“The Solar-Powered Orchid Tiny House Has a Gorgeous, Light-Filled Interior”
LED Valance Lighting – The Orchid has received global praise for its dimmable, independently switched lighting. Skylights, clerestory windows and large glass front wall give this home a lovely aesthetic day or night.
Ground Floor Bed and King Loft – Sleep four comfortably with the Orchid’s private king bed loft and sofa bed.
Full Size Tile Shower – Spacious, chic, and comfortable. The floating mirrors with LED valance lighting give extra dimension to this modern bathroom.
From a Dezeen.com online article (March 28, 2020):
“The detached homes have been conceptualised to visually appear as one single volume defined by its traditional triangular architecture,” said the studio. “Only from up close will the observer notice a crisp breakpoint between the properties.”
Canadian firm Ancerl Studio has designed a pair of houses in Toronto to make them look like a single building.
Both properties include three bedrooms. In Sorauren 116, the master suite occupies the entire top floor of the house. A balcony opens from the bedroom towards the backyard, and the bathroom is separated from the bedroom by a spacious walk-through closet.
The two houses are located on very tight lots on Sorauren Street in the city’s Parkdale neighbourhood, as is typical in Toronto’s residential neighbourhoods.
Today we visit Fayetteville, Arkansas to tour a tiny house capable of booming sound. When Asha Mevlana isn’t on tour with the Trans-Siberian Orchestra, she hosts neighborhood concerts from her compact custom home. Situated between her living quarters and the trailer devoted to her instruments, Asha’s porch has enough room for performers to fill the street with music, courtesy of the built-in, wall-sized outdoor amplifier. The innovations don’t end there, though, as living in a tiny house presents plenty of design challenges to overcome. Watch and learn about the ins and outs of this peculiar property on today’s episode of Unique Spaces.
Composed of three pavilions connected by a series of glass hallways, the single-story residence seeks to create a residential oasis in the heart of Los Angeles.
The Western Red Cedar lined guest house/garage pavilion establishes a datum line that carves and connects the two larger volumes of the living and sleeping pavilions, comprised of oversized charcoal-colored board, batten extira and cement board siding. A deep overhang mitigates solar heat gain and shields from the sun exposure.
A walkway of concrete pavers, lined by wild grasses leads to the front door, passing a tranquil courtyard with olive trees. The entry to the house is located within a glass hallway connecting the living pavilion to the west and the sleeping pavilion to the east, establishing a sense of intimate scale before engaging with the other parts of the house.
The fluidity between the kitchen, breakfast room and family room, designed for uninterrupted entertainment, creates a harmony of transparency and lightness.
CABN was established to provide people with a means of disconnecting from the mayhem we have brought upon ourselves. CABN is designed to be completely off-grid, sustainable and eco-friendly relocatable; transforming some of Australia’s most stunning and stimulating landscapes and offer an ideal escape.
This CABN is named Jude, after CABN founder’s mother. Jude is warm, caring and inviting and has always welcomed everyone into her home and life. It’s those same feelings that you can expect when you stay. Adventurous, warm and welcoming – the perfect tiny escape.
Though Gandhi’s projects are dramatically different in form, such consideration of their remote, subarctic backdrop connects them to one another — they “look like they could only be in Nova Scotia,” he says.
EVERY FEW DAYS, the Canadian architect Omar Gandhi migrates between Toronto, his hometown, and Halifax, the capital of Nova Scotia, where he opened his eponymous firm in 2010. A year and a half ago, Gandhi added New Haven to his weekly peregrinations — he was teaching a seminar at the Yale School of Architecture called Where the Wild Things Are, after Maurice Sendak’s 1963 children’s book.
For the final project of the semester, the professor took his class to the wind-swept island of Cape Breton (a glove-shaped appendage separated from Nova Scotia’s main peninsula by the narrow Strait of Canso) to visit Rabbit Snare Gorge — his 2013 project with the New York-based architecture firm Design Base 8 — a slender cabin that stretches 43 feet tall, like a 16th-century Mannerist portrait. Touring the surrounding plot, a 47-acre wooded slope bisected by the creek that gives the house its name, Gandhi, 40, asked his students to conceive a “campus of creatures” — a set of structures that, as he described it when we met at his Halifax studio last summer, “have an attitude and respond and look like they move.”
On this episode of Unique Spaces, Architectural Digest brings you inside an unconventionally beautiful home in Phoenix, Arizona built out of a repurposed grain silo. Designer Christoph Kaiser takes us on a tour of the property he called home for 18 months, highlighting the array of bespoke elements that went into making the circular enclave.