Nearly from its inception, Surrealism has had an international scope, but knowledge of the movement has been formed primarily through a Western European focus. Join Stephanie D’Alessandro, the Leonard A. Lauder Curator of Modern Art and Senior Research Coordinator in the Department of Modern and Contemporary Art at The Met, and explore this exhibition, which reconsiders the true “movement” of Surrealism beyond boundaries of geography and chronology—and within networks that span Eastern Europe to the Caribbean, Asia to North Africa, and Australia to Latin America. Including examples from almost eight decades and produced across at least 45 countries, Surrealism Beyond Borders offers a fresh appraisal of some of the collective concerns and exchanges—as well as historical, national, and local distinctions—that will recast appreciation of this most revolutionary and globe-spanning movement. Learn more about the exhibition at https://www.metmuseum.org/surrealism
Watch a video preview of the exhibition, “Surrealism Beyond Borders,” on view at The Met from October 11, 2021–January 30, 2022. Nearly from its inception, Surrealism has had an international scope, but knowledge of the movement has been formed primarily through a Western European focus. This exhibition reconsiders the true “movement” of Surrealism across boundaries of geography and chronology—and within networks that span Eastern Europe to the Caribbean, Asia to North Africa, and Australia to Latin America. Including almost eight decades of work produced by artists from over 45 countries, “Surrealism Beyond Borders” offers a fresh appraisal of these collective concerns and exchanges—as well as historical, national, and local distinctions—that recasts appreciation of this most revolutionary and globe-spanning movement. Learn more about the exhibition: https://www.metmuseum.org/exhibitions…
The Musée de l’Orangerie presents an exhibition bringing together the works of Chaïm Soutine (1893–1943), painter of the Paris School of Russian origin (now Belarus) and Willem de Kooning (1904-1997), abstract expressionist American of Dutch origin.
This exhibition will focus more specifically on exploring the impact of Soutine’s painting on the pictorial vision of the great American painter.
Soutine indeed marked the generation of post-war painters by the expressive force of his painting and his figure of “accursed artist”, grappling with the vicissitudes and excesses of Parisian bohemia. His work was particularly visible in the United States between the 1930s and 1950s, when the figurative artist of European tradition was re-read in the light of new artistic theories. The gestural painting and the pronounced impasto of Soutine’s canvases lead critics and curators to proclaim him a “prophet”, herald of American abstract expressionism.
It was precisely at the turn of the 1950s that Willem de Kooning began the pictorial work of Women, canvases in which a singular expressionism was built, between figuration and abstraction. The development of this new language corresponds to the moment when the painter summons the artistic universe of Chaïm Soutine and confronts it. De Kooning discovered his predecessor’s paintings in the 1930s, then at the retrospective which devoted the painter to the Museum of Modern Art in New York in 1950. He was then particularly marked by the presentation of Soutine’s paintings in the Foundation’s collections. Barnes of Philadelphia, where he visited with his wife Elaine in June 1952.
The Musée d’Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d’Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography.
In April 1956, at the suggestion of his friend Francis Bacon, Richard Chopping took the society hostess Ann Fleming to see some of his trompe l’oeil paintings, which were then on show at the Arthur Jeffress Gallery in Mayfair. Impressed by these pictures, Fleming invited the artist to meet her husband, Ian, who was looking for someone to provide dust-jacket illustrations for his James Bond novels.
Chopping was immediately offered the job, and his striking designs remain the work for which he is best known and are, for many collectors, the reason the novels are particularly prized.
As this small but imaginatively curated exhibition demonstrates, there was a great deal more to Chopping than James Bond. Nevertheless, the highly detailed, finely executed and often macabre paintings he produced for Fleming are characteristic of his work as a whole. Born in Essex in 1917, Chopping moved to London at the age of 18 with little idea of what he wanted to do, but soon got a job on the magazine Decorations of the Modern Home.
Musée Marmottan Monet features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. Marmottan Museum’s fame is the result of a donation in 1966 by Michel Monet, Claude’s second son and only heir.
September 29, 2021–February 13, 2022 – Few artists have shaped the contemporary artistic landscape like Jasper Johns. With a body of work spanning seventy years, and a roster of iconic images that have imprinted themselves on the public’s consciousness, Johns at ninety-one is still creating extraordinary artworks.
This vast, unprecedented retrospective—simultaneously staged at the Philadelphia Museum of Art and the Whitney Museum of American Art in New York—features a stunning array of the artist’s most celebrated paintings, sculptures, drawings, and prints as well as many lesser-known and recent works. Each a self-contained exhibition, the two related halves mirror one another and provide rare insight into the working process of one of the greatest artists of our time.
Jasper Johns is an American painter, sculptor and printmaker whose work is associated with abstract expressionism, Neo-Dada, and pop art. He is well known for his depictions of the American flag and other US-related topics.
In this virtual art opening and gallery walk-through, Getty curator Virginia Heckert guides you through two exhibitions of photography: Mario Giacomelli: Figure/Ground and The Expanded Landscape. The galleries reveal Giacomelli’s stunning, high-contrast black and white images made in and around the photographer’s hometown of Senigallia on the Adriatic coast of Italy in the late 20th century. Also presented are works in The Expanded Landscape, which focuses on contemporary photographers whose innovative approaches and insightful observations expand concepts of “landscape.” Learn more about the exhibition: https://www.getty.edu/art/exhibitions…
Join exhibition curator Keith Christiansen and Renaissance art historians Linda Wolk-Simon and Davide Gasparatto in conversation about the exhibition “The Medici: Portraits and Politics, 1512–1570,” and the development of the Florentine identity through portraits under Cosimo I de’ Medici’s rule. Film made possible by the generous support of The Brownstein Family Foundation, a Patron Member of The Friends of the Bargello. Learn more about the exhibition “The Medici: Portraits and Politics, 1512–1570” on The Met’s website: https://www.metmuseum.org/MediciPortr…
Join Keith Christiansen, the John Pope-Hennessy Chairman of the Department of European Paintings, and guest curator Carlo Falciani, Professor of Art History at the Accademia di Belle Arti in Florence, for a tour of The Medici: Portraits and Politics, 1512–1570. This stunning exhibition features over 90 works in a wide range of mediums, from paintings, sculptural busts, medals, and carved gemstones to drawings, etchings, manuscripts, and armor. Included are works by the period’s most celebrated artists, from Raphael, Jacopo Pontormo, and Rosso Fiorentino to Benvenuto Cellini, Agnolo Bronzino, and Francesco Salviati. Learn more about the exhibition: https://www.metmuseum.org/exhibitions…