Laurent Durieux is a famous Belgian illustrator well known to lovers of pop culture and collectors for his reinterpretations of posters of cult films. Each of his American exhibitions was sold out during the opening night and in the presence of thousands of enthusiastic fans.
This book will be his first monograph and will cover his entire career, with a particular focus on his posters of the most emblematic alternative films (notably Jaws, The Birds, Vertigo and The Master). The book includes a 6-page section of art on rejected and unpublished posters and a preface by filmmaker and collector Durieux Francis Ford Coppola.
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De Beauvoir and Beckett despised each other – and lived essentially on the same street. While quite literally dodging one subject or the other, and sometimes hiding out in the backrooms of the great cafés of Paris, Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile.
Drawing on Bair’s extensive notes from the period, including never-before-told anecdotes and details that were considered impossible to publish at the time, Parisian Lives is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers.
In 1971 Deirdre Bair was a journalist and recently minted PhD who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could write his biography despite never having written – or even read – a biography herself. The next seven years of intimate conversations, intercontinental research, and peculiar cat-and-mouse games resulted in Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch?
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Hailed as “a towering figure in the world of experimental theater” by the New York Times Waco, Texas-born Robert Wilson has created singular works in the realms of opera, performance, video art, glass, architecture, and furniture design since 1963. Prolific yet exacting in his approach to staging, light, and direction, Wilson has been honored with numerous awards for excellence including a Pulitzer Prize nomination, the Golden Lion of the Venice Biennale, and an Olivier Award. He is also the founding director of The Watermill Center, a laboratory for the arts and humanities in Water Mill, New York.
From a Christie’s online article:
Rodin first exhibited a bronze and a plaster version of The Age of Bronze at the Cercle Artistique in Brussels in January 1877. A few months later, he exhibited the plaster at the Paris Salon, where it caused a scandal. ‘The vitality and naturalism of the sculpture was so extreme, the sense of modelling so observed, that he was accused of having cast the sculpture from the model himself,’ says the specialist.
Tudor Davies, Head of Impressionist & Modern Art in Paris, reveals why Rodin’s Salon ‘scandal’ marked a pivotal turning point in the artist’s career.
The Age of Bronze was originally conceived in 1877, and is widely considered Rodin’s first great work, ranking alongside his later masterpieces, including La Porte de l’Enfer, Le Penseur and Le Baiser. Its conception marked a decisive turning point in the sculptor’s career.
To read more: www.https://www.christies.com/features/Auguste-Rodin-The-Age-of-Bronze-sculpture-10211-3.aspx?sc_lang=en&cid=EM_EMLcontent04144A99C_1&cid=DM351034&bid=198714681#FID-10211
The Denver Art Museum will celebrate famed French Impressionist Claude Monet’s birthday on November 14, 2019, in conjunction with the exhibition Claude Monet: The Truth of Nature. The DAM will celebrate the artist’s 179th birthday with cake, the launch of the DAM’s first-ever podcast titled Beyond Monet, the reveal of a Monet-inspired painting by local artist Ashley Joon, a special Art & About program dedicated to Monet’s birthday, and a surprise Monet-themed gift bag for one lucky visitor.
Born in Paris on November 14, 1840, Claude Monet was a prolific painter and founder of the French Impressionist movement, bridging the gap between the artistic movements of the 19th century and the modernized art world of the 20th century. Monet lived a long life and had an extensive artistic career that spanned nearly 70 years. In the Monet exhibition, visitors can see more than 120 works by Monet, including the first painting Monet ever exhibited when he was just 18 years old, along with some of his very last paintings.
To read more: https://denverartmuseum.org/article/celebrate-monets-birthday-dam-november-14
From the MetMuseum.org website:
Witness to the radical aesthetics that gripped Paris in the late nineteenth and early twentieth centuries, Vallotton developed his own singular voice. Today we recognize him as a distinctive artist of his generation. His lampooning wit, subversive satire, and wry humor is apparent everywhere in his artistic production. Vallotton’s trenchant woodcuts of the 1890s solidified his reputation as a printmaker of the first rank while boldly messaging his left-wing politics.
Félix Vallotton: Painter of Disquiet will present pivotal moments in the artist’s career as a painter and printmaker. Painted portraits, luminous landscapes, and interior narratives that pulse with psychological tension join the exhibition from more than two dozen lenders. Swiss-born and Paris-educated, Vallotton (1865–1925) created lasting imagery of fin-de-siècle Paris.
For the first time ever, this exhibition will display Picasso’s legendary portrait of Gertrude Stein, from The Met collection, alongside Vallotton’s rendering of this formidable collector, which was painted a year later. Vallotton finished his portrait in a matter of weeks and gave it to Gertrude Stein.
To read more: https://www.metmuseum.org/exhibitions/listings/2019/felix-vallotton-painter-disquiet