From a DesignBoom online article:
spanning the winding randselva river, a unique new building connects two forested riverbanks at kistefos — northern europe’s largest sculpture park. part museum, part bridge, and part sculpture, ‘the twist’ has been designed by bjarke ingels group (BIG) and represents the firm’s first project in norway. dramatically torqued at its center, the structure not only allows visitors to cross from one riverbank to the other, but is also capable of hosting an international program of contemporary art exhibitions.
To read more: https://www.designboom.com/architecture/twist-bjarke-ingels-group-kistefos-sculpture-park-norway-museum-09-18-2019/
From a Smart Cities Dive online opinion article;
The reality, however, is that modular, prefabricated housing can exceed the limitations put upon it by popular conceptions of trailer parks and postwar government housing. Not only are they certainly faster – an important factor in cost, as the cost of land and construction have as much as doubled in some parts of America within the past decade – but also of a higher quality.
Looking toward the expected lifespan of these homes, due to the precision of factory construction and the availability of new materials, some prefab or modular homes have the potential to even outlast traditionally-built, on-site housing.
A far cry from the “prefabs” of the 1950s, modules can be manufactured off-site in factories, in a cutting edge process of designing and building homes that can drive real change in an industry that has seen little change in centuries. Modular manufacturing permits us to get down to a level of detail and robustness that traditional architects, structural engineers and mechanical and electrical engineering consultants do not normally go into.
To read more: https://www.smartcitiesdive.com/news/affordable-housing-shortage-highlights-the-need-for-construction-to-enter-t/568435/
From Atlantis in The Spy Who Loved Me to Nathan Bateman’s ultra-modern abode in Ex Machina, big-screen villains tend to live in architectural splendor. The villain’s lair, as popularized in many of our favorite movies, is much more than where the megalomaniac goes to get some rest.
Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested and must prove him/herself. Like evil itself, the abodes of movie villains are frequently compelling and seductive. From a design standpoint, they tend to be stunning, sophisticated, envy-inducing expressions of the warped drives and desires of their occupants.
Lair, the first title in Tra Publishing’s Design + Film series, celebrates and considers several iconic villain’s lairs from recent film history. The book, strikingly designed in silver ink on black paper, explores the architectural design of these structures through architectural illustrations and renderings, photographs, essays, film analyses, interviews, and more.
To read more and purchase: https://trapublishing.com/products/lair
From the Cube Haus Architects website:
Most notable is Toogood’s sensitive approach to materials. She offers two different, equally alluring solutions to the exterior cladding and the internal finishes. Both external cladding options, raw galvanised steel and dark charred timber, are suggestive of industrial or agricultural structures, making it something of a thrill to see them in a domestic setting. The building clad in raw galvanised steel will have a refined, cream-coloured interior, whilst the structure clad in dark charred timber will have an exposed plywood interior finish.
Faye Toogood’s beguiling design for Cube Haus Commissions proposes a sanctuary that suits both rural and urban contexts. With a simple pitched-roof, single-storey form, it evokes the sort of ordinary, often-ignored buildings that have been built across Britain for centuries. But this being the work of Toogood, a revered designer across multiple disciplines, the scheme that she has created is far from being artless.
From Empire State Building Twitter:
Our 80th Floor is officially re-opened – the final stage of our visitor experience redesign! The floor includes a special @nycgo exhibit that will create a custom itinerary for the rest of your trip, based on questions you answer about your interests! esbo.nyc/bc1
From an Architectural Digest online review:
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
In the design world, is there any style that’s having more of a Renaissance moment than midcentury modern? It’s everywhere, from luxury hotels to high-end residential interiors to mainstream furniture lines from the likes of CB2 and Anthropologie, and it’s showing little sign of slowing down. In the midst of this revival, writer Dominic Bradbury, who has contributed to Architectural Digest, has compiled what might just be one of the most comprehensive books ever to be published on the subject.
To read more: https://www.architecturaldigest.com/story/atlas-of-mid-century-modern-houses
From an Apollo Magazine article:
Jencks’s book grew out of his PhD thesis, supervised by Reyner Banham at the University of London in the late 1960s, and paved the way for his later, more explicitly polemical The Language of Post-Modern Architecture (1977). In this bestselling book, Jencks set out his stall for a pluralist architecture that rejected what he saw as modernism’s reductive ‘univalent’ approach, swapping it for a symbolically rich and historically engaged ‘multivalent’ postmodernism. For good or bad it became the defining book of its era, an unabashed rejection of mainstream modernism that ushered in a new architectural style.
Modern Movements in Architecture (1973) by Charles Jencks was one of the first books on architecture I read, a birthday present given to me the summer before I started my degree. In some ways, it spoiled things: I thought all architecture books would be that much fun. Modern Movements in Architecture is a complex and sophisticated history, but it wears its learning lightly. It relates architecture to a wider cultural discourse and it is unafraid to be critical, even of some architects, such as Mies van der Rohe, who were previously considered to be above criticism.
To read more: https://www.apollo-magazine.com/remembering-charles-jencks/?utm_medium=email&utm_campaign=APNE%20%2020191125%20%20AL&utm_content=APNE%20%2020191125%20%20AL+CID_7c3d4bb6631465b2c8eab8a1cebe2725&utm_source=CampaignMonitor_Apollo&utm_term=His%20writing%20was%20always%20alive%20to%20the%20deep%20pleasures%20of%20great%20buildings