A selection of three essential articles read aloud from the latest issue of The Economist. This week, the next catastrophe and how to survive it; (9:40) the risks of annexation for Israel; (21:50) and the Wirecard scandal.
Ilse Crawford is a designer, academic and creative director with a simple mission to put human needs and desires at the centre of all that she does. As founder of Studioilse, together with her multi-disciplinary, London-based team, she brings her philosophy to life.
This means creating environments where humans feel comfortable; public spaces that make people feel at home and homes that are habitable and make sense for the people who live in them. It means designing furniture and products that support and enhance human behaviour and actions in everyday life. It means restoring the human balance in brands and businesses that have lost their way. As founder of the department of Man and Wellbeing at the Design Academy Eindhoven, her mission extends to nurturing a new generation of students to always question why and how their work improves the reality of life.
Filmed and Edited by: Martien Janssen
A 60 second compilation of some of my favourite timelapse footage shot during my travels in Philippines, Indonesia, and Myanmar. Visit my Travel Imagez website for all related blogposts, travel guides, free ebooks, photos & videos.
Between 13 December 1954 and 14 February 1955, Picasso painted a series of fifteen canvases based on Eugène Delacroix’s masterwork Les femmes d’Alger, each of which he assigned an identifying letter from A to O. Together, these paintings constitute Picasso’s single greatest achievement in the decades following the end of the Second World War. They represent his first comprehensive appropriation and thoroughgoing exploration of an important painting by an earlier artist, as well as the most focused analysis he had done since the war years of the female figure set within a specific spatial environment.
Picasso painted the present Femmes d’Alger, Version F on 17 January 1955, around the halfway point in the cycle. It is the culminating, most fully resolved canvas from the first phase of the series, when Picasso favored medium-sized formats for his protean explorations.
The Water Dwellings use minimal energy, with well-insulated and shaded lower pontoons and upper stories, and energy provided by solar roof panels and heat exchangers built into base boxes below the waterline. By developing a communal energy supply, the Water Dwellings’ environmental efficiency has the potential to achieve near zero energy use.
Global design practice Grimshaw and Dutch manufacturing specialists Concrete Valley have developed an innovative design for Modular Water Dwellings, in response to the growing risks of climate change and the challenges of increasing urbanisation.
The Modular Water Dwellings incorporate standardised components that provide efficiency in manufacturing, while still allowing a variety of internal layouts for occupants’ individual requirements. The Dwellings can be orientated and spaced in different ways, responding to varying site contexts, local conditions, light sources and primary views. They also maximise the use of durable and non-corroding materials, such as concrete and glass, ensuring a long design life that anticipates multiple occupants.