Mark McDonald, Curator in the Department of Drawings and Prints, takes us on a virtual tour of Goya’s Graphic Imagination to explore how Goya’s drawings and prints allowed him to share his complex ideas and respond to the turbulent social and political changes occurring in the world around him.
Experience a visual history of the life and people of the Great Plains on display at the Museum of the Great Plains in Lawton. From 11,000 years ago to a strong focus on Lawton and southwest Oklahoma and the southern plains in particular. Through all the interactive exhibits, one can not only learn about the fascinating history but also have fun. From life on the cattle trail to Native American artifacts and exhibits, you can immerse yourself in the culture of this special area in the state.
Join exhibition curators Desmond Shawe-Taylor and Isabella Manning as they tour the highlights of the exhibition ‘Masterpieces from Buckingham Palace’. With an introduction from Director of the Royal Collection Tim Knox.
The exhibition brings together some of the most important paintings in the Royal Collection from the Picture Gallery at Buckingham Palace. Usually on public view during the annual Summer Opening of the Palace, the paintings will be shown in The Queen’s Gallery while Reservicing works are carried out to protect the historic building for future generations. The Picture Gallery was originally designed by the architect John Nash for George IV to display his collection of Dutch, Flemish and Italian Old Master paintings. Artists represented in the exhibition include Titian, Guercino, Guido Reni, Vermeer, Rembrandt, van Dyck, Rubens, Jan Steen, Claude and Canaletto.
The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library in the Murray Hill neighborhood of Manhattan, New York City. It is situated at 225 Madison Avenue, between 36th Street to the south and 37th Street to the north.
A complex of buildings in the heart of New York City, The Morgan Library & Museum began as the private library of financier Pierpont Morgan (1837–1913), one of the preeminent collectors and cultural benefactors in the United States. As early as 1890 Morgan had begun to assemble a collection of illuminated, literary, and historical manuscripts, early printed books, and old master drawings and prints.
Mr. Morgan’s library, as it was known in his lifetime, was built between 1902 and 1906 adjacent to his New York residence at Madison Avenue and 36th Street. Designed by Charles McKim of the architectural firm McKim, Mead & White, the library was intended as something more than a repository of rare materials. Majestic in appearance yet intimate in scale, the structure was to reflect the nature and stature of its holdings. The result was an Italian Renaissance-style palazzo with three magnificent rooms epitomizing America’s Age of Elegance. Completed three years before McKim’s death, it is considered by many to be his masterpiece. In 1924, eleven years after Pierpont Morgan’s death, his son, J. P. Morgan, Jr. (1867–1943), known as Jack, realized that the library had become too important to remain in private hands. In what constituted one of the most momentous cultural gifts in U.S. history, he fulfilled his father’s dream of making the library and its treasures available to scholars and the public alike by transforming it into a public institution.
Over the years—through purchases and generous gifts—The Morgan Library & Museum has continued to acquire rare materials as well as important music manuscripts, early children’s books, Americana, and materials from the twentieth century. Without losing its decidedly domestic feeling, the Morgan also has expanded its physical space considerably.
In 1928, the Annex building was erected on the corner of Madison Avenue and 36th Street, replacing Pierpont Morgan’s residence. The Annex connected to the original McKim library by means of a gallery. In 1988, Jack Morgan’s former residence—a mid-nineteenth century brownstone on Madison Avenue and 37th Street—also was added to the complex. The 1991 garden court was constructed as a means to unite the various elements of the Morgan campus.
The largest expansion in the Morgan’s history, adding 75,000 square feet to the campus, was completed in 2006. Designed by Pritzker Prize–winning architect Renzo Piano, the project increases exhibition space by more than fifty percent and adds important visitor amenities, including a new performance hall, a welcoming entrance on Madison Avenue, a new café and a new restaurant, a shop, a new reading room, and collections storage. Piano’s design integrates the Morgan’s three historical buildings with three new modestly scaled steel-and-glass pavilions. A soaring central court connects the buildings and serves as a gathering place for visitors in the spirit of an Italian piazza.
Palazzo Barberini is an imposing Baroque building that houses the Galleria Nazionale d’Arte Antica, the National Gallery of Ancient Art. Commissioned by Pope Urban VIII, the mansion was the most elegant and luxurious villa of the period.
In 1623, Maffeo Barberini, once made Pope (Pope Urban VIII), ordered the construction of the estate to Italian architect Carlo Maderno, who is responsible for the design of St Peter’s Basilica’s façade. The construction started in 1625 and was finished in 1633 by Bernini, after Maderno’s death.
In 1949, the Italian State bought the palazzo to house the Galleria Nazionale d’Arte Antica, which was created from the donations of pieces of art by several noble Italian families.
Experience the Summer Exhibition like never before with this interactive tour. Visit each gallery with the click of a button and browse or buy the works online.
The Getty Villa is devoted to the study and display of art from the ancient world. Housed in a spectacular recreation of an ancient Roman villa, its collection celebrates the culture and artistry of ancient peoples and draws connections to our world today.
Located near the Pacific shore in Malibu, California, the Getty Villa serves a varied audience through exhibitions, conservation, scholarship, research, and public programs. The Villa houses approximately 44,000 works of art from the Museum’s extensive collection of Greek, Roman, and Etruscan antiquities, of which over 1,200 are on view.
On this episode of Art Institute Essentials Tour, take a closer look at City Landscape, painted by Joan Mitchell in 1955. “I paint a little, then I sit and look at the painting, sometimes for hours. Eventually, the painting tells me what to do.” In City Landscape, a tangle of various colors—pale pink, scarlet, mustard, sienna, and black—evoke the streets of a bustling metropolis. The spontaneous energy conveyed in the composition is at odds with Mitchell’s slow and deliberate process.
On this episode of Art Institute Essentials Tour, take a closer look at American Windows, created by Marc Chagall in 1977. Later in his life, the artist Marc Chagall turned to the medium of stained glass to explore intense color on a monumental scale. This six-panel work, created for the museum to commemorate America’s bicentennial, merges symbols of American history, the Chicago skyline, and the arts.