Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d’art. Klimt’s primary subject was the female body, and his works are marked by a frank eroticism.
Mount Fuji has long been a centerpiece of Japanese cultural imagination, and nothing captures this with more virtuosity than the landmark woodblock print series Thirty-six Views of Mount Fuji by Katsushika Hokusai (1760–1849).
The renowned printmaker documents 19th-century Japan with exceptional artistry and adoration, celebrating its countryside, cities, people, and serene natural beauty. Produced at the peak of Hokusai’s artistic ambition, the series is a quintessential work of ukiyo-e that earned the artist world-wide recognition as a leading master of his craft.
The prints illustrate Hokusai’s own obsession with Mount Fuji as well as the flourishing domestic tourism of the late Edo period. Just as the mountain was a cherished view for travelers heading to the capital Edo (now Tokyo) along the Tōkaidō road, Mount Fuji is the infallible backdrop to each of the series’ unique scenes. Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail. Including the iconic Under the Great Wave off Kanagawa (also The Great Wave), this widely celebrated series is a treasure of international art history.
In the final episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon bids audiences farewell with a discussion of “Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac” by James McNeill Whistler, the best-represented artist at the Frick with twenty works in the collection. Whistler met the eccentric poet and aristocrat depicted in the painting in 1885, and they soon became fast friends, with Montesquiou sitting for the portrait in 1891–92, making it the most modern work on display at Frick Madison. This week’s complementary cocktail is the Black Manhattan, a spin-off of the cocktail from the very first episode of “Cocktails with a Curator.” Xavier, Aimee, and Giulio extend their thanks to all those who made this program possible and, of course, to you, the viewers—cheers! To view this painting (or object) in detail, please visit our website: https://www.frick.org/whistlerblackgold
In the inaugural episode of “Where in the World?,” Curator Aimee Ng explores the history of mahogany, a material hidden beneath the surface of a Rembrandt portrait and sourced oceans away from the famed artist’s homeland.
The Frick’s temporary move to Frick Madison has prompted new ways of looking at our works of art. The reframing of the collection sheds light on the fact that the Frick’s art, although predominantly European, is undeniably linked to the world beyond Europe. In this series, we’re exploring some of these stories, asking “where in the world” we can find new connections to familiar objects.
Join Keith Christiansen, the John Pope-Hennessy Chairman of the Department of European Paintings, and guest curator Carlo Falciani, Professor of Art History at the Accademia di Belle Arti in Florence, for a tour of The Medici: Portraits and Politics, 1512–1570. This stunning exhibition features over 90 works in a wide range of mediums, from paintings, sculptural busts, medals, and carved gemstones to drawings, etchings, manuscripts, and armor. Included are works by the period’s most celebrated artists, from Raphael, Jacopo Pontormo, and Rosso Fiorentino to Benvenuto Cellini, Agnolo Bronzino, and Francesco Salviati. Learn more about the exhibition: https://www.metmuseum.org/exhibitions…
n this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon discusses “The Three Soldiers” by Pieter Bruegel the Elder, one of only a few works by the artist outside Europe. Bruegel is best known for his lively and often comical peasant scenes, but here he takes as his subject three landsknechts, or German mercenary foot soldiers.
Currently on view on the second floor of Frick Madison, this grisaille painting shows a drummer, a standard-bearer, and a fifer outfitted in flamboyant costume (and presumably urging their fellow soldiers into battle). This week’s complementary cocktail is the Radler, a mixture of lemonade and lager favored in German-speaking lands north of the Alps.
Travel back in time to J.M.W. Turner’s Harley Street gallery before immersing yourself in one of the finest seascapes ever painted by a British artist. Movie trailer legend Nick Ellsworth reads from Poet Laureate John Masefield’s ‘Sea Fever’ as we set sail across the mouth of the River Thames to explore Turner’s masterpiece. ‘Purfleet and the Essex Shore as seen from Long Reach’ established Turner’s reputation as the greatest marine painter of the modern age.
The Galleria dell’Accademia di Firenze, or “Gallery of the Academy of Florence”, is an art museum in Florence, Italy. It is best known as the home of Michelangelo‘s sculpture David. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600, the Trecento to the Late Renaissance. It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it.