From an Architectural Digest online review:
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
In the design world, is there any style that’s having more of a Renaissance moment than midcentury modern? It’s everywhere, from luxury hotels to high-end residential interiors to mainstream furniture lines from the likes of CB2 and Anthropologie, and it’s showing little sign of slowing down. In the midst of this revival, writer Dominic Bradbury, who has contributed to Architectural Digest, has compiled what might just be one of the most comprehensive books ever to be published on the subject.
To read more: https://www.architecturaldigest.com/story/atlas-of-mid-century-modern-houses
From a Yanko Design online review:
Designed to universally retrofit onto most curtain rods, the SwitchBot comes with two hooks that hold it in place and a wheel that moves the bot left or right. Place the SwitchBot between the first and second loops of your curtain or blind, and the bot can now, on command, run up and down the curtain rod, maneuvering your curtains open or closed. SwitchBot runs on an app, but even supports voice commands via your phone or smart speaker, effectively allowing you to have your own “Let there be light” moment by commanding the curtains to open at will. IFTTT and shortcuts support even lets you sync SwitchBot with your alarm, or with the time of the day, thanks to the bot’s in-built light sensor.
To read more: https://www.yankodesign.com/2019/11/29/what-if-you-could-make-your-curtains-open-with-your-voice-or-better-with-your-alarm/
From Sloan Kettering Institute:
Infections with the Enterococcus bacterium are a major threat in healthcare settings. They can lead to inflammation of the colon and serious illnesses such as bacteremia and sepsis, as well as other complications.
Now, an international team led by scientists from Memorial Sloan Kettering has shown for the first time that foods containing lactose, a sugar that’s naturally found in milk and dairy products, help Enterococcus thrive in the gut, at least in mice. They also studied changes in the bodies of people having BMTs. The study was published November 29 in Science.
Their previous research has shown that when harmless strains of microbes are wiped out, often due to treatment with antibiotics, Enterococcus and other harmful types of bacteria can take over due to lack of competition. As part of the new study, which included analysis of microbiota samples from more than 1,300 adults having BMTs, the team confirmed the link between Enterococcus and GVHD.
To read more: https://www.mskcc.org/blog/milking-it-study-mice-suggests-lactose-diet-feeds-dangerous-gut-bacteria?_subsite=research-ski
From a Harvard Business Review article:
Baby boomers remain the base of traditional PayTV. Even with the quickening decline of bundled TV services, 80 million U.S. households still subscribe to cable, satellite, and fiber-based video services.
Well over half of all older consumers are already subscribing to at least one streaming service, with a quarter of Americans over age 50 having cut the cord to linear services by the end of 2018.
The traditional video marketplace is no more. Driven by a combination of technologies including high-speed internet access, billions of mobile devices, and falling prices for high-resolution displays, television as we have known it for decades is undergoing a radical reinvention, one that will reshape the media ecosystem. Just in the last few months, game-changing streaming services have been announced or launched from industry giants including Disney and NBCUniversal, spurred in part by billion-dollar investments from newer entrants such as Netflix, Google, and Apple.
To read more: https://hbr.org/2019/11/for-streaming-services-navigating-generational-differences-is-key
In 1961 a new 2.6-litre (2,553 cc (155.8 cu in)) straight-six ‘Ruddspeed’ option was available, adapted by Ken Rudd from the unit used in the Ford Zephyr. It used three Weber or SU carburettors and either a ‘Mays’ or an iron cast head. This setup boosted the car’s performance further, with some versions tuned to 170 bhp (127 kW), providing a top speed of 130 mph (209 km/h) and 0–60 mph (0–100 km/h) in 8.1 seconds. However, it was not long before Carroll Shelby drew AC’s attention to the Cobra, so only 37 of the 2.6 models were made. These Ford engined models had a smaller grille which was carried over to the Cobra.
AC came back to the market after the Second World War with the 2-Litre range of cars in 1947, but it was with the Ace sports car of 1953 that the company really made its reputation in the post war years. Casting around for a replacement for the ageing 2-Litre, AC took up a design by John Tojeiro that used a light ladder type tubular frame, all independent transverse leaf spring suspension, and an open two seater alloy body made using English wheeling machines, possibly inspired by the Ferrari Barchetta of the day.
Photos from Classic Driver website: https://www.classicdriver.com/en/car/ac/ace/1961/703263?utm_medium=email&utm_campaign=Classic%20Driver%20Daily%203342019&utm_content=Classic%20Driver%20Daily%203342019+CID_08b403976196024a8806d6851989b77c&utm_source=newsletter
The XT12 will launch in April 2020 and include sleeping for 4 adults, a permanent queen bed, a full fold-down dinette, Maxxair fan, double pane windows with built in screens and a wet bath with shower and cassette toilet in the fully insulated cabin. The XT12 will come equipped with a stainless steel sink and faucet, 3-burner stove, 75L dual zone fridge, forced air furnace, on-demand hot water, 220 watts of solar and a 250 amp hour battery and a 23Zero Peregrine 270 awning that will cover both the rear door and kitchen.
Into the Wild Overland is excited to announce a new addition to its lineup of rugged, off-road capable camper trailers, the XT12. This model joins the current XT (the original, 2-sleeper model) and MXT (the XT with the addition of an extended tongue to carry a motorcycle) models. The XT12 is named after the length of the cabin, which will be 12 ft long.
Source and to read more: https://itwoverland.com/blog/wild-overland-announces-new-trailer-xt12/
Director: Caspar Daniël Diederik
Producing Production Coordinator: Michael Essey
Lead Producer: Ivan Sebastian
Creative: Miriam Patience
Editor: Hani Fayed
Agency Producer: Jatinder Mahli
DOP/Camera: Ziryab Al Gabri
New film out of Saudi Arabia.. the city of Jeddah.
Saudi Arabia is changing rapidly and it is inviting the world to come and explore. By making tourist visa now widely available, the country is truly opening its doors to the travellers. It’s definitely positive development for the people as the arrival of travellers will bring more change the country for the good.
From an Apollo Magazine online article:
He shot the Beatles in a St John’s Wood back garden before they had even broken the Top 10 (‘I didn’t know how to work with a group, but because I was a musician myself and the youngest on staff by a decade, I was always the one they’d ask’), and within a few months was kitting out the Rolling Stones with suitcases to look like a travelling band in a series of candid street shots.
His portraits, in grainy 35mm black-and-white, are a veritable roll call of the 1960s youthquake – Michael Caine, Terence Stamp, David Hemmings, Marianne Faithfull, Jean Shrimpton (walking barefoot on a rain-slicked King’s Road, or posing with the porcelain inmates of a dolls’ hospital) – and of the other stars of the age, from the Rat Pack to Muhammad Ali. He photographed Churchill being carried from hospital in an armchair, a potentate on a palanquin; shot Peter Cook and Dudley Moore floating on lilos in raincoats; and extensively documented the early career of Elton John – including a remarkable shot where he plays an upright piano with his legs floating up towards the ceiling, as if performing on the International Space Station.
To read more: https://www.apollo-magazine.com/a-tribute-to-terry-oneill/?utm_medium=email&utm_campaign=APWH%20%2020191129%20%20AL&utm_content=APWH%20%2020191129%20%20AL+CID_9ed0a73b6399ce6cb267d56ab17f0600&utm_source=CampaignMonitor_Apollo&utm_term=He%20redefined%20photography
From a The Lancet online article:
As a consultant, I had profoundly failed to appreciate the experience of fatigue and apathy among patients. More than excessive tiredness, the fatigue was overwhelming, turning simple activities into insurmountable, exhausting challenges. It was frustrating and I fell into the trap of overexertion when I did have energy, thus exhausting myself and sabotaging the day’s recovery plan. Had staff not been so adept at encouraging me when I lacked energy and holding me back when I tried to overdo things, I would have squandered much valuable rehabilitation time.
I was a consultant in neurological rehabilitation for acquired brain injury when, at the age of 62 years, I had a stroke. Running for a train, I experienced pain in the right side of my head and mild weakness and sensory loss in my left limbs. I thought I’d had a stroke, but I was remarkably calm. It was late and my instinct was to get home, where I went to the study. In the morning, I found myself on the floor, half-blind, half-paralysed, and terrified.
Scans showed a large intracerebral haemorrhage in the area of the right basal ganglia. My symptoms could be explained by the damage to my brain—my medical world was in order, something to hold on to. I discussed my diagnosis and treatment with my colleagues during brief waking periods, grateful that they still saw the person I was before my stroke. Meanwhile, my wife was in the good hands of staff who treated her with sensitivity, giving her plain facts and support.