Vincent Willem van Gogh was a Dutch post-impressionist painter who posthumously became one of the most famous and influential figures in the history of Western art. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life.
Vincent Van Gogh created many wonderful works during his time in Paris, not least some stunning paintings featuring the moulins of Montmartre. Sotheby’s upcoming Art Impressionniste et Moderne Evening Sale (25 March | Paris) offers one such highlight, ‘Scène de rue à Montmartre’. In this latest Sotheby’s video, specialist Etienne Hellman takes us on a tour of Montmartre, from the apartment where Van Gogh lived with his brother, to the very site where Van Gogh sat and created this incredible painting. Learn about the influence Paris had on Van Gogh’s oeuvre and how he executed this piece of Parisian history.
Two visionary artists, separated in time and space, are united by a shared fascination with nature. See the work of David Hockney and Vincent van Gogh side by side in Hockney – Van Gogh: The Joy of Nature.
This exhibition examines the common ground between British artist Hockney (born 1937) and Dutch artist Van Gogh (1853–1890). Both expressed their profound love of nature through brilliant color and the capacity to see the world with fresh eyes. The Joy of Nature reveals Van Gogh’s unmistakable influence on Hockney in a selection of carefully selected landscape paintings and drawings.
Through a bold use of color and experimentation with perspective, each artist crafts a painterly world that is utterly individual and true to themselves, yet offers immense universal appeal. The Joy of Nature brings together nearly 50 of Hockney’s vibrant works—ranging from intimate sketchbook studies to monumental paintings, as well as his experimental videos and iPad drawings—with 10carefully chosen paintings and drawings by Van Gogh.
Hockney – Van Gogh: The Joy of Nature premiered at the Van Gogh Museum in Amsterdam, and the Houston presentation marks the first time the two renowned artists have been paired in an American museum exhibition. The MFAH is the only U.S. venue.
Vincent van Gogh’s “The Starry Night” has been a visitor favorite at MoMA since it first appeared in our Van Gogh retrospective in 1935 and then was acquired in 1939. To become acquainted with the heart and mind of its maker, there is no better source than his letters. Those to his brother Theo, in particular, reveal his deepest aims and convictions, and his pleasures and anxieties, especially during the last year-and-a-half of his life, working in near-isolation from an asylum in St.-Remy.
Learn more at Virtual Views: Vincent van Gogh’s “Starry Night” https://www.moma.org/calendar/exhibit…
“’Auvers is very beautiful, really profoundly beautiful” wrote Vincent van Gogh to his brother Theo, and his stay there in the final days of his life proved to be enormously productive. In his seventy days in Auvers, van Gogh would paint seventy or so canvases, including the masterwork Fleurs dans un verre. Intricately rendered, this vibrant canvas represents one of the few still life paintings executed during this period and will be a highlight of Sotheby’s Impressionist and Modern Art Evening Sale in New York.
Learn More: https://www.sothebys.com/en/buy/aucti…
The eventful history of Vincent van Gogh’s Sunflowers, which have changed hands many times since they were painted for Paul Gauguin’s arrival in Arles.
Van Gogh’s paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow ‘and nothing else’.
This comprehensive study of Vincent van Gogh offers a complete catalogue of his 871 paintings, alongside writings and essays, charting the life and work of a master who continues to tower over art to this day.
Today, the works of Vincent van Gogh (1853–1890) are among the most well known and celebrated in the world. In paintings such as Sunflowers, The Starry Night, and Self-Portrait with Bandaged Ear, we recognize an artist uniquely dexterous in the representation of texture and mood, light and place.
Yet in his lifetime, van Gogh battled not only the disinterest of his contemporary audience but also devastating bouts of mental illness. His episodes of depression and anxiety would eventually claim his life, when, in 1890, he committed suicide shortly after his 37th birthday.
Ingo F. Walther (1940–2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther’s many titles for TASCHEN include Vincent van Gogh, Pablo Picasso, Art of the 20th Century, and Codices illustres.
Rainer Metzger studied art history, history, and German literature in Munich and Augsburg. In 1994, he earned his Ph.D. on the subject of Dan Graham, and subsequently worked as a fine arts journalist for the Viennese newspaper Der Standard. He has written numerous books on art, including volumes on van Gogh and Chagall. Since 2004, he has worked as Professor of art history at the Academy of Fine Arts in Karlsruhe.
On this episode of Art Institute Essentials Tour, take a closer look at The Bedroom, painted by Vincent van Gogh in 1889. Vincent van Gogh painted three versions, including this one, of his bedroom in the “Yellow House” in Arles, France. To van Gogh, this picture symbolized relaxation and peace. However, to our eyes the canvas seems to teem with nervous energy, instability, and turmoil—an effect heightened by the sharply receding perspective.
From Hyperallergic (June 13, 2020):
In his paintings we see books on their own, or books in the company of people or other objects; small, lonely ziggurats of books, or a book beside a candle. That last juxtaposition is telling in the extreme. Vincent had a reverence for books. They were sacred ground. They have a kind of inner glow about them.
He reverenced books for their intellectual and emotional content.
He read Dickens, Carlyle, Flaubert, Balzac, Maupassant, and Zola in the original. Dickens and Carlyle were never very easy to read, then or now, but this Dutchman did so. He even read English poetry – John Keats, for example.
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