Rooftop workers who upkeep Paris’ zinc-covered roofs and give the city an aerial view of a distinct color palette, are seeking UNESCO’s recognition for their craft.
It’s the end of an era. Malaysia’s Merdeka PNB118 is the second tallest building ever constructed – and the world’s last megatall skyscraper.
What form do the buildings in the world’s northernmost capital take? And what is behind their distinctive look?
Louis Sullivan, Bayard-Condict Building, 1897–99 (65 Bleecker Street, NYC), a Seeing America video speakers: Dr. Matthew A. Postal and Dr. Steven Zucker.
Louis Henry Sullivan was an Irish-American architect, and has been called a “father of skyscrapers” and “father of modernism”. He was an influential architect of the Chicago School, a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School.
The Bayard–Condict Building at 65 Bleecker Street between Broadway and Lafayette Street, at the head of Crosby Street in the NoHo neighborhood of Manhattan, New York City is the only work of architect Louis Sullivan in New York City.
An improbably narrow, six meter wide site is envisaged for a 100m tower in the downtown area of Sydney near its central station.
Our proposal embraces this extraordinary attenuated quality, proposing a ‘column’ tower on a low scale podium.
The podium references the delicacy and detail of its heritage neighbours, using the language of grand arching brickwork. A three story urban room houses multiple levels of lobby, cafe & lounge, visible through a large scale keyhole window. A walled courtyard garden for shared use overlooks the street.
The tower simulates the compression and extension of a column, through a continuous abstraction of the elements of a column: base, shaft and capital.
The facade begins with compressed horizontal screening, slowly transforming into exaggerated verticals at the top. Horizontals begin wide and flush with the outside frame, slowly thinning and receding at the height of the tower. Each horizontal is at the height of the slab, handrail and door head height.
The capital is joyfully expressed as a flying balcony and shell curves of a rooftop sundeck, pool and “hammam” spa. The soffit of the curved ceiling is brightly tiled, visible from both the street below and the city beyond.
Each floor houses compact hotel rooms, gathering light from the street, rear court or internal shapely voids. The voids are tiled to reflect light and colour into the rooms. Key hole windows provide a framed vignette of the seamless tiled surface.
Testing the boundaries of construction and design, the ‘pencil’ tower adds both a generous street room and a heroic skyline to its neighbourhood.
Architecture firm ODA has completed a luxury residential building in Brooklyn that features Jenga-style facades made of concrete and glass.
Called 98 Front, the condominium building occupies a corner lot in Dumbo, a waterfront neighbourhood that has seen a flurry of new development in recent decades. The building is a short walk from Brooklyn Bridge Park, which stretches along the East River.
Designed by New York-based ODA, the project is intended to combine “sophisticated, innovative architecture with superior craftsmanship”. Roughly rectangle in plan, the building rises 10 levels and totals 189,000 square feet (17,559 square metres), Made of concrete and glass, the building’s exterior consists of irregularly placed cubic volumes that recall a game of Jenga. The projecting blocks create numerous overhangs and terraces.
Read more on Dezeen: https://www.dezeen.com/?p=1608959
This video produced by Dezeen for TP Bennett reveals how the architecture practice has transformed an old building in Manchester into an “ultra sustainable” mixed-use office building.
Called Windmill Green, the office building is a conversion of an unused 1970s structure in the heart of the city that was due to be demolished. The site has been transformed into a mixed-use co-working space fitted with several sustainable additions geared towards carbon reduction and biodiversity, such as solar panels, beehives, and “Manchester’s largest living wall”.
“Sustainability was a key driver with this scheme and we transferred a derelict and vacant building into an ultra sustainable and high-spec workplace” said Yvette Hanson, the principal director of TP Bennett, in the video. “At TP Bennett, we bring a deep commitment to carbon reduction to deliver buildings that better reflect the way people live, work and interact, while at the same time fostering a positive social impact,” she added.
Developed in collaboration with real estate investment boutique FORE Partnership, the building features a ground level dedicated to retail and a facade covered with the green terracotta tiles that are typical of buildings in Manchester.
Honolulu, the capital of Hawaii, is a U.S. city that currently contains over 470 high-rises. In 2011 it ranked fourth among U.S. cities in the number of high rise buildings, after New York City, Chicago and Los Angeles, and just ahead of San Francisco. In 2017, it ranked sixth, having fallen behind Houston and Washington, D.C.
The first high rise that exceeded 350 ft was the Ala Moana Hotel built in 1970. The next high rise was the Yacht Harbor Towers followed by the Hawaii Monarch Hotel and the Discovery Bay Center. This was the beginning of the construction boom in the city. At the same time business and finance also boomed. During the 1990s new Residentials were built, including the One Waterfront Mauka Tower, Imperial Plaza, Nauru Tower and the Hawaiki Tower. There is still construction today on high rises such as the Moana Pacific East Tower and Moana Pacific West Tower twin towers, Keola Lai, Hokua at 1288 Ala Moana, Pacifica Honolulu, and The Watermark Waikiki.
This remarkable book features projects — surprising, beautiful, outrageous, and sometimes even frightening — that break rules and shatter boundaries. In this timely book, the work of award-winning architects, designers, artists, photographers, writers, filmmakers, and researchers — all of whom synthesize and reflect our spatial environments — comes together for the first time.
An important and fascinating collection of original projects by unique thinkers in the world of architecture and spatial design
Architectural practice today goes far beyond the design and construction of buildings — the most exciting, forward-thinking architecture is also found in digital landscapes, art, apps, films, installations, and virtual reality.
About The Author:
How does tomrrow look from your doorstep? For the author, curator, critic and cultural consultant Beatrice Galilee tomorrow’s buildings, building plans, or ways of thinking about our built environment, are already out there.
In her new book, Radical Architecture of the Future, she quotes the American scholar Donna Haraway who asserted, way back in 1985, that “The boundary between science fiction and social reality is an optical illusion.”
Galilee patrols that boundary within the pages of her new book, in which she details works by 79 architects, designers, artists, photographers, writers, filmmakers, and researchers, each of whom are working at the most radical edges of architecture and spatial design today.
New York City has completed the world’s thinnest skyscraper, the 111 West 57th Street, which will soar above Central Park on Billionaire’s Row alongside the Central Park tower and other iconic supertall skyscrapers. 111 West 57th Street, also known as the Steinway Tower, is a supertall residential project by developers JDS Development Group and Property Markets Group in West Midtown in Manhattan, New York City. Located at 111 West 57th Street near Sixth Avenue, the development will be a combination of the original landmarked Steinway Building designed in 1925 by Warren & Wetmore, and a new tower addition on the adjacent site. Parkside Construction Builders is the general contractor. The world’s thinnest skyscraper will sway up to 5 feet during storms. The tower topped out in 2019 and is expected to open in early 2021. Steinway tower is one of the tallest buildings in the United States, as well as the thinnest skyscraper in the world with a width-to-height ratio of about 1:23.