In the beginning, there was energy. Everything since then, has been an exercise in transforming energy from one state into another – food becomes labour, gas becomes electricity, fossil fuels become architecture.
In this month’s keynote essay, Barnabas Calder writes: ‘In the millennia before fossil fuels, the circular economy was the only economically viable way to operate’. Recognising that architecture is formed from the fuel we extract to create and sustain it could be a transformative way of thinking about our built environment.
This issue seeks to make visible the often obscured links between buildings and the energy sources they are built from, and around.
Lightyear 0’s in-wheel motor technology sets new industry standards and offers greater control on tricky terrains. Not only is our drivetrain in pole position for the highest efficiency, but it also reduces the number of rotating components, meaning much lower maintenance!
Nuclear projects are getting a boost of investment as countries try to tackle an energy crisis sparked by the Ukraine war, while also pursuing emissions targets. WSJ looks at how start-ups say their alternative designs can help solve past issues.
An artist and a sci-fi scholar share their esteem for novelist Octavia Butler, who extrapolated future worlds from troubled times.
HARD TRUTHS: MIC DROP by Chen & Lampert
Artist-curators Howie Chen and Andrew Lampert offer advice on karaoke and other forms of art world hobnobbing.
There have been very few issues of art magazines devoted to disability. There ought to be more. As Art in America associate editor Emily Watlington, who took the lead on this issue, writes in her essay “Our Work Is Working,” disabled artists have been crucial to progress in disability justice and the art world in general, whether through storytelling, empathy-building, or outright activism. These artists place disability where it belongs: at the heart of creativity itself.
The 17th edition of Festa del Cinema, Rome’s annual famed film festival, kicks off on October 13 until October 23. The main event takes place at Auditorium Parco della Musica, adorned for the occasion with an infinite red carpet, but the Festa also spreads to other evocative locations in the capital, like MAXXI and Casa del Cinema.
According to some, all roads lead to Rome. But you may have noticed Rome’s roads are far from eternal (and in serious need of a revamp), reason to why romans often chuckle when they hear the phrase and comment on how the current state of the roads lead more like nowhere rather than Rome.
Off the coast of the French region of Brittany is a picturesque island for all those who want to disconnect. A 45-minute ferry ride separates the island of Belle-Île-en-Mer from the mainland, making it a world apart that attracts 100,000 visitors a year. Tourists also appreciate Belle-île’s food, especially its fish. We take a closer look at the island in summer.
Belle-Île is an island off the coast of Brittany in northwest France. In the main town La Palais, Citadelle Vauban is a star-shaped fortress. The fort at Pointe des Poulains, the island’s northern tip, houses a museum dedicated to 19th-century actress Sarah Bernhardt. Sandy Donnant Beach lies on the rugged west coast. Nearby, the Grand Phare lighthouse looks out over the needles rock formations of Port-Coton.
In collaboration with the Munch Museum in Oslo, the Musée d’Orsay is devoting an exhibition to the famous Norwegian painter Edvard Munch (1863-1944), whose work, in all its breadth – sixty years of creation – and complexity, remains partly unknown.
Munch’s work occupies a pivotal place in artistic modernity. It has its roots in the 19th century and would find its place firmly in the next one. Moreover, his entire work is permeated by a singular vision of the world, giving it a powerful symbolist dimension that is not limited to the few masterpieces he created in the 1890s. Moving beyond fin-de-siècle symbolism, Munch transcended this movement beyond its peak to make it the backbone of his work, giving it its great coherence.
A selection of three essential articles read aloud from the latest issue of The Economist. This week, Britain in crisis: how not to run a country. Also, how to make sense of China’s president (10:00), and why becoming a father shrinks your cerebrum (18:05).