…she decided to trace Tiepolo’s travels across Europe, from Venice to Germany and Spain, riffing on the works he created in these different places. ‘I realised I had basically followed Tiepolo’s journey since leaving Venice towards his death,’ she notes. ‘It was quite weird and morbid but also kind of appropriate for finishing off my Tiepolo cycle.’
Déjà vu isn’t dangerous for Flora Yukhnovich – it’s part of her art. ‘I think what I find really rewarding about working from old paintings is the moment when it all comes together and you feel like you recognise it,’ she tells me. ‘It’s such a weird, instinctive feeling […] like kissing an old friend.’
A shift in interest coincided with an invitation to Venice, via a residency with Victoria Miro. It was while living there during the summer of 2019 that she became immersed in the work of Giovanni Battista Tiepolo and his own particular brand of Venetian rococo. The resulting exhibition at the Victoria Miro gallery is called ‘Barcarole’ after the song sung by Venetian gondoliers, a tune known for its rhythmic sway in time with lapping lagoon waves.
An invitation into any artist’s imagined world involves an intimacy rarely encountered outside of portraiture, but Matthew Wong does this without fear by relying on our one nugget of shared understanding – Shangri-la. What is paradise after all but knowing and being known? “You sit in front of this painting, and it overwhelms you.” – reveals our specialist Isabella Lauria, –
“We get lots in our dreams, and this painting makes me feel lost in the best way.” Post-War and Contemporary Art Day sale, October 7 2020
Matthew Wong was a Canadian artist. Self-taught as a painter, Wong received critical acclaim for his work before his death in 2019 at the age of 35. Roberta Smith, co-chief art critic at The New York Times, has praised Wong as “one of the most talented painters of his generation.”
In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he discusses Jean-Honoré Fragonard’s Progress of Love paintings and the capricious countess who commissioned the series, Madame du Barry, mistress of Louis XV. Delve into the tumultuous life of Du Barry, who was born in poverty and clashed with Marie-Antoinette at Versailles. Tune in next week to discover how the Progress of Love series made its way from eighteenth-century France to the Frick’s beloved Fragonard Room.
The eventful history of Vincent van Gogh’s Sunflowers, which have changed hands many times since they were painted for Paul Gauguin’s arrival in Arles.
Van Gogh’s paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow ‘and nothing else’.
Three Musicians, 1921 by Pablo Picasso Three Musicians is a large painting measuring more than 2 meters wide and high. It is painted in the style of Synthetic Cubism and gives the appearance of cut paper. Picasso paints three musicians made of flat, brightly colored, abstract shapes in a shallow, boxlike room.
Waldemar Januszczak challenges the traditional notion of the Renaissance having fixed origins in Italy and showcases the ingenuity in both technique and ideas behind great artists such as Van Eyck, Memling, Van der Weyden, Cranach, Riemenschneider and Durer.
Giorgio Vasari, (born July 30, 1511, Arezzo [Italy]—died June 27, 1574, Florence), Italian painter, architect, and writer who is best known for his important biographies of Italian Renaissance artists.
Barbara Rudolph is an Arizona artist specializing in realism oil paintings that most often include a bird. Her painting backgrounds can be either realistic, or contemporary with design elements, but always to showcase the finest of details in her main subject. She will paint many layers, allowing each layer of oil paint to dry in between.
Barbara’s work is often sprinkled with an element of humor, She takes time to photograph and place each object within the scene she paints. “I enjoy getting absorbed in a new painting and letting it gradually reveal its own story”, she says. “The messages and symbolism in my work help to connect viewers to my subjects. I’m always thrilled when someone steps in for a closer look and responds with a laugh or smile.”
Barbara’s appreciation and desire to create art began at an early age. She later earned her Bachelor of Arts degree in 1990 from her home school of Arizona State University. She first entered the professional world of art through graphic design, which then led her to paint for a variety of fine art publishers for many years to come. She eventually opened her independent home studio where she now works full time.
For more than twenty five years, Barbara’s paintings have been on display in various galleries and also in private collections across the United States and Canada. She is a long standing member of the “International Guild of Realism.” Some of her recent works have been chosen as finalists in the prestigious “Art Renewal Center” Salon competition,” which is the leading revival of realism art.
“Art is such an integral part of my life. It brings me joy to be able to create paintings that bring happiness into people’s lives.”
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon delves into the significance of a deceptively simple teapot designed by Johann Friedrich Böttger and given to the Frick by the great German-born collector Henry H. Arnhold (1921–2018). Enjoy a Saxon cocktail while exploring the complicated history behind Böttger’s quest to discover the formula for porcelain in a clifftop fortress outside Dresden in the early 18th century.
Step into our galleries to experience ‘Gauguin and the Impressionists: Masterpieces from the Ordrupgaard Collection’. Explore the carefully curated collection of Wilhelm and Henny Hansen, who utilised their exceptional eye for quality to assemble works by Renoir, Monet, Degas, Morisot, Manet and Pissarro among many others.
NEWSTATESMAN (August 26, 2020) – Towne (1739-1816) was born on the fringes of London and apprenticed to a coach painter, a skill that demanded the type of precise brushwork that was to become evident in all his later work. He went on to study at William Hogarth’s St Martin’s Lane Academy, Britain’s foremost school of art prior to the establishment of the Royal Academy in 1768. By a quirk of geography, the greatest British landscapist and fellow chronicler of the Lake District, JMW Turner, would be born just 100 yards away in 1775.
In 1780 he made a lengthy drawing trip to the Continent but it wasn’t until 1786 that he visited the Lake District. He proved indefatigable, making 100 drawings and watercolours over the course of two weeks: he often put brief details on the back of his work (“½ past 7 O clock/The sky a Clear warm light/mountains a solemn purple tint/the Lake reflecting the sky, the/Sun in the picture”) and so we know that on 17 August alone, for example, he made seven drawings.