Carl Reiner, the funnyman behind TV classics like “The Dick Van Dyke Show” and movies like “The Jerk,” died on June 29, 2020 at the young age of 98. In this interview with ”Sunday Morning” correspondent Tracy Smith originally broadcast on March 8, 2015, the writer-director-actor proved that he had never stopped cracking us up.
Carl Reiner was an American comedian, actor, director, screenwriter, and publisher whose career spanned seven decades. During the early years of television comedy from 1950 to 1957, he co-wrote and acted on Caesar’s Hour and Your Show of Shows, starring Sid Caesar.
‘Monocle On Design’ discusses the origins of tessellations in Islamic art and ask how architecture affects our work-life balance. Plus: author Shelley Klein recounts her childhood in a mid-century house in Scotland and we preview Monocle’s city-themed July/August issue.
Soar over the most independent-minded state in the Union: New Hampshire. Amid its mountains, rivers, and colonial villages exists a community of people who take their motto of “Live free or die” to heart. From an infamous poet who favored the road less traveled, to the founders of both the industrial and fast food revolutions, this state is brimming with free thinkers. Discover the sights and stories of the Granite State, from Concord to White Mountain State Park and beyond.
On this episode of Art Institute Essentials Tour, take a closer look at American Windows, created by Marc Chagall in 1977. Later in his life, the artist Marc Chagall turned to the medium of stained glass to explore intense color on a monumental scale. This six-panel work, created for the museum to commemorate America’s bicentennial, merges symbols of American history, the Chicago skyline, and the arts.
From the Grand Duke Francesco I de’ Medici and Holy Roman Emperor Rudolf II to Archduke Ferdinand II of Habsburg, these aristocratic virtuosos acquired, selected, and displayed the objects in real-life catalogues that represented the entire world—spanning architecture, interior design, painting, sculpture, gemology, geology, botany, biology and taxonomy, astrology, alchemy, anthropology, ethnography, and history.
The Wunderkammer, or “cabinet of curiosities,” saw collectors gathering objects from many strands of artistic, scientific, and intellectual endeavor, in an ambitious attempt to encompass all of humankind’s knowledge in a single room.
Marvel at the unicorn horns (narwhal tusks), gems, rare coral growths, Murano glasswork, paintings and peculiar mechanical automata. Browse through illustrations of exotic and mythical creatures and discover the famed “Coburg ivories,” an astounding collection of crafted artifacts. These collections are nothing short of a journey through time, from the Renaissance and Age of Discovery, the Mannerist and Baroque periods, up to the present day. Although many of these cabinets of curiosities no longer exist, others have been meticulously reconstructed, and new ones born.
These marvelous cabinets of curiosities can now be explored by all in this XXL collection. To realize this mammoth undertaking, Massimo Listri traveled to seven European countries over several decades; the result is a set of gorgeousphotographs, an authoritative yet accessible introduction, and detailed commentary on each of the 19 chambers highlighting the most remarkable items in each collection. Discover how these timeless treasures both describe and defined civilization, the modern concept of the museum, and our very knowledge of the universe.
Giulia ML Carciotto graduated in art history from the Sapienza University in Rome. She was a Research Fellow at the Warburg Institute in London, where she also worked for Christie’s. She was editor-in-chief of the art publisher Franco Maria Ricci Editore in Milan, and now teaches at the Academy of Fine Arts in Palermo and at the Abadir Academy in Catania.
Antonio Paolucci studied art history under Roberto Longhi in Florence and began his career in the management of cultural heritage. He was the Superintendent of Cultural Heritage in Venice, Verona, and Mantua. He later became Director of the Opificio delle Pietre Dure in Florence and, for almost twenty years, the Superintendent for the Polo Museale Fiorentino. Most recently, Paolucci was the Director of the Vatican Museums from 2007 to 2016. A specialist in Italian Renaissance art, he is the author of museum and exhibition catalogues, as well as publications on Donatello, Piero della Francesca, Michelangelo, Raphael, and Benvenuto Cellini, among others.
The Canary Islands, a Spanish archipelago off the coast of northwestern Africa, are rugged volcanic isles known for their black- and white-sand beaches. Tenerife, the largest island, is dominated by the sometimes-snowy active volcano Mt. Teide, which has its own astronomical observatory and is part of Teide National Park. Tenerife hosts a huge pre-Lent Carnival in the capital, Santa Cruz de Tenerife.
PROJECT – VSTR – The Plus with Vestre, the Norwegian manufacturer of urban furniture, BIG unveils The Plus as the world’s most sustainable furniture factory tucked in the heart of the Norwegian forest. Envisioned as a village for a community dedicated to the cleanest, carbon neutral …
This week, Barcelona’s Gran Teatre del Liceu held its first performance with a live audience post-coronavirus, but it’s unclear whether the attendees were too green to appreciate Puccini’s “Crisantemi.” Seated in the red, velvet seats and among the gold balconies, 2,292 palms, ficus trees, and Swish cheese plants filled the iconic opera house to listen to the string quartet’s rendition.
A collaboration with Madrid-based artist Eugenio Ampudia and the Max Estrella gallery, the concert was meant to reflect on humans’ relationship with nature. “I thought why don’t we go into the Liceu like weeds, take it over and let nature start growing everywhere and turn it into something alive even when there are no people,” Ampudia said in an interview. After the performance, the leafy audience members were donated to healthcare workers who have been battling the virus during the last few months.
Detroit designers have always led the way in car design. The futuristic concept cars, roaring muscle cars, and sleek racers designed in and around the city shape our ideas of what a car can be. Working on paper, in clay, and in metal, their ideas drive American car culture and inform the way we get around every day.
This exhibit organized by the Detroit Institute of Arts will highlight the artistry and influence of Detroit car designers working between 1950 and the present day. It will bring together 12 coupes and sedans designed across that 70-year period to highlight significant achievements in style and technology.
The 12 cars include unique examples of experimental show cars created for display and iconic production models sold to the mass market. Design drawings and photographs will allow you to imagine the creative and innovative processes that bring a vehicle from the drawing board to the street.
A selection of paintings and sculptures will highlight the conversation between the American art world and the car culture from the 1950s to the present day.
The intertwining of the four classical elements—fire, water, earth and air—is a constant source of inspiration to the design and philosophies of John Pomp. Be it a ripple on the ocean or the swelling of a bubble, his sculptural pieces mimic the wondrous geometry that exists, often unnoticed, in the natural world.
By capturing the fluidity of glass in its liquid state with gestural experimentations of technique, John transforms “perfectly imperfect” into signatures of his creations. Fragile and ethereal, yet purposeful and confident, every Pomp piece is a unique confluence of light, liquid and fire, which he brings together to alchemic effect.