Andy Warhol created his first painting of Marilyn Monroe in 1962, in the wake of the American movie star’s sudden death at the age of 36. Tragedy, and its portrayal in modern mass media, fascinated Warhol; at the time of Monroe’s death, the artist was enmeshed in his Death and Disaster series, an exploration of gruesome images found in newspapers and magazines. Monroe’s death pushed the narrative of tragedy and celebrity one step further, and in it Warhol found inspiration for arguably the most important suite in his oeuvre. Dating from 1967, Marilyn Monroe is a complete portfolio of ten screen prints, each produced in a different combination of intense, flat colors. This portfolio, which comes from the estate of Barbara Spiegel Linhart, who purchased the works from David Whitney in 1969, is the best possible example of this important set of screenprints, and is a highlight of Sotheby’s Contemporary Art Evening Sale this May.
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon focuses on Francesco da Sangallo’s “St. John Baptizing,” which can be found at the very center of the third floor of Frick Madison. Commissioned in the 16th century for a church in the Tuscan town of Prato, the bronze statuette has been installed atop a facsimile of the marble holy water font on which it was originally displayed, allowing visitors to see it as it was meant to be viewed. This week’s complementary cocktail is the White Negroni, a modern twist on a classic Florentine cocktail.
To view this painting in detail, please visit our website: https://www.frick.org/sangallobaptizing
Vincent Willem van Gogh was a Dutch post-impressionist painter who posthumously became one of the most famous and influential figures in the history of Western art. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life.
Zao Wou-Ki was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Master artist Zao Wou-Ki was one of the titans of Chinese art in the post- war period. His energetic painting ‘13.02.62’, offered in our upcoming auction Beyond Legends: Modern Art Evening Sale (18 April | Hong Kong), is from the artist’s powerful ‘Hurricane Period’ when he arrived at the pinnacle of his career. Discover how Zao perfectly fused Eastern culture with Western modernism, bringing dynamic inspiration to this work.
Orientalist art transports and immerses the viewer into a place in time. 100 and more years after it was painted, it beguiles us even now. Sotheby’s upcoming Orientalist sale (22 – 30 March) which includes works from the celebrated Najd Collection, features fascinating landscapes from John Lavery’s depictions of Tangier to Edward Lear’s View of the Pyramids Road. As well as stunning scenery, artists captured the lives of water sellers, musicians and soldiers, providing valuable documentary evidence of how the Orient looked at a time when the region was still an elusive dream to many.
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon examines the only work by Cimabue in a public collection in the United States, a small panel depicting “The Flagellation of Christ.” Acquired by the Frick in 1950, the attribution of this work was a topic of debate until a sister panel was discovered in 2000, establishing that they once belonged to a larger ensemble by the 13th-century Florentine. (In 2019, a third fragment was discovered.) As a nod to the gold background, this week’s complementary cocktail is the Gold Rush, a drink invented in New York in the 1920s.
Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style.
To view this painting in detail, please visit our website: https://www.frick.org/cimabuechrist
Contemporary artist Sam Szafran created truly dizzying perspectives in all of his art. In this episode of Expert Voices, discover how his extensive oeuvre often featured the same themes focusing on staircases, his studios and plants. ‘Staircase with a Blue Window’ and ‘Plants with Skylights’ perfectly depict his skill at capturing vertiginous aspects and ‘Atelier de la rue de Crussol’ shows a multitude of hidden details in this captivating work.
Sam Szafran (19 November 1934 – 14 September 2019) was a French artist. He has been buried in the cimetière parisien de Bagneux.
‘Saint Eustace’ by Albrecht Dürer depicts the popular medieval legend of a Roman General becoming a saint. In this episode of Anatomy of an Artwork, discover how Dürer captured the intricate detail of the story through the arduous medium of engraving.
Albrecht Dürer (1471 -1528), sometimes spelt in English as Durer or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was in his twenties due to his high-quality woodcut prints.
Often called the Father of Impressionism, Claude Monet inspired the term that defined this movement. Born in Paris, Monet would later live in Giverny, where he purchased a property, planted sprawling gardens, and painted his famous water lilies. https://www.philamuseum.org/collectio…
A monumental survey, Wayne Thiebaud features over fifty paintings, works on paper, and limited-edition prints—many of which are rarely exhibited works from private collections and museums. Among the early works in the exhibition is the iconic Three Machines (1963)—courtesy of the Fine Arts Museums of San Francisco—a dynamic painting of three gumball machines filled with colorful candy orbs in which “tangible reality and abstraction intermix as one.”
Berggruen Gallery is honored to present Wayne Thiebaud, an exhibition of paintings, works on paper, and prints from 1961 to present by one of the preeminent living American artists, Wayne Thiebaud. This show marks the gallery’s seventh solo exhibition of Thiebaud’s work since his first show with John Berggruen Gallery in 1973. The gallery is especially proud to hold this exhibition in honor of two very special occasions: Wayne Thiebaud’s 100th birthday and Berggruen Gallery’s 50th anniversary. Wayne Thiebaud will be on view October 16 through November 28, 2020.
Spanning six decades, Wayne Thiebaud highlights the artist’s most quintessential, significant, and compelling work from the near entirety of his career. Thiebaud is most often recognized for his delectable still life paintings of confections, from slices of pie arranged in rows to bakery cases filled with intricately decorated cakes to dishes of colorful lollipops and candies. With paint as thick as frosting, Thiebaud’s illustrative depictions emphasize his subject matter’s physicality. Ornately decorated, densely outlined, and starkly shadowed, Thiebaud’s treats sit for the viewer masterfully rendered and enticing. Though the artist rose to prominence for such paintings, Thiebaud is now renowned for a vast breadth of subject matter—steep and winding cityscapes, saturated expanses of the Sacramento Valley, and attentive portraiture of friends or everyday figures. Art critics have connected his work to a breadth of art movements, analogizing his figurative work to that of esteemed American painter Edward Hopper and his aptitude for still life painting to that of 18th century French artist Jean-Baptiste-Siméon Chardin. Yet overall, Thiebaud’s prolific career defies singular movements and art historical references. Altogether, he simply reflects something authentically, emotionally, and uniquely American.CNiMdewz