Julia Hobsbawm is a writer, speaker, social entrepreneur and strategist whose work focuses on finding solutions for humans in an ever-changing world. She speaks to Georgina Godwin about her latest book, ‘The Simplicity Principle: Six Steps Towards Clarity in a Complex World’.
Monocle 24’s “The Stack” speaks with ‘Vanity Fair Italia’ editor in chief Simone Marchetti.
Plus Andrew Trotter from ‘Openhouse’ magazine and Liz Schaffer from travel title ‘Lodestars Anthology’.
“Monocle On Design” talks with writer and academic Roger Luckhurst as he shares the utopian ideals behind the humble corridor.
Monocle 24’s “The Stack” speaks to Marianne Julia Strauss on her new book “Do You Read Me?” on the best bookshops around the globe. Then, author Patrick McGinnis on his new release “Fear Of Missing Out”.
When New York City’s Poster House museum had to close its doors in early March, director Julia Knight wondered how the institution could support the city.
Today her inspiring solution can be seen across all five boroughs.
Poster House is the first museum in the United States dedicated exclusively to posters.
Through exhibitions, events, and publications, Poster House presents a global view of posters from their earliest appearance in the late 1800s to their present-day use. Poster House takes its mission from the medium, aiming to engage and educate all audiences as we investigate this large-format graphic design and its public impact.
- mass communication and persuasion
- the intersection of art and commerce
- control of the public domain
“Monocle On Culture” speaks to Richard Russell, head of XL Recordings about his brand new book and his incredible career producing records for everyone from Damon Albarn to Bobby Womack, his life in New York that kicked everything off and the unusual start of his collaboration with Gil Scott Heron.
For almost 30 years as label boss, producer and talent conductor at XL Recordings, Richard Russell has discovered, shaped and nurtured the artists who have rewritten the musical dictionary of the 21st century, artists like The Prodigy, The White Stripes, Adele, M.I.A., Dizzee Rascal and Giggs. Growing up in north London in thrall to the raw energy of ’80s US hip hop, Russell emerged as one part of rave outfit Kicks Like a Mule in 1991 at a moment when new technology enabled a truly punk aesthetic on the fledgling free party scene. For most of the ’90s identified with breakbeat and hardcore, Russell’s stewardship at the label was always uncompromising and open to radical influences rather than conventional business decisions.
Liberation Through Hearing tells the remarkable story of XL Recordings and their three decades on the front line of innovation in music; the eclectic chorus of artists who came to define the label’s unique aesthetic and Russell’s own story; his highs and lows steering the fortunes of an independent label in a rapidly changing industry, his celebrated work with Bobby Womack and Gil Scot Heron on their late-career masterpieces; and his own development as a musician in Everything Is Recorded.
Always searching for new sounds and new truths, Liberation Through Hearing is a portrait of a man who believes in the spiritual power of music to change reality. It is also the story of a label that refused to be categorised by genre and in the process cut an idiosyncratic groove which was often underground in feel but mainstream in impact.
Monocle’s editor in chief, Tyler Brûlé, discusses the weekend’s top stories with his guests. Topics include how the coronavirus outbreak is being felt in Switzerland, the UK and Japan.
From Milan: Salone highlights, interviews and a daily running guide.