In the early nineteenth century, Indiana was at the intersection of ideas from the East and the frontier – resulting in a unique opportunity to express creative adaptions of residential architectural styles in America.
Industrialization later in the century created a new wealth to build extraordinary houses outside of cities; by the early twentieth century, Americans had created their own distinctive residential architecture with the Prairie Style.
This 288 page compendium includes over ninety houses in Indiana which are representative of the finest American residential architecture, from the Federal and Classical Revival style to Modern. The fascinating story of the evolution of residential architecture elaborates on the character defining features of each period, including the exterior form, massing, details as well as interiors – all beautifully illustrated in large format black and white photographs.
Authors: Craig Kuhner and Alan Ward
American Residential Architecture Oscar Riera Ojeda Publications Photographs of the Evolution of Indiana Houses
For his home on Crete, Greece’s largest island, George Kalykakis wanted something unique. He got a sculptural structure, nicknamed the “Tear of God,” designed to keep the harsh sun in check through a series of cuts. Kalykakis gives us a tour.
An unrivaled survey of the most exciting contemporary interior design across the globe, curated by the editors of ten international editions of Architectural Digest.
Since 1920, Architectural Digest has celebrated design talents, innovative homes, and products–providing endless decoration, lifestyle, and travel inspiration. With ten global editions, the magazine is an authority renowned all over the world for publishing only the very best of today’s interior design.
In this new volume–spearheaded by AD France‘s editor in chief, Marie Kalt–the editors of Architectural Digest‘s international editions have teamed up to thoughtfully curate a collection of today’s most exceptional interiors around the globe. These diverse residential spaces span from the United States and China, to France, Italy, Germany, Russia, Spain, India, Mexico, and the Middle East, presenting each country’s unique “AD style manifesto” and the work of design luminaries such as Peter Marino, Martyn Lawrence Bullard, Jacques Grange, Joseph Dirand, and Bijoy Jain, to name a few. The featured projects range from Marc Jacobs’s New York townhouse to Tommy Hilfiger’s Connecticut abode and Seth Meyers’s Manhattan duplex; a sumptuous eighteenth-century Italian villa and a Moroccan palace; Pierre Bergé’s apartment and a hôtel particulier in Paris; a Majorca summer home; and a country house in Russia. Brimming with stunning images and rich international inspirations, this unparalleled compendium of global interiors is a must for every library of interior design.
For the past 10 years or more, the manor’s globe-trotting owner and ‘serial collector’, Tony Hill, has painstakingly restored and modernized the quirky, 3,700 sq ft house set in three-quarters of an acre of totally private gardens in the heart of the town, with guidance and advice from Cheshire-based Nigel Daly Architectural Design.
In the rolling countryside of north Oxfordshire, Grade II-listed The Manor House at Chipping Norton has ‘the wonderful homely feel of a house your parents might have lived in for 30 years,’ says David Henderson of Savills in Stow-on-the-Wold.
Stone steps from the hall lead to the light-filled main drawing room with its oriel window and window seat, where bespoke bookcases made from reclaimed elm boards surround the open fireplace. Another flight of stone stairs leads from the inner hall to the dining room with its vaulted ceiling and impressive carved stone fireplace. A large games/media room is used as a home cinema, office and party room.
The clients are a couple, a director and director of photography in the film industry, their jobs involve them filming on location for stretches of time. This house is the space to which they retreat between filming.
The site is 20 hectares of farmland on the Kauaeranga river in the valley of the same name, it stretches from high on the hillside to the river banks and includes a ridgeline which commands a panoramic view of the farmland below and the native bush on the opposite slopes of the valley.
The clients brief called for a response which engaged with the site in both a filmic as well as practical way, they live a life of self-sufficiency while on the land, including growing, animal husbandry and butchery. The clients spoke of materials that have a patina of age, of sustainability, of recycling and adaptive re-use, of provenance of materials.
Our response was to concentrate the small mass of building that the brief determined into a singular geometric form that could hold its own in the big landscape. We positioned the form straddling the ridgeline, engaged with the slope at the high end and floating above the land as it falls away. Drawing from the vernacular of rusty corrugated iron sheds prevalent in the district, we clad the form in a rainscreen of rusted corrugated iron sheets, a rural camouflage of sorts.
The building is made largely of recycled materials and fittings, which the clients procured over the duration of the build.
The holiday home located in the area of Agioi Apostoloi in Aegina is organized around a central patio. The dialogue with the natural terrain of the plot as well as the unobstructed visual views of the land were elements crucial to the design.
The visitor enters from the highest point of the patio from where the movements are distributed around the three living areas of the house – the master bedroom, the guest rooms and the lounge area – and the swimming pool. The morphology of the patio follows the outer sloping terrain and as it gradually descends through a path of terraces and outdoor seating areas leads the visitor to the view.
Its final level, in combination with the airy living room, constitutes an expanded covered balcony to the sea. Its transparent roof bears the pool-observatory. The patio functions as a vital living space of the residence and so does the rooftop swimming pool.
The bedrooms maintain their privacy while at the same time referring to the heart of the whole – the patio and the sea view. The section of the house levels creates an internal microcosm of spaces and movements, constituting a path that can bypass the enclosed spaces and end up outside the plot around the side of the daily activities volume.
The morphology of the complex expresses the function of each individual space housed under it while the selected rough materials set up a direct dialogue with the island’s topos. The individual volumes are embraced by a dynamic curved, unifying outer skin that holds the whole together and forms a characteristically acute, yet silent gesture of a human intervention on the natural landscape.
To create a photography studio with maximum daylight, Larry Williams built a glasshouse. Doubling as a boat garage (the lower floor), it hugs the lake’s edge. Viewed from the inside, the outside world tumbles in: the wake of a powerboat ripples up to the window, kayakers wave as they pass, a child jumps from the dock. Toward the back of the house, granite invades the view: the home is built on top of the Canadian Shield- a swath of ancient rock stretching across half of Canada.
Williams speaks proudly of the 300 million-year-old limestone and 3 billion-year-old granite outside his door. To heat and cool the home, architect Pat Hanson relied on a geothermal system: tubes of water snake into the lake to benefit from the lake floor’s nearly constant year-round temperature. In summer, the water in the closed-loop system is cooled by the lake and in winter it is warmed. The granite floor acts as a heat sink to slowly radiate the sun’s energy through the house during the evening. The white roof reflects light and heat to keep the place cool during summer.
To create a home inside four walls of glass, Hanson placed the domestic functions inside a floating cube supported by steel beams so as not to touch the walls. Downstairs, it houses the kitchen and guest bath and upstairs, an open bedroom. The stairway is bathed in Corian which continues upstairs with a Corian bathtub and bed structure doubling as sculpture. Large sliding fritted glass doors close to provide privacy for the mezzanine bedroom, though are typically left open to allow for natural ventilation.
Today, AD takes you inside the elegant New York City home of ballet superstar Misty Copeland. Two years ago Copeland and her husband purchased their dream apartment on Manhattan’s Upper West Side and enlisted in-demand, L.A.-based AD100 interior designer Brigette Romanek to completely reimagine the space. From the bedroom turned walk-in closet to the colorful and spacious open living-dining room, the groundbreaking dancer, author, and social activist achieves perfect balance in her new Manhattan home.
Inspired by the Japanese gardens and their architecture, amazed by the cleanliness and beauty they have, we took all the references that we collected for a while, and we tried to make our interpretation of this.
The “Japanese Garden” series combines classical elements of Japanese architecture with stylized flora to create scenes that perfectly capture the culture’s desire for simplicity. Portraying the minimal, surreal, and tranquil atmosphere of Japan, we tried to carry a consistent design language throughout each image using elements such as perfectly pruned trees, birch wood accents, and overcast mountain landscapes. The result was these surreal and pleasant compositions surrounded by green and nature.
Perched on the side of a hill in the seaside town of Lewisham, 40 minutes’ drive from Hobart, is a new little house that’s getting a lot of attention. A wealth of high-end design and curated materials deliver warmth, and an outside-in philosophy brings the rugged beauty of Tasmania’s seascape into the palette. It’s no wonder it features in this year’s TV Series Grand Designs.
Owner Alice Hansen wanted to create a home that was small and beautiful – a celebration of what Tassie is.
“I wanted the house to let Tassie do the talking. I wanted simple lines with not too much going on so that nature could be drawn in. I wanted the house to be a shelter more than anything else. To cocoon me from the outside, but not detract from the external environment,” says Alice. “I also wanted an outdoor bath, and to be able to see the stars from my bed at night.”