Plus: the uncertain market for Old Masters, the Cambridge colleges that have turned to wood, the artists who have taken young women seriously, and reviews of Guido Reni, Edward Hopper and the new museum at the Bibliothèque nationale
Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear
You enter a troubling parallel universe in Henry Fuseli’s drawings of women: a place of exaggeration and highly sexualised imagery, where his subjects engage in role-play and the theatrical and erotic and idiosyncratic collide. It’s an inventive, private realm: not one of the drawings in the Courtauld’s fascinating exhibition was displayed in public during the artist’s life.
Plus: the remarkable career of Marianne Werefkin; the making of John Singer Sargent’s notorious Madame X; the occult modernism of Rudolf Steiner; and reviews of the artists who saw in stereo, a history of tomb raiding in Egypt and the memoir of Ibrahim El-Salahi
• Jil Sander refashions the English garden in Hamburg
• Annette Messager on the art of making the strange familiar
• A dazzling Medici table-top in focus
• On Jeju Island, the Hawaii of South Korea
Plus: the restored Galleria Nazionale dell’Umbria, Inigo Jones’s Banqueting House, Joseph Wright of Derby’s brush with the divine, and reviews of Cézanne in Chicago, Milton Avery in London and a history of fancy dress
Plus: William Kent’s heavenly ceilings, New York’s terrible new skyscrapers, the market’s obsession with young painters, the artists who channel their inner child, and reviews of Walter Sickert, Raphael and Winslow Homer
Plus: The women artists gazing at men, the portraits of Glyn Philpot, and Elizabeth David’s taste in Old Masters; and reviews of Donatello in Florence, Boilly in Paris, Kafka’s drawings and Stephen Shore’s memoir.