In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon focuses on Francesco da Sangallo’s “St. John Baptizing,” which can be found at the very center of the third floor of Frick Madison. Commissioned in the 16th century for a church in the Tuscan town of Prato, the bronze statuette has been installed atop a facsimile of the marble holy water font on which it was originally displayed, allowing visitors to see it as it was meant to be viewed. This week’s complementary cocktail is the White Negroni, a modern twist on a classic Florentine cocktail.
In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he delves into the mystery of three rare Saint-Porchaire objects currently on view in a room featuring enamels and clocks on the third floor of Frick Madison. Much remains unknown about 16th-century Saint-Porchaire ware—exquisite pieces inlaid with colored clay and embellished with three-dimensional reliefs—but an ongoing Frick research project recently identified an exciting potential link between the great French ceramicist Bernard Palissy and a lizard on one of the ewers at the Frick. This week’s complementary cocktail is a classic French American drink, the Boulevardier.
Nishijin-ori textiles are known for their exquisite detail, and have been made in the Nishijin area of Kyoto, Japan for over 1,200 years. Follow the intricate process involved in creating obi (the sash worn with traditional Japanese clothing), using a specialised technique called hikikaku – weaving with precious metallic thread. From the making of the thread itself, to the weaving on the loom, watch as three obis are made – one from 100-year-old silver foil, one from mother of pearl, and one from the semi-precious stone, lapis lazuli.
Processes: Silver foil obi: 1:26 Mother of pearl obi: 4:17 Lapis lazuli obi: 6:35
Originating in Heian-kyōto over 1200 years ago, Nishijin weaving is known for its highly-decorative and finely-woven designs, created through the use of tedious and specialised production processes. It is well-regarded for the high quality and craftsmanship of the resulting fabrics, commonly used for high-quality obi and kimono.
Macro Photography and Video Ideas using M&M’s and Water. Everything you need is any camera, a tripod, a small fishtank and a petri with water. Put M&M’s inside and take images how the candy is dissolving. Using different light source and angles will bring up creative images. Putting a petri inside the fish tank allows you to separate the M&M from the background transforming simple candy into some piece of art.
FEATURES | Glenn Adamson on Alice Neel’s compassionate portraits; Antony Gormley interviewed by Gabrielle Schwarz; Christopher Turner on the Surrealist houses of Edward James; Morgan Falconer on Jessica Morgan’s ambitious vision for the Dia Art Foundation; Kaywin Feldman on cultural leadership in 2021
REVIEWS | Eve M. Kahn on the opening of the Frick Madison; Sukhdev Sandhu on ‘Grief and Grievance’ at the New Museum; Christopher Baker on friendship and portraiture in 18th-century France; Michael Prodger on art museums in the 21st century
MARKET | Susan Moore previews spring auctions and reviews sales in Paris and Brussels; Emma Crichton-Miller on collecting Tiffany glass; Samuel Reilly on Frieze New York and gallery reopenings in London
Zao Wou-Ki was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Master artist Zao Wou-Ki was one of the titans of Chinese art in the post- war period. His energetic painting ‘13.02.62’, offered in our upcoming auction Beyond Legends: Modern Art Evening Sale (18 April | Hong Kong), is from the artist’s powerful ‘Hurricane Period’ when he arrived at the pinnacle of his career. Discover how Zao perfectly fused Eastern culture with Western modernism, bringing dynamic inspiration to this work.
Pablo Picasso is perhaps the Modern master most admired by Asian artists. His commitment to breaking with tradition resonated deeply with Chinese modernist pioneer Sanyu. In this episode of Expert Voices, our Head of Modern Art in Asia, Felix Kwok, introduces masterworks by both artists, which will headline our upcoming Beyond Legends: Modern Art Evening Sale (18 April | Hong Kong). ‘Nu Avec un Pékinois’ is a masterpiece from Sanyu’s post-war period that reflects themes of love and perseverance and ‘Buste de Matador’ from the 1970s is the first painting in Picasso’s final Matador and reflects an urgency in the face of mortality.
For the fifth episode of Gagosian Premieres, we celebrate “Anselm Kiefer: Field of the Cloth of Gold”—a new exhibition at Gagosian, Le Bourget—with a conversation between the artist and art historian James Cuno and a debut ballet performance by Hugo Marchand and Hannah O’Neill, choreographed by Florent Melac and set to music composed by Steve Reich. The episode airs on March 23 at 2pm EDT. In this episode of Gagosian Premieres, James Cuno, president and CEO of the J. Paul Getty Trust, speaks to the artist in an exclusive interview about the inextricable relationship between history and place that animates the works on view. Hugo Marchand and Hannah O’Neill—principal dancer and first soloist, respectively, at the Ballet de l’Opéra national de Paris—perform original choreography by Florent Melac in the gallery. Set to Steve Reich’s “Duet,” a contemplative composition scored for two solo violins and a string ensemble, the dance was created in direct response to Kiefer’s exhibition of monumental paintings in the vast Jean Nouvel–designed former airplane hangar.
Dubuffet, Fautrier and Wols created powerful cathartic works in the aftermath of the Second World War. In this latest episode of Expert Voices, Sotheby’s specialist Haleigh Stoddard explores how all three artists translated their personal experiences on to canvas, from Fautrier’s abstract ‘Corps d’otage’ and ‘Tête d‘otage N. 15’, to Wols’ powerfully evocative ‘La Turquoise’, and Dubuffet’s vision of hope in ‘La Cavalière au Diamant’.
Jean Philippe Arthur Dubuffet was a French painter and sculptor. His idealistic approach to aesthetics embraced so-called “low art” and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.
Jean Fautrier was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme.
Wols was the pseudonym of Alfred Otto Wolfgang Schulze, a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime, he is considered a pioneer of lyrical abstraction, one of the most influential artists of the Tachisme movement.
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon discusses the life of the celebrated Dutch painter Rembrandt Harmensz. van Rijn by examining his largest self-portrait, the centerpiece of a room devoted to Rembrandt on the second floor of Frick Madison. Painted when he was deep in debt and facing financial ruin, the artist nonetheless presents a grand vision of himself. This week’s complementary cocktail is a whiskey sour.