The two and half-storied ‘Vacation Villa’ in Himchori marine drive is a holiday destination amidst the natural setup of hills and sea. The existing topography inspired project is an alluring statement of contemporary architecture in Bangladesh. The purpose of the villa as a place of vacationing is well served as it ensemble two exquisite natural proponent of the site; sea and hills within its built premise. Knotting multiple forces of nature within a space to create and balance the desired psychological mood of relaxation for user was the challenge.
The composite structure of the project is well displayed to its true expression. The RCC structure of east and west wing have been adjoined centrally with steel structure. The sturdy sleek steel frame refurbished with glass is the central segment of the form. Recycled and vintage materials used in various spaces of the villa have added sophistication without making it much ornate.
When designer Richard Found discovered the dream plot on which to build his serene contemporary retreat overlooking a lake, he didn’t bet on what happened next. In the grounds stood a derelict 18th-century gamekeeper’s cottage, which was immediately spot-listed by Historic England. “It changed the whole dynamic of what I thought would be a straightforward new-build project, and became a far more arduous planning exercise.”…
House Proud is a series of videos created by the Telegraph which showcase some of Britain’s most idiosyncratic, quirky, unusual and unforgettable homes. A celebration of British eccentricity and imagination, in each film the owner gives us an intimate guided tour and tells us the story of their unique property.
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After a varied life of traveling, writing, sketching, ranch labor, and significant service in army intelligence in World War II, Jackson moved to New Mexico and single-handedly created the magazine Landscape. As it grew under his direction throughout the 1950s and 1960s, Landscape attracted a wide range of contributors. Jackson became a man in demand as a lecturer and, beginning in the late 1960s, he established the field of landscape studies at Berkeley, Harvard, and elsewhere, mentoring many who later became important architects, planners, and scholars.
J. B. Jackson transformed forever how Americans understand their landscape, a concept he defined as land shaped by human presence. In the first major biography of the greatest pioneer in landscape studies, Helen Horowitz shares with us a man who focused on what he regarded as the essential American landscape, the everyday places of the countryside and city, exploring them as texts that reveal important truths about society and culture, present and past. In Jackson’s words, landscape is “history made visible.”
Read Harvard Design Magazine article
Horowitz brings this singular person to life, revealing how Jackson changed our perception of the landscape and, through friendship as well as his writings, profoundly influenced the lives of many, including her own.
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Through brand-new photography, plans and drawings by Gaudí himself, historical photos, as well as an appendix detailing all his works—from buildings to furniture, decor to unfinished projects—this book presents Gaudí’s universe like never before. Like a personal tour through Barcelona, we discover how the “Dante of architecture” was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.
The life of Antoni Gaudí (1852–1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar.
Gaudí’s incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites.
Rainer Zerbst studied modern languages at the University of Tübingen and in Wales from 1969 to 1975. From 1976 to 1982 he worked as a research assistant in the Department of English at the University of Tübingen. Since completing his doctorate in 1982, Zerbst has been active as a critic in the fields of art, literature, and theater.
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From a The Modern House online article:
Fitzroy Park, London N6
A stunning 6,200 sq ft space, this remarkable and sprawling house rises up through its surrounding landscaped gardens. Described by the Architects’ Journal as having a “beguilingly cave-like relationship to the outside world”, it is a bold vision of contemporary architecture in which the natural world has been thoroughly entwined with the design.
Recline by the pool, listen to the artificial stream winding its way through the gardens, meander across the footbridge: this home was conceived for those long, dreamy summer days.
To read more: https://www.themodernhouse.com/sales-list/fitzroy-park/
“High-tech is something to do with the expression of the technology – the means by which the building stands,” the award-winning architect told Dezeen in an exclusive interview at his London practice.
British architect Norman Foster reflects on his first high-tech building and how it shaped offices to come, in this exclusive video produced by Dezeen. Named after the electronics manufacturer that commissioned the building,
Reliance Controls was an industrial facility located in Swindon in Southwest England. Completed in 1967, the building was the last to be designed by Team 4, an architecture practice comprising Foster, Richard Rogers, Su Brumwell and Wendy Cheesman, before the group disbanded. The single-storey rectangular shed, which was designed to house the company’s factory and offices, was one of the first buildings labelled as high-tech – a style of architecture that Foster defines as a celebration of a building’s functional components.
Reliance Controls was the first building to dissolve the traditional boundaries between factory workers and office workers. “There was only a glass screen that would separate the assembly line for electronics from those who are managing the sales force,” said Foster. “They would all share the same kitchen and dining facilities, the same bathrooms. That we take for granted now but at that time it was it was really revolutionary – unheard of.”
From the Renzo Piano Building Workshop website:
“The Academy Museum gives us the opportunity to honor the past while creating a building for the future—in fact, for the possibility of many futures. The historic Saban Building is a wonderful example of Streamline Moderne style, which preserves the way people envisioned the future in 1939. The new structure, the Sphere Building, is a form that seems to lift off the ground into the perpetual, imaginary voyage through space and time that is moviegoing. By connecting these two experiences we create something that is itself like a movie. You go from sequence to sequence, from the exhibition galleries to the film theater and the terrace, with everything blending into one experience.”
Renzo Piano, Architect
When it opens in the heart of Los Angeles, at the intersection of Wilshire Boulevard and Fairfax Avenue, the Academy Museum of Motion Pictures will be the world’s premier movie museum.
Situated on the famed “Miracle Mile,” the museum will preserve and breathe new life into the former 1939 May Company department store, now re-named the Saban Building. Celebrating its history and imagining new possibilities, the additions to the building that date from 1946 have been removed and replaced with a spherical building that features the 1,000-seat David Geffen Theater and the Dolby Family Terrace with views towards Hollywood. The revitalized campus will feature more than 50,000 square feet of gallery space, two theaters, cutting-edge project spaces, an outdoor piazza, the rooftop terrace, an active education studio, a restaurant, and store.
To read and see more: http://www.rpbw.com/project/academy-museum-of-motion-pictures