Tag Archives: The New Yorker

Preview: The New Yorker Magazine – Oct 10, 2022

A New Yorker cover shows a silhouette of a man and a young boy angling by a river the Hell Gate Bridge in the background.

Inside Russia’s “Filtration Camps” in Eastern Ukraine

Civilians describe being snatched from their homes and sent away for ideological screening, prolonged detention, and, in some cases, starvation and torture. Is there a larger plan at work?

Are You the Same Person You Used to Be?

Researchers have studied how much of our personality is set from childhood, but what you’re like isn’t who you are.

Has the C.I.A. Done More Harm Than Good?

In the agency’s seventy-five years of existence, a lack of accountability has sustained dysfunction, ineptitude, and lawlessness.

Previews: The New Yorker Magazine – October 3, 2022

Aaron Judge towers over the catcher and hits a baseball at a stadium.
By Françoise Mouly, Art by Mark Ulriksen


The New Yorker Magazine – October 3, 2022

The Shock and Aftershocks of “The Waste Land”

T. S. Eliot’s masterpiece is a hundred years old, but it has never stopped sounding new. By Anthony Lane

Did a Nobel Peace Laureate Stoke a Civil War?

After Ethiopia’s Prime Minister, Abiy Ahmed, ended a decades-long border conflict, he was heralded as a unifier. Now critics accuse him of tearing the country apart.

Preview: The New Yorker Magazine – Sept 26, 2022

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Victoria Tentler-Krylov’s “#fallstyle”

The artist discusses Charlotte Gainsbourg, Uggs, and finding inspiration on Instagram.

Was Rudy Giuliani Always So Awful?

A lively new biography explores how the man once celebrated as “America’s mayor” fell into disgrace.

By Louis Menand

From Boy to Bono

I was born with melodies in my head, and I was looking for a way to hear them in the world.

By Bono

Previews: The New Yorker Magazine – Sept 19, 2022

A portrait of Queen Elizabeth II against the Union Jack.

Malika Favre’s “Figurehead”

Queen Elizabeth II’s seven-decade reign has come to an end.

By Françoise Mouly, Art by Malika Favre

Queen Elizabeth II died on Thursday, at the age of ninety-six. During her seventy-year-long reign, the Queen presided over the dissolution of the British Empire. She was there for the creation of the European Union—and for Brexit. She was there for Churchill, for Thatcher, and, just last Tuesday, she was there to shake hands with the incoming Conservative Prime Minister, Liz Truss. On the cover of the September 19th issue, the artist Malika Favre, who lived in London for sixteen years, captures the indelible association between Britain and its longtime monarch.

Preview: The New Yorker Magazine – Sept 12, 2022

A crew films a very small dog in the middle of a bustling movie set.

George Balanchine’s Soviet Reckoning

New York City Ballet’s 1962 tour of the U.S.S.R. forced the great choreographer to confront the regime he’d fled and the people he’d left behind.

John Cuneo’s “Top Dog”

The artist discusses canine stars, his first trip abroad, and keeping a sense of the spontaneous in his work.

Previews: The New Yorker Magazine – Sept 5, 2022

A woman in a red hat bikes along a rainy city street.

September 5, 2022 Issue

J. J. Sempé’s “Morning Music”

The French artist’s widow describes Sempé’s decades-long relationship with the magazine and his deep appreciation for its spirit, its staff, and its readers. By Françoise Mouly, Art by J. J. Sempé

Justice Alito’s Crusade Against a Secular America Isn’t Over

He’s had win after win—including overturning Roe v. Wade—yet seems more and more aggrieved. What drives his anger?

By Margaret Talbot

Preview: The New Yorker Magazine – August 22, 2022

A person with sunglasses on in repose reading a book.

Nicole Rifkin’s “Sun-Dappled”

The artist on her creative process and finding inspiration among artistic friends. By Françoise Mouly, Art by Nicole Rifkin

Africa’s Cold Rush and the Promise of Refrigeration

For the developing world, refrigeration is growth. In Rwanda, it could spark an economic transformation.

By Nicola Twilley