The election on Tuesday will test the influence of President Trump, who endorsed challengers to state senators who scuttled his push to redraw political maps.
The U.S. indictment of a Mexican governor has spotlighted cartel corruption, strained cross-border relations and handed President Claudia Sheinbaum a thorny choice.
President Trump’s push to punish political enemies in his party will play a starring role in a series of Republican primaries in which he’s backed challengers.
Three representatives who had a hand in forcing the resignations of lawmakers accused of sexual misconduct said they were out to name and shame more offenders.
LITERARY REVIEW : The latest issue featuresRitchie Robertson on Weimar * Charles Darwent on Louise Bourgeois * John Guy on the Tudors * Kirsten Tambling on dogs in art * Piers Brendon on Churchill and the crown * Saul David on AI warfare * Simon Nixon on private equity predators * Nigel Andrew on outsider animals * Zoe Guttenplan on Beatrice Warde * Maren Meinhardt on women and music * Lucy Lethbridge on swimming * Diane Purkiss on being published * Anthony Pagden on the West * Michael Reid on Lula * Anthony Teasdale on Tory leaders * Anna Reid on Vera Gedroits * Wendy Holden on Elizabeth II * Harriet Rix on trees * Emma Smith on Shakespeare’s identity * Jane Yager on Herta Müller * Sheena Joughin on Siri Hustvedt * Adam Kucharski on evidence * Keith Miller on Douglas Stuart * Natalie Perman on Jem Calder * and much, much more…
Weimar Germany: Death of a Democracy By Victor Sebestyen
Weimar: Life on the Edge of Catastrophe By Katja Hoyer
The small town of Weimar is overladen with historical associations. Goethe spent more than fifty years there as an employee and friend of Duke (later Grand Duke) Karl August. After the last grand duke abdicated in November 1918, the National Assembly met in Weimar to draw up a new republican constitution for Germany. Other symbolically charged venues considered were Nuremberg (home of Dürer) and Bayreuth (because of Wagner), but it was Weimar that gave its name to the period of German history from …
Having been named for her father, Louis, a mere dealer in antique tapestries, seemed insufficiently romantic to Louise Bourgeois, who was born on Christmas Day in 1911. She preferred the idea that her namesake was Louise Michel, ‘the red virgin of Montmartre’, an anarchist heroine of the Paris Commune. It wasn’t true, of course, but …
A phrase like ‘fortress England’ seems to echo down the centuries, and turns up again in This Little World, Nandini Das’s new study of identity and belonging, cross-border migration, assimilation and estrangement in the period between 1500 and the restoration of Charles II. Das seeks to unmask the period’s most fundamental assumptions about English … read more
In March 2022, soon after the full-scale Russian invasion of Ukraine began, Kyiv-based illustrator Masha Foya produced what I think is one of the Guardian Weekly’s most powerful covers on the war, concerning the devastation of Mariupol. So it’s a pleasure to feature Masha’s work again for the current edition, this time marking 40 years since the Chornobyl nuclear disaster.
“Since childhood, the story of Chornobyl has always made me feel a strange dissonance – such a tragedy occurring on a beautiful spring day in April,” explains Masha on the thought process behind her design, in which seasonal greens fade away into ominous skies.
It also reflects present-day anxieties. For a special report, Pjotr Sauer visits the site of the world’s worst nuclear accident and sees up close how the giant containment structure around the failed reactor is in urgent need of costly repairs after a Russian drone strike, as fears grow of a possible new catastrophe.
Five essential reads in this week’s edition
Environment | Why apes are more like us than we ever thought Imagination, reason and ability to recognise faces from the past are not the sole preserve of humans, studies show. Gloria Dickie reports
Finance | The wagering of war Once largely siloed to sporting events, betting has now spread to include contracts on news events where insider information could pay handsomely. With over $1bn in perfectly timed bets on the Iran war having recently been seen, Lauren Aratani explores what exactly is going on
Feature | The big game hunters who believe they can save Africa’s wildlife One way to pay for wildlife conservation is to allow the rich to bag a few animals for high prices. But critics see this approach as an exercise in neocolonialism. Cal Flynwent in pursuit of answers
Opinion | Starmer’s listless government shows zombie politics is the new norm Distracted, listless and unambitious – the British PM’s true form has finally emerged. But whatever comes next must end this ruinous cycle for the country, argues Nesrine Malik
Culture | Iron Maiden on 50 years of heavy metal madness As a career-spanning documentary hits cinemas, the legendary rock band revisit their path from pubs to stadiums over half a century of headbanging hits. Harry Sword buckles up
Oil prices surged above $120 a barrel before pulling back in volatile trading on concerns that the war could escalate. Gasoline in the U.S. hit $4.30 a gallon.
From the 16th century onwards, as European powers feverishly colonised the world, the possibility of a Northern Sea Route connecting the Atlantic to the Pacific, from Scandinavia to the Bering Strait, tantalised the Dutch and the British as an alternative to the southern routes to Asia and the Americas, which were dominated by Portugal and Spain. But the route only became a reality in the Soviet era, after investments in scientific, economic, industrial and military infrastructure in Siberia.
This is what distinguishes hyperpolitics from the mass democracy of the mid-20th century. Symbolic political gestures are now commonplace, but paid membership of organisations and parties has plummeted. The left has failed to find a replacement for trade unions as a basis for collective action in civil society. Political movements are easy to join, and just as easy to leave.
De Kooning’s Suburb in Havana is a counter-revolutionary painting. Well, of course. It is counter-revolutionary because it is counter everything, versus everything, lost in suburbia. It wants to show us how hard it had to work to get precisely nowhere. Why nowhere was where it wished to get to is a question it leaves to the viewer.
Can there be poetic justice in politics? Perhaps once in a lifetime. In 1989, a young Viktor Orbán bravely told the crowds in Budapest’s Heroes’ Square that it was time for the Russians to go home, just as protesters had demanded in 1956; almost four decades later, he was heckled on the campaign trail with the same words.
News, Views and Reviews For The Intellectually Curious
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