Tag Archives: The New Yorker Magazine

Previews: The New Yorker Magazine – April 22, 2024

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The New Yorker (April 15, 2024): The new issue‘s cover features Ana Juan’s “Clickbait” – The artist captures the mesmerizing—and distracting—glow of modern entertainment.

Can the World Be Simulated?

Video-game engines were designed to closely mimic the mechanics of the real world. They’re now used for movies, TV shows, architecture, military trainings, virtual reality, and the metaverse.

Are Flying Cars Finally Here?

They have long been a symbol of a future that never came. Now a variety of companies are building them—or something close.

By Gideon Lewis-Kraus

Previews: The New Yorker Magazine – April 8, 2024

A person's silhouette walks up stairs toward a busy city street.

The New Yorker (April 1, 2024): The new issue‘s cover features Pascal Campion’s “Into the Light” – The artist depicts stepping out of the subway into the overwhelming glow of the city.

So You Think You’ve Been Gaslit

An anthropomorphic lantern being lit by a man.

What happens when a niche clinical concept becomes a ubiquitous cultural diagnosis.

By Leslie Jamison

When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”

Black Holes Are Even Weirder Than You Imagined

An artistic rendering of two supermassive black holes.

It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.

By Rivka Galchen

Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”

Previews: The New Yorker Magazine – April 1, 2024

A dog looks out a window.

The New Yorker (March 25, 2024): The new issue‘s cover features Mark Ulriksen’s “Standing Guard” – The artist depicts the tail-wagging occasion of the first signs of spring.

Bryan Stevenson Reclaims the Monument, in the Heart of the Deep South

“The Caring Hand” by Eva Oertli and Beat Huber.
“The Caring Hand,” by Eva Oertli and Beat Huber, is one of more than fifty sculptures at the new Freedom Monument Sculpture Park.Photographs by Kris Graves for The New Yorker

The civil-rights attorney has created a museum, a memorial, and, now, a sculpture park, indicting the city of Montgomery—a former capital of the domestic slave trade and the cradle of the Confederacy.

By Doreen St. Félix

The National Monument to Freedom, in Montgomery, Alabama, is a giant book, standing forty-three feet high and a hundred and fifty feet wide. The book is propped wide open, and engraved on its surface are the names of more than a hundred and twenty thousand Black people, documented in the 1870 census, who were emancipated after the Civil War. On the spine of the book is a credo written for the dead:

A Dutch Architect’s Vision of Cities That Float on Water

The Thâtre LÎle Ô in Lyon seen across the water.

Your children love you.
The country you built must honor you.
We acknowledge the tragedy of your enslavement.
We commit to advancing freedom in your name.

What if building on the water could be safer and sturdier than building on flood-prone land?

By Kyle Chayka

In a corner of the Rijksmuseum hangs a seventeenth-century cityscape by the Dutch Golden Age painter Gerrit Berckheyde, “View of the Golden Bend in the Herengracht,” which depicts the construction of Baroque mansions along one of Amsterdam’s main canals. Handsome double-wide brick buildings line the Herengracht’s banks, their corniced façades reflected on the water’s surface. Interspersed among the new homes are spaces, like gaps in a young child’s smile, where vacant lots have yet to be developed.

Previews: The New Yorker Magazine – March 25, 2024

A woman wears a dress with a pattern that resembles a crossword puzzle. A man writes a letter on her back.

The New Yorker (March 18, 2024): The new issue‘s cover features Klaas Verplancke’s “On the Grid” – The artist blends the preferred pastimes and stylish attire of New York’s commuters. By Françoise Mouly with Art by Klaas Verplancke.

The Place to Buy Kurt Cobain’s Sweater and Truman Capote’s Ashes

A mannequin wears a dress next to displays of other items.

As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.

By Rachel Monroe

The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.

Mike Johnson, the First Proudly Trumpian Speaker

A black and white photo of men in suits walking inside a building.

Though he has adopted a “nerd constitutional-law guy” persona, he is in lockstep with the law-flouting former President.

By David D. Kirkpatrick

The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.

Previews: The New Yorker Magazine – March 18, 2024

A skier skis from snow onto grass.

The New Yorker (March 11, 2024): The new issue‘s cover features Peter de Sève’s “Downhill” – The artist depicts carving up the slopes, straight into spring.

Among the A.I. Doomsayers

A large robotic foot hovers above a figure.

Some people think machine intelligence will transform humanity for the better. Others fear it may destroy us. Who will decide our fate?

By Andrew Marant

Katja Grace’s apartment, in West Berkeley, is in an old machinist’s factory, with pitched roofs and windows at odd angles. It has terra-cotta floors and no central heating, which can create the impression that you’ve stepped out of the California sunshine and into a duskier place, somewhere long ago or far away. Yet there are also some quietly futuristic touches. High-capacity air purifiers thrumming in the corners. Nonperishables stacked in the pantry. A sleek white machine that does lab-quality RNA tests. The sorts of objects that could portend a future of tech-enabled ease, or one of constant vigilance.

Have the Liberal Arts Gone Conservative?

A column with a pencil tip.

The classical-education movement seeks to fundamentally reorient schooling in America. Its emphasis on morality and civics has also primed it for partisan takeover.

Previews: The New Yorker Magazine – March 11, 2024

Barbie slaps Oppenheimer at the Academy Awards.
Art by Barry Blitt

The New Yorker (March 4, 2024): The new issue‘s cover features Barry Blitt’s “Slappenheimer” – The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony.

Joe Biden’s Last Campaign

Joe Biden photographed at his desk in the Oval Office by Thea Traff.

Trailing Trump in polls and facing doubts about his age, the President voices defiant confidence in his prospects for reëlection.

By Evan Osnos

Forty-Three Mexican Students Went Missing. What Really Happened to Them?

A man looks at photos of the missing students.

One night in 2014, a group of young men from a rural teachers’ college vanished. Since then, their families have fought for justice.

By Alma Guillermoprieto

Previews: The New Yorker Magazine – March 4, 2024

A group of small children hold hands and cross a street in Manhattan.

The New Yorker (February 26, 2024): The new issue‘s cover features ‘Victoria Tentler-Krylov’s “All Clear” ‘ – The artist captures New York’s smallest pedestrians as they make their way through the big city.

INSIDE NORTH KOREA’S FORCED-LABOR PROGRAM

Workers sent from the country to Chinese factories describe enduring beatings and sexual abuse, having their wages taken by the state, and being told that if they try to escape they will be “killed without a trace.”

What a Major Solar Storm Could Do to Our Planet

Electricity shooting from the sun to the earth.

Disturbances on the sun may have the potential to devastate our power grid and communication systems. When the next big storm arrives, will we be prepared for it?

By Kathryn Schulz

Previews: The New Yorker Magazine – Feb 26, 2024

People enjoy a variety of winter activities like skating sledding and skiing.

The New Yorker (February 19, 2024): The new issue‘s cover features Marcellus Hall’s “Winter Wonders” – The artist depicts an array of invigorating, comforting, and delightful cold-weather activities.

Legal Weed in New York Was Going to Be a Revolution. What Happened?

A cannabis leaf growing roots into buildings and piles of paper.

Lawsuits. Unlicensed dispensaries. Corporations pushing to get in. The messy rollout of a law that has tried to deliver social justice with marijuana.

Matt Gaetz’s Chaos Agenda

Matt Gaetz photographed by Mark Peterson  Redux for The New Yorker.

The Florida Republican is among the most brazen and controversial figures in Donald Trump’s G.O.P. He’s also among the most influential.

By Dexter Filkins

Representative Matt Gaetz arrived at the White House in the last days of 2020, amid a gathering national crisis. President Donald Trump had lost his bid for reëlection the previous month, and his allies were exploring strategies to keep him in office. Though only thirty-eight years old, Gaetz, the scion of a political family in Florida’s Panhandle, had become one of the Republican Party’s most prominent and divisive figures. His dark hair styled in a kind of bouffant, his lips often curled in a wry smile, Gaetz bore a resemblance to Elvis Presley, or, in the description of a Florida friend, “either Beavis or Butt-head.” He was quick-witted and sometimes very funny, and he loved to taunt his enemies, who were numerous, especially in his own party. “He’s the most unpopular member of Congress, with the possible exception of Marjorie Taylor Greene, and he doesn’t care,” a fellow-congressman told me. 

Previews: The New Yorker Magazine – Feb 12 & 19, 2024

Pixelated Eustace Tilley magazine cover that appears and disappears.

The New Yorker (February 5, 2024): The new issue‘s cover features Nicholas Konrad’s “Online Profile” – The magazine celebrates its ninety-ninth anniversary..

How Nikola Jokić Became the World’s Best Basketball Player

Nikola Jokić holding a basketball during a game.

He doesn’t run very fast or jump very high, and seems to prefer the company of horses. But he has mastered the game’s new geometry like nobody else.

By Louisa Thomas

The Art World Before and After Thelma Golden

Thelma Golden photographed by Lyle Ashton Harris.

When Golden was a young curator in the nineties, her shows, centering Black artists, were unprecedented. Today, those artists are the stars of the art market.

By Calvin Tomkins

Baruch Spinoza and the Art of Thinking in Dangerous Times

A portrait of Baruch Spinoza by Franz Wulfhagen, 1664.

The philosopher was a champion of political and intellectual freedom, but he had no interest in being a martyr. Instead, he shows us how prudence and boldness can go hand in hand.

By Adam Kirsch

Previews: The New Yorker Magazine- February 5, 2024

A family shares a meal to celebrate Lunar New Year.

The New Yorker (January 29, 2024): The new issue‘s cover features Sarula Bao’s “Lunar New Year” – The artist depicts the joys of gathering with loved ones, around a table of good food

The Rural Ski Slope Caught Up in an International Scam

When the scheme became public Vermonts governor said “We all feel betrayed.”

A federal program promised to bring foreign investment to remote parts of the country. It soon became rife with fraud.

By Sheelah Kolhatkar

As the general manager of the Jay Peak ski resort, Bill Stenger rose most days around 6 a.m. and arrived at the slopes before seven. He’d check in with his head snowmaker and the ski-patrol staff, visit the two hotels on the property, and chat with the maintenance workers, the lift operators, the food-and-beverage manager, and the ski-school instructors—a kind of management through constant motion. Stenger is seventy-five, with white hair, wire-rimmed reading glasses, and a sturdy physique that makes him look built for fuzzy sweaters. 

The Perverse Policies That Fuel Wildfires

We thought we could master nature, but we were playing with fire.

By Elizabeth Kolbert

Ukraine’s Democracy in Darkness

A photo-illustration of Zelensky and the Ukrainian parliament.

With elections postponed and no end to the war with Russia in sight, Volodymyr Zelensky and his political allies are becoming like the officials they once promised to root out: entrenched.

By Masha Gessen