From a Christie’s online article:
Rodin first exhibited a bronze and a plaster version of The Age of Bronze at the Cercle Artistique in Brussels in January 1877. A few months later, he exhibited the plaster at the Paris Salon, where it caused a scandal. ‘The vitality and naturalism of the sculpture was so extreme, the sense of modelling so observed, that he was accused of having cast the sculpture from the model himself,’ says the specialist.
Tudor Davies, Head of Impressionist & Modern Art in Paris, reveals why Rodin’s Salon ‘scandal’ marked a pivotal turning point in the artist’s career.
The Age of Bronze was originally conceived in 1877, and is widely considered Rodin’s first great work, ranking alongside his later masterpieces, including La Porte de l’Enfer, Le Penseur and Le Baiser. Its conception marked a decisive turning point in the sculptor’s career.
To read more: www.https://www.christies.com/features/Auguste-Rodin-The-Age-of-Bronze-sculpture-10211-3.aspx?sc_lang=en&cid=EM_EMLcontent04144A99C_1&cid=DM351034&bid=198714681#FID-10211
The Denver Art Museum will celebrate famed French Impressionist Claude Monet’s birthday on November 14, 2019, in conjunction with the exhibition Claude Monet: The Truth of Nature. The DAM will celebrate the artist’s 179th birthday with cake, the launch of the DAM’s first-ever podcast titled Beyond Monet, the reveal of a Monet-inspired painting by local artist Ashley Joon, a special Art & About program dedicated to Monet’s birthday, and a surprise Monet-themed gift bag for one lucky visitor.
Born in Paris on November 14, 1840, Claude Monet was a prolific painter and founder of the French Impressionist movement, bridging the gap between the artistic movements of the 19th century and the modernized art world of the 20th century. Monet lived a long life and had an extensive artistic career that spanned nearly 70 years. In the Monet exhibition, visitors can see more than 120 works by Monet, including the first painting Monet ever exhibited when he was just 18 years old, along with some of his very last paintings.
To read more: https://denverartmuseum.org/article/celebrate-monets-birthday-dam-november-14
From the MetMuseum.org website:
Witness to the radical aesthetics that gripped Paris in the late nineteenth and early twentieth centuries, Vallotton developed his own singular voice. Today we recognize him as a distinctive artist of his generation. His lampooning wit, subversive satire, and wry humor is apparent everywhere in his artistic production. Vallotton’s trenchant woodcuts of the 1890s solidified his reputation as a printmaker of the first rank while boldly messaging his left-wing politics.
Félix Vallotton: Painter of Disquiet will present pivotal moments in the artist’s career as a painter and printmaker. Painted portraits, luminous landscapes, and interior narratives that pulse with psychological tension join the exhibition from more than two dozen lenders. Swiss-born and Paris-educated, Vallotton (1865–1925) created lasting imagery of fin-de-siècle Paris.
For the first time ever, this exhibition will display Picasso’s legendary portrait of Gertrude Stein, from The Met collection, alongside Vallotton’s rendering of this formidable collector, which was painted a year later. Vallotton finished his portrait in a matter of weeks and gave it to Gertrude Stein.
To read more: https://www.metmuseum.org/exhibitions/listings/2019/felix-vallotton-painter-disquiet
From inside the book on Amazon website:
In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dalí’s Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafés of that vibrant neighborhood.
Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dalí. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary—and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived.
To find out more: https://www.penguinrandomhouse.com/books/533938/in-montparnasse-by-sue-roe/