“The Tower is also present to the entire world… a universal symbol of Paris… from the Midwest to Australia, there is no journey to France which isn’t made, somehow, in the Tower’s name.” — Roland Barthes
When Gustave Eiffel completed his wrought iron tower on Paris’s Champ de Mars for the World’s Fair in 1889, he laid claim to the tallest structure in the world. Though the Chrysler Building would, 41 years later, scrape an even higher sky, the Eiffel Tower lost none of its lofty wonder: originally granted just a 20-year permit, the Tower became a permanent and mesmerizing fixture on the Parisian skyline. Commanding by day, twinkling by night, it has mesmerized Francophiles and lovers, writers, artists, and dreamers from all over the world, welcoming around seven million visitors every single year.
Based on an original, limited edition folio by Gustave Eiffel himself, this fresh TASCHEN edition explores the concept and construction of this remarkable building. Step by step, one latticework layer after another, Eiffel’s iconic design evolves over double-page plates, meticulous drawings, and on-site photographs, including new images and even more historical context. The result is at once a gem of vintage architecture and a unique insight into the idea behind an icon.
On the gentle slope of Richmond Hill, Grade I-listed The Wick is a secret Georgian paradise that feels like a country house, albeit hopping distance from the heart of the capital, enjoying as it does the only view protected by an Act of Parliament.
Lush terraced gardens meander down to an idyllic swimming pool and pool house, with the Thames elegantly curving in the distance.
Location: Richmond, or the London Borough of Richmond Upon Thames, is an affluent district that boarders the River Thames. It is approximately 10 miles from central London. It has both national and city rail links, with Richmond rail station and Richmond Underground station that offers District and Overground services.
Atmosphere: Richmond has a community feel, much similar to that of a village, rather than a borough on the outskirts of London. It benefits from a number of independent cafes, shops, restaurants, bars and pubs — many of which take advantage of the river-side setting.
Elton Hall, near Peterborough, is a house of many faces. It is formal and Classical on the approach, yet reveals on inspection a complex architectural history stretching back to the Middle Ages. All this with gardens that extend and frame it with a kind of painterly stillness. Inside, the house has one of the best private art collections in the East of England.
As it survives today, the house bears the stamp of important changes undertaken from 1857 by Granville Proby, the 3rd Earl of Carysfort, which is remarkable, given that he was 74 when he inherited the estate in 1855. He had grown up on the family’s Glenart estates in Co Wicklow, Ireland, fought at the Battles of the Nile and Trafalgar asa naval officer and later rose to the rank of Admiral. What inspired him to undertake this work is not now clear, but it may have been the poor condition of the building.
The architect he chose was Henry Ashton, a pupil of Smirke who served as an assistant to Sir Jeffry Wyatville from 1828 during the latter’s transformation of Windsor Castle (and who edited Wyatville’s posthumously published Illustrations Of Windsor Castle, 1841). It must have been through Windsor that Ashton caught the eye of the anglophile Willem II (Prince of Orange until 1840), who commissioned him, in 1838, to design a summer palace at the Hague. Nothing came of the project.
The house reveals itself slowly. On a remote stretch of the Dominican Republic coast, a stone footpath winds its way through a dense landscape of old-growth trees, zamia, and native flowers. Gradually, a timber structure comes into focus, its undulating form seemingly afloat above the jungle floor.
Only upon stepping past that wood-clad volume, under a 70-foot-wide span and up into the central courtyard, do you see the ocean.
That progression is all expert choreography on the part of architect Bryan Young, principal of the Brooklyn-based studio Young Projects and nowadays very much a name to know. “Every decision facilitates the experience of the landscape,” he notes of the property, which includes two additional houses of his design. One is a low-slung string of four adjoining stucco bungalows, the other a monolithic enigma—chamfered at the corners and covered in graphic, almost pixelated tile, earning it the name Glitch House. Together this trio of buildings provides the ultimate escape, a place for friends and extended family to come together and decompress, as envisioned by his intrepid clients, Mike and Sukey Novogratz, a New York City couple with wellness on the brain.
Life’s A Beach takes readers into beach homes around the world – from the hills of New Zealand to beaches of Brazil to the remote islands of the Aegean – exploring the many ways to decorate a cozy home by the sea.
Handmade touches, natural materials and eclectic interiors all imbue a sense of wellbeing, and are found throughout the homes in Life’s a Beach. From humble little beach cottages to extraordinary modern bungalows, these spaces are designed for respite and relaxation, and for enjoying the beachy surrounds.
Overlooking Camp de Mar, Villa Anguli is constructed on a unique, south-facing elevated plot of just over 1,000 square metres that is built into the rock on three levels that total 399 sqm of constructed area.
Camp de Mar is a small resort village in the municipality of Andratx on the Spanish Balearic Island of Mallorca. The resort is 20 miles west of the island main airport of Son Sant Joan Airport. The resort’s beach has been awarded a blue flag.
A glass elevator and observation deck are under construction at the top of Kohn Pedersen Fox’s supertall skyscraper One Vanderbilt in New York. Called Summit One Vanderbilt, the observatory and elevator ride is being built towards the crown of the 1,401-foot-tall (427 metres) tower next to Grand Central Station in Midtown Manhattan. Kohn Pedersen Fox designed One Vanderbilt and Summit One Vanderbilt for developer SL Green Realty. The attraction is split into three parts called Ascent, Levitation and Summit. Ascent is a glass elevator complete with a transparent floor that will take visitors up the outside of the supertall skyscraper to a height of 1,210 feet (369 metres). Read more on Dezeen: https://www.dezeen.com/?p=1661707
The Frank Gehry design for the Louis Vuitton Foundation building was certainly innovative. But from a structural engineering perspective, there was nothing to suggest it was actually possible.
The building of the Louis Vuitton Foundation, started in 2006, is an art museum and cultural center sponsored by the group LVMH and its subsidiaries. It is run as a legally separate, nonprofit entity as part of LVMH’s promotion of art and culture. The art museum opened in October 2014.
Nagoya, capital of Japan’s Aichi Prefecture, is a manufacturing and shipping hub in central Honshu. The city’s Naka ward is home to museums and pachinko (gambling machine) parlors. Naka also includes the Sakae entertainment district, with attractions like the Sky-Boat Ferris wheel, which is attached to a mall. In northern Naka is Nagoya Castle, a partly reconstructed 1612 royal home displaying Edo-era artifacts.