceno’s work is also part of international collection such as Bauhaus Museum in Weimar, Walker Art Center in Minneapolis, and SFMoMA in San Francisco.
In 2015, he launched the Aerocene Foundation – an open-source community project for artistic and scientific exploration of environmental issues. Relating to arachnology research, Saraceno is the first person to have scanned, reconstructed and re-imagined spiders’ woven spatial habitats.
For more see: https://studiotomassaraceno.org/about/ Tomás Saraceno was interviewed by Helle Fagralid at his studio in Berlin in November 2019. Camera: Rasmus Quistgaard Edited by Klaus Elmer Produced by Helle Fagralid Cover photo: Tomás Saraceno. ‘Social… Quasi Social… Solitary… Spiders… On Hybrid Cosmic Webs’, 2013. Installation view. Detail. Courtesy of the artist and Esther Schipper Gallery, Berlin Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2020
In the field of painting, Sophia Morrison explores composition and design in inks, watercolour, acrylics and mixed media. Her experimental approach allows for elements of surprise and discovery. Each of her paintings is an adventure and any subject may become part of the process.
Gabriella Marsh is a freelance designer, illustrator and animator based in London. She loves drawing, painting and all things hand rendered so all work begins on paper before being set on the computer, tidied up and make to move. She is currently at the Royal College of Art doing an MA in experimental animation.
Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist: http://on.gagosian.com/4lzd0i9
Georg Baselitz (born 23 January 1938) is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.