Welcome to Chicago, Illinois! Timelapse and hyperlapse videos were shot between September 2018 and July 2020 using a Canon 5D Mark III and 5D Mark IV. Learn Timelapse and Hyperlapse Photography – emerictimelapse.com/courses
“A Day in Chicago” is a tribute to my very first timelapse “A Day in Angers”.
On this episode of Art Institute Essentials Tour, take a closer look at American Gothic, painted by Grant Wood in 1930. One of the most famous American paintings of all time, this double portrait by Grant Wood debuted at the Art Institute in 1930, winning the artist a $300 prize and instant fame. Wood intended this Depression-era canvas to be a positive statement about rural American values during a time of disillusionment.
Grant DeVolson Wood (1891-1942) was an American painter best known for his paintings depicting the rural American Midwest, particularly American Gothic, which has become an iconic painting of the 20th century.
On this episode of Art Institute Essentials Tour, take a closer look at Paris Street; Rainy Day, painted by Gustave Caillebotte in 1877. This complex intersection represents in microcosm the changing urban milieu of late nineteenth-century Paris. Considered the artist’s masterpiece, Caillebotte strikingly captured a vast, stark modernity, complete with life-size figures strolling in the foreground and wearing the latest fashions.
On this episode of Art Institute Essentials Tour, take a closer look at Bathers by a River, started by Henri Matisse in 1909 and completed in 1917. Henri Matisse originally painted this work as a pastoral scene, but over the next decade he transformed it into the cubist-inflected composition seen today. When the painting was acquired by the Art Institute in 1953, Matisse told the museum’s director that he viewed the painting as one of his five most pivotal works.
Henri Émile Benoît Matisse (1869 -1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.
On this episode of Art Institute Essentials Tour, take a closer look at The Old Guitarist, painted by Pablo Picasso between late 1903 and early 1904. In the paintings of Picasso’s Blue Period (1901-04), the artist restricted himself to a cold, monochromatic blue palette, flattened forms, and emotional, psychological themes of human misery and alienation. This painting reﬂects the then twenty-two-year-old Picasso’s personal struggle and sympathy for the plight of the downtrodden.
I’ve had lunch with politicians, clergy, reporters and people who’ve just been indicted at Manny’s Cafeteria and Delicatessen in Chicago, and there’s a code of silence over the clatter: it doesn’t count.
The schmear of cream cheese thick enough to be a ski jump? No calories! Potato pancakes hefty as manhole covers?
But the weeks of the shutdown became months. Even as businesses reopened, multitudes still work from home.
“That can’t pay our rent, insurance, our payroll,” says Dan Raskin. “We can’t go on like that.”
When a family business is forced to close, people lose their livelihoods, families lose support, and a city loses revenue and vitality. A landmark like Manny’s is also a link to history. You can point to where Barack Obama talked politics over pastrami, Oprah had apple sauce on her latkes, and where your grandfather went when he got tired of dieting.
On this episode of Art Institute Essentials Tour, take a closer look at The Bedroom, painted by Vincent van Gogh in 1889. Vincent van Gogh painted three versions, including this one, of his bedroom in the “Yellow House” in Arles, France. To van Gogh, this picture symbolized relaxation and peace. However, to our eyes the canvas seems to teem with nervous energy, instability, and turmoil—an effect heightened by the sharply receding perspective.
On this episode of Art Institute Essentials Tour, take a closer look at American Windows, created by Marc Chagall in 1977. Later in his life, the artist Marc Chagall turned to the medium of stained glass to explore intense color on a monumental scale. This six-panel work, created for the museum to commemorate America’s bicentennial, merges symbols of American history, the Chicago skyline, and the arts.
In this two-part series, six US museum directors discuss the pandemic and its repercussions for their institutions. These candid, insightful conversations address wide-ranging topics, from the logistical challenges of when to close and how to reopen to philosophical exchanges about the role of museums in society.
This first episode features Max Hollein of The Metropolitan Museum of Art in New York, Kaywin Feldman of the National Gallery of Art in Washington, DC, and James Rondeau of the Art Institute of Chicago.
This second episode features Matthew Teitelbaum of the Museum of Fine Arts, Boston, Ann Philbin of the Hammer Museum in Los Angeles, and Timothy Potts of the J. Paul Getty Museum.