From the Cube Haus Architects website:
Most notable is Toogood’s sensitive approach to materials. She offers two different, equally alluring solutions to the exterior cladding and the internal finishes. Both external cladding options, raw galvanised steel and dark charred timber, are suggestive of industrial or agricultural structures, making it something of a thrill to see them in a domestic setting. The building clad in raw galvanised steel will have a refined, cream-coloured interior, whilst the structure clad in dark charred timber will have an exposed plywood interior finish.
Faye Toogood’s beguiling design for Cube Haus Commissions proposes a sanctuary that suits both rural and urban contexts. With a simple pitched-roof, single-storey form, it evokes the sort of ordinary, often-ignored buildings that have been built across Britain for centuries. But this being the work of Toogood, a revered designer across multiple disciplines, the scheme that she has created is far from being artless.
From an Architectural Digest online review:
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
In the design world, is there any style that’s having more of a Renaissance moment than midcentury modern? It’s everywhere, from luxury hotels to high-end residential interiors to mainstream furniture lines from the likes of CB2 and Anthropologie, and it’s showing little sign of slowing down. In the midst of this revival, writer Dominic Bradbury, who has contributed to Architectural Digest, has compiled what might just be one of the most comprehensive books ever to be published on the subject.
To read more: https://www.architecturaldigest.com/story/atlas-of-mid-century-modern-houses
From an Apollo Magazine article:
Jencks’s book grew out of his PhD thesis, supervised by Reyner Banham at the University of London in the late 1960s, and paved the way for his later, more explicitly polemical The Language of Post-Modern Architecture (1977). In this bestselling book, Jencks set out his stall for a pluralist architecture that rejected what he saw as modernism’s reductive ‘univalent’ approach, swapping it for a symbolically rich and historically engaged ‘multivalent’ postmodernism. For good or bad it became the defining book of its era, an unabashed rejection of mainstream modernism that ushered in a new architectural style.
Modern Movements in Architecture (1973) by Charles Jencks was one of the first books on architecture I read, a birthday present given to me the summer before I started my degree. In some ways, it spoiled things: I thought all architecture books would be that much fun. Modern Movements in Architecture is a complex and sophisticated history, but it wears its learning lightly. It relates architecture to a wider cultural discourse and it is unafraid to be critical, even of some architects, such as Mies van der Rohe, who were previously considered to be above criticism.
To read more: https://www.apollo-magazine.com/remembering-charles-jencks/?utm_medium=email&utm_campaign=APNE%20%2020191125%20%20AL&utm_content=APNE%20%2020191125%20%20AL+CID_7c3d4bb6631465b2c8eab8a1cebe2725&utm_source=CampaignMonitor_Apollo&utm_term=His%20writing%20was%20always%20alive%20to%20the%20deep%20pleasures%20of%20great%20buildings
From Architect Matthew Barnett Howland website:
Cork House embodies a strong whole life approach to sustainability, from resource through to end-of-life. Expanded cork is a pure bio-material made with waste from cork forestry. The bark of the cork oak is harvested by hand every nine years without harming the tree or disturbing the forest. This gentle agro-industry sustains the Mediterranean cork oak landscapes, providing a rich biodiverse habitat that is widely recognised. This compelling ecological origin of expanded cork is mirrored at the opposite end of the building’s lifecycle. The construction system is dry-jointed, so that all 1,268 blocks of cork can be reclaimed at end-of-building-life for re-use, recycling, or returning to the biosphere.
Completed in 2019, Cork House was designed by Matthew Barnett Howland with Dido Milne and Oliver Wilton.
Cork House is a brand new and radically simple form of plant-based construction. Monolithic walls and corbelled roofs are made almost entirely from solid load-bearing cork. This highly innovative self-build construction kit is designed for disassembly, is carbon-negative at completion and has exceptionally low whole life carbon.
To read more: https://www.matthewbarnetthowland.com/
From a Mario Cucinella Architects online release:
Designed by MC A and engineered and built by WASP, TECLA will be the first house to be entirely 3D printed using locally sourced clay – a biodegradable and recyclable ‘km 0 natural’ material which will effectively make the building zero-waste. It will be built to adapt to multiple environments, and it will be suitable for self-production through the use of WASP’s innovative Maker Economy Starter Kit. This approach will limit industrial waste and offer a unique sustainable model that will boost the national and local economy, improving the wellbeing of communities. Furthermore, the scheme will significantly accelerate the construction process as the 3D printer will produce the entire structure at once.
Borne from a vision to provide a home for everyone at a time of exponential population increase and an associated lack of affordable housing, TECLA is a new circular housing model, created using entirely reusable, recyclable materials taken from the local terrain. Built using Crane WASP – the latest innovation in on-site 3D construction, TECLA represents a step-change in the move towards eco-housing.
To read more: https://www.mcarchitects.it/mario-cucinella-architects-and-wasp-start-on-site-with-tecla-a-prototype-3d-printed-global-habitat-for-sustainable-living
From a The Modern House online article:
Away from the city, Roger escapes to his home near Poole, Dorset for what he calls an ‘analogue retreat’. To hear Roger talk about the inspirations behind the building, which resembles an up-turned boat and which is both eccentric and serene, fun and functional…
For the final instalment in this batch of our Masters of Design series, we’re paying a visit to architect Roger Zogolovitch’s boat-inspired house near Poole, Dorset – the recipient of two RIBA awards and a paragon in split-level living. Watch the film here.
Roger is the founder and creative director of Solidspace, an independent developer focused on unearthing the potential of backland gap sites rarely noticed by mainstream housebuilders. By skillfully utilising overlooked sites in the urban environment – adjacent to railroads or between and above office buildings, for instance – Roger proposes intelligent design solutions to the challenges of providing enough homes for a growing population.
To read more: https://www.themodernhouse.com/journal/boat-inspired-house-roger-zogolovitch/?prm_name=homepage_featured_link&prm_id=journal_article&prm_position=1&prm_creative=cta_button
From a Freedomsky webpage:
Freedomky offers a unique way of living that combines thoughtful design, style purity and uncompromising material quality. Freedomky are charming houses you just choose and then move right in. You don’t have to follow it; it comes wherever you decide. A pleasant space with minimal energy requirements, it’ll hook you immediately. Once you enter, you’ll understand. Maybe you’ll start to live a little differently, freely. Freedomky is not just a house, it’s a lifestyle.