LITERARY REVIEW OF CANADA: The latest issue features…
A bit of welcome news Kyle Wyatt
From Sophocles to Danielle Smith Troy Nahumko
Where does higher education go next? Spencer Morrison
Sandford Fleming’s cables and clocks Michael Ledger-Lomas
The next move in championship chess Mark Plotkin
Archaeology Magazine: The latest issue features ‘Making Ancient Music’…
Tuning in to the sounds of the ancient world
Hoards of lavish gold and silver neck rings buried on an English hill reflect dramatic social change
Peru’s ancient farmers used intricate rock maps to plan for the future
Archaeologists are reimagining a time before the first pharaohs
The story of Greece’s famed Antikythera wreck is finally being revealed
Literary Review of Canada The latest issue features…
A collective wake-up call by Kyle Wyatt
On the promise and perils of global soccer by James Brooke-Smith
Remember peanuts and Cracker Jack? by Stacey May Fowles
The Burlington Magazine: The latest issue features….
“The Consolidation of Collections: New Light on the 18th-Century British Art Market” An in-depth study by the editorial team and guest contributors exploring how major British estates restructured their private galleries during the mid-1700s. The article utilizes newly discovered ledger books to trace the provenance of several key Italian Baroque works.
“Paolo Veneziano and the International Gothic in Venice” Following the research trends seen in the early part of the year, this feature provides a technical analysis of recently restored altarpieces attributed to Veneziano, focusing on the use of ultramarine and gold leaf techniques that defined the Venetian style in the 14th century.
“Nicholas Lanier and the ‘Star’ Drawings: New Discoveries” Building on recent scholarship (featured in related symposiums), this article identifies several previously unrecognized drawings from the collection of Nicholas Lanier (1588–1666). It specifically examines the “star-shaped marks” used by Lanier and his uncle Jerome to catalog their sixteenth-century Italian acquisitions.
Editorial and Shorter Notices
Editorial: “The Future of Art History in the Digital Age” Editor Christopher Baker discusses the balance between traditional archival research and the integration of AI and digital imaging in art historical authentication.
Object in Focus: “George Frederic Watts’s Satan (1847)” A specialized notice providing a new interpretation of Watts’s massive canvas. The author argues that the figure’s pose was inspired by the Monte Cavallo Horse Tamers in Rome rather than the Apollo Belvedere, as previously thought.
Exhibition and Book Reviews
The Farnese Gallery Drawings (Musée du Louvre, Paris): A critical review by Ketty Gottardo on the exhibition focusing on the Carracci brothers’ preparatory works.
Studio Prints: A History, 1968–2011: A review of the new publication by Paul Holberton Publishing, detailing the impact of the London workshop on 20th-century printmaking.
Modernizing the Catalog: A review of the Patek Philippe exhibition and the intersection of fine horology with decorative arts history.
“Saguaro in the Sea” by Sophia Acuña: on surfing and indigeneity in Southern California, told through collage.
“Care Directive” by Sarah Matsui: a daughter’s attempt to keep her aging father in Hawaii from all sorts of calamity, but having to monitor him from the mainland.
“Triptych: A Biographer’s Sketchbook” by Carolyn Burke: “The Baroness was lively, curious, and still blond at eighty-five. She received me in a flurry of franglais, the mingling of two languages in which we would converse, and put us at ease with pink champagne, her favorite.”
“Decoys” by Will Boast: goofing around working at the town supermarket, burning through the days till it all comes to head.
“Lilac Mud” by Anita Felicelli: A Bay Area artist in Amsterdam is approached one night by a man claiming to be a former student, leading to a crisis of identity and purpose.
“Grote geplumaceerde” by Emily Nemens: “Afterward, staring hard at her phone, which was her radio, which was the bearer of bad news, she wondered what mattered at all.”
Kevin Cantwell, Geraldine Jorge, Jonathon Keats, Caroline Kessler, and Noelani Piters.
Lydia Kiesling talks to acclaimed author Karen Russell about Russell’s latest novel, The Antidote, and about Russell’s “fascination with foundational myths, the things we choose to know, and the things we choose to ignore or forget.”
Ian Everard
Archaeology Magazine: The latest issue features ‘Exploring the World of the Odyssey.
Discovering the surprising inspirations behind Homer’s great tales of the Trojan War. By The Editors
Why Neolithic and Bronze Age farmers in the Alps built their villages on stilts
On the shores of a lake in Guatemala, the Itzá people defied the Spanish for nearly 200 years
A surreal style of painting endured for 4,000 years in the canyonlands of West Texas
The Yellow River brought both prosperity and calamity to China’s dazzling medieval capital By Ling Xin
Literary Review of Canada The latest issue features…
Dwindling serendipity in the age of the algorithmKyle Wyatt
Share the burden, perhaps?Aaron Wherry
When the saints came marching inMichael Ledger-Lomas
The enemies we invented and internedJ.L. Granatstein
TIME MAGAZINE: The latest issue features ‘After The Ayatollah’,,,
After the Islamic Republic regime unleashed lethal force to quell nationwide protests against its rule, five leading Iranian writers reflect on how the country arrived at this pivotal moment—and where it might go from here.
he Islamic Republic’s already lengthy catalogue of fears has ballooned of late: alongside the possibility of being overthrown by its own citizens, it is haunted by the prospect of a full accounting of the massacres it has carried out; by the tenuous loyalty of its army, and its empty coffers; and by the shadow of Israeli spies and Islamic State militants. What terrifies Iran’s theocrats the most, the fear that eclipses all their fears, is the ability of the people at large to clearly see the essential realities of the present regime.
Today, the Islamic Republic of Iran resembles a half-lifeless body collapsed on the ground, yet still possessing powerful arms. With the support of the Islamic Revolutionary Guard Corps and other military forces, it has attacked the people of Iran and, through widespread killings, has delivered a brutal blow to the popular uprising. Yet this is only a temporary success. The republic is already dead morally, economically, and socially.
Literary Review of Canada The latest issue features:
Navigating this Age of Appetite by Krzysztof Pelc
Here’s a question I often bat around with graduate students in my International Political Economy seminar: In book 12 of the Odyssey, how do the shipmates know which Ulysses to trust?
You know the story. Ulysses and his crew have been on Circe’s island for a year. They’re finally about to depart when the goddess takes Ulysses aside and warns him of the dangers that await them. The first of these is the “piercing songs” of the Sirens. “So listen,” she says, “I will give you good instructions; another god will make sure you remember.”
Circe tells Ulysses to put wax in his sailors’ ears but that he can listen to the Sirens if he wants to — as long as his shipmates bind him “hand and foot” to the mast: “So bound, you can enjoy the Sirens’ song. But if you beg your men to set you free, they have to tie you down with firmer knots.”
As their ship approaches the Sirens’ sharp rocks, the wind dies down, they pull the sails, and they begin to row. As predicted, Ulysses yells out to his men to set him free. He is still their captain. But instead of obeying his orders, Eurylochus and Perimedes stand up and “tie him down with firmer knots.” How, I ask my students, do they know to trust the first Ulysses over the second? How is it that as readers, we never question their choice?
Form follows Ford by Kelvin Browne
Albert Kahn has been called “the father of industrial architecture” and “the architect of Detroit.” His firm was certainly prolific: it was responsible for the Ford Motor Company of Canada factory in Toronto, near a laneway that bears his name, and the General Motors assembly plant in Regina, along with nearly 900 buildings in Motor City alone. Kahn’s oeuvre encompassed offices, grand homes for his industrialist clients, and libraries and fraternity houses at the University of Michigan, in Ann Arbor, not to mention a post office, a synagogue, and multiple hospitals and skyscrapers. Many of Kahn’s buildings reflect a pastiche of styles that might be considered a precursor of a postmodern eclectic. Yet this prolific architect is relatively unknown today, especially outside of Michigan.
The MIT Press / 488 pages, hardcover
The mood on the Sea Adventurer’s bridge was grim. “She’s only making eight knots,” said our expedition leader. “We need to hit at least fourteen to keep to our itinerary.” We were four days into a two-week sailing and anchored off Ilulissat, near a UNESCO World Heritage site nestled into the crenellated western coast of Greenland.
Earlier that day, I had found myself at the helm of a Zodiac, manoeuvring the rubberized craft through thick fog, near-freezing water, and growlers. The ten high-paying passengers under my care likely had no idea that this was my first trip with the tour operator or my first time north of the Arctic Circle.
Boomers Daily 