Equipped with a state-of-the-art medical facility and high-tech safety features, Legacy Hotel and Residences is not your typical high-rise building.
It’s the skyscraper London deserves, and the one it needs right now. Here’s how the team are making it happen – https://bit.ly/3t3rp7y
The Frank Gehry design for the Louis Vuitton Foundation building was certainly innovative. But from a structural engineering perspective, there was nothing to suggest it was actually possible.
The building of the Louis Vuitton Foundation, started in 2006, is an art museum and cultural center sponsored by the group LVMH and its subsidiaries. It is run as a legally separate, nonprofit entity as part of LVMH’s promotion of art and culture. The art museum opened in October 2014.
More than 60 percent of China’s population of 1.4 billion currently lives in cities. Within a decade, the share of urban dwellers is expected to increase to 75 percent. Construction is booming and competition for residential land is fierce.
But the right to live in a city in China is conditional. Authorities want their modern cities to be peopled with well-educated, highly-qualified or politically well-connected residents. As a result, certain standards have to be met to be eligible for a modern, urban home. Only members of China’s political classes and the financially successful have a hope of qualifying. Yet more than half of the people who live in cities are so-called “migrant workers.” They come from rural communities and have no official rights to settle in cities. They are there to work. With no proper rights, they are merely tolerated while they serve as merchants, servants, waitstaff, cleaners, construction workers and tradespeople.
But while they are indispensible to daily life in the cities, they are unable to afford their exorbitant rents. This documentary looks at how and where these workers live, and asks whether middle and working class Chinese even figure in the official vision of shiny, high-tech cities. The filmmakers also look at what happens to those who oppose official plans, or stand in the way of the building boom.
An improbably narrow, six meter wide site is envisaged for a 100m tower in the downtown area of Sydney near its central station.
Our proposal embraces this extraordinary attenuated quality, proposing a ‘column’ tower on a low scale podium.
The podium references the delicacy and detail of its heritage neighbours, using the language of grand arching brickwork. A three story urban room houses multiple levels of lobby, cafe & lounge, visible through a large scale keyhole window. A walled courtyard garden for shared use overlooks the street.
The tower simulates the compression and extension of a column, through a continuous abstraction of the elements of a column: base, shaft and capital.
The facade begins with compressed horizontal screening, slowly transforming into exaggerated verticals at the top. Horizontals begin wide and flush with the outside frame, slowly thinning and receding at the height of the tower. Each horizontal is at the height of the slab, handrail and door head height.
The capital is joyfully expressed as a flying balcony and shell curves of a rooftop sundeck, pool and “hammam” spa. The soffit of the curved ceiling is brightly tiled, visible from both the street below and the city beyond.
Each floor houses compact hotel rooms, gathering light from the street, rear court or internal shapely voids. The voids are tiled to reflect light and colour into the rooms. Key hole windows provide a framed vignette of the seamless tiled surface.
Testing the boundaries of construction and design, the ‘pencil’ tower adds both a generous street room and a heroic skyline to its neighbourhood.
Monocle 24 ‘Tall Stories’: We visit the headquarters of the Tokyo timber wholesalers’ association, a building that “walks the walk” with its impressive wooden construction.
This project involved the relocation of the offices of the Association of Wood Wholesalers in Tokyo. It serves as a showcase to demonstrate the possibilities of wood as an urban construction material. Engawa, or Japanese terraces, allow a natural breeze to enter while shutting out strong sunlight for a comfortable indoor environment. Lumber were integrated into the building’s structure, and architectural exposed concrete was cast in cedar formwork. Since the building uses a large amount of wood, great attention was given to fire safety measures. The design focused on creating spatial continuity with the use of layering and natural light.
Fulfilling its mission as a connector between the existing terminals, Jewel combines two environments—an intense marketplace and a paradise garden—to create a new community-centric typology as the heart, and soul, of Changi Airport. Jewel re-imagines the center of an airport as a major public realm attraction. Jewel offers a range of facilities for landside airport operations, indoor gardens, leisure attractions, retail offerings and hotel facilities, all under one roof. A distinctive dome-shaped façade made of glass and steel adds to Changi Airport’s appeal as one of the world’s leading air hubs.
Based on the geometry of a torus, the building shape accommodates the programmatic need for multiple connections in the airport setting. At the heart of its glass roof is an oculus that showers water through a primary multistory garden, five stories through to the forest-valley garden at ground level. The core of the program is a 24-hour layered garden attraction that offers many spatial and interactive experiences for visitors. Four cardinal axes—north, south, east, and west—are reinforced by four gateway gardens, which orient visitors and offer visual connections to the internal surroundings and other airport terminals. By night, the glazed facade helps dematerialize the building, revealing the glowing garden within.
Unwelcome when it was first proposed, San Francisco’s Transamerica Pyramid has overcome public opinion, economics and the extreme challenges of its location to become one of the world’s most famous buildings.
Full story here – https://www.theb1m.com/video/the-batt…
The Transamerica Pyramid at 600 Montgomery Street between Clay and Washington Streets in the Financial District of San Francisco, California, United States, is a 48-story futurist building and the second-tallest skyscraper in the San Francisco skyline.
PROJECT – VSTR – The Plus with Vestre, the Norwegian manufacturer of urban furniture, BIG unveils The Plus as the world’s most sustainable furniture factory tucked in the heart of the Norwegian forest. Envisioned as a village for a community dedicated to the cleanest, carbon neutral …
“Monocle On Design” talks with writer and academic Roger Luckhurst as he shares the utopian ideals behind the humble corridor.