From The Iris (Getty Museum – April 17, 2020):
To work out the details of all the figures in pen and ink would have been extremely labor-intensive, and sharpening quills and mixing inks would’ve added an additional distraction. Drawing in chalk necessitated great skill, but it also allowed Michelangelo a flexibility. He could create subtle tonal variations by applying more or less pressure onto the chalk or by wetting it. The red chalk also provided an immediate mid-tone on the paper and could be easily blended when modeling and shading forms. Being a naturally occurring material that was available to artists in sticks that could be sharpened as desired, it was also convenient and portable.
During his lifetime, Michelangelo likely produced tens of thousands of drawings. But being protective of his ideas, and to give an impression of effortless genius, he destroyed many of them. Today only about 600 drawings by the Renaissance artist survive. A Getty exhibition highlighted 28 of them, giving viewers a window into Michelangelo’s artistic process. “He used drawings to record his observations, to explore certain ideas, to further develop these ideas, to reconsider them entirely,” said Assistant Curator Edina Adam.
The exhibition included a relatively high number of drawings in red chalk, which prompted the question: Why did Michelangelo use this particular drawing material?
As gyms are closed and many of us are stuck at home, it’s an opportune time for home fitness platforms. We speak to Bruce Smith, founder of Hydrow, while Jason de Savary of London’s Core Collective talks about the gym’s new CCTV platform.
Life-long entrepreneur and rower, Head of the Charles winner, coached the US Lightweight Eight to a Bronze medal at the 2015 World Rowing Championships and former Executive Director of Community Rowing – Boston.
Benjamin Thompson, Noah Baker, and Amy Maxmen discuss Trump withholding funds from the WHO, and how COVID-19 kills. We also hear about controlling misinformation while communicating risk.
Minton had gone on to produce a series of spectacularly colourful oil paintings of Corsica on his return to London, exhibiting them at the Lefevre Gallery in 1949. Many of them depicted fruit and fish and other ingredients for Mediterranean cuisine, and so confirmed Minton as the obvious choice for the David commission. 
what the United States can offer: extraordinary locations, exquisite design, fantastic food, and boundless comfort. These first-class establishments are run by American hoteliers with a passion for proper American hospitality.
Boomers Daily 