Why is Winslow Homer a household name in the USA? And what makes his art so important? Follow Homer’s journey, at a time of great upheaval in American history, from magazine illustrator to sought-after artist in oil and watercolour.
Winslow Homer: Force of Nature Ground Floor Galleries Until 8 January 2023
‘It is desirable for a Painter, at least once in his life, to witness the Eruption of a volcano.’ – Pierre-Henri de Valenciennes (1799). Join exhibition contributor Clive Oppenheimer, Professor of Volcanology at the Department of Geography at the University of Cambridge, and explore the ‘Volcanoes’ section of True to Nature. #TrueToNature is open at the Fitzwilliam Museum until 29 August 2022 https://fitz.ms/ttn
Henri Matisse’s landmark painting “The Red Studio” documented the artworks displayed in his workspace just outside Paris as it existed in 1911. For the first time since then, almost all the individual pieces depicted in his painting have been reunited for an installation at New York’s Museum of Modern Art. Correspondent Rita Braver reports.
This remarkable painting by Michel Corneille the Elder has been hidden away from view for at least the past 110 years and is a truly exceptional rediscovery for French painting of the 17th century. After a recent restoration, the artist’s signature has been re-exposed so that now this impressive work can be confidently attributed to the early French Classicist.
This episode of Anatomy of a work of art, discover The Death of Virginia, taken from Roman historian Livy and recounts the death of Virginia, daughter of a centurion in the Roman army. This rediscovery will be one of the highlights of our sale Tableaux Dessins Sculptures 1300-1900, Session I, Including Treasures from the Antony Embden Collection.
Fiona Davis, author of THE MAGNOLIA PALACE, discusses art, history, and writing with Xavier F. Salomon, Deputy Director and Peter Jay Sharp Chief Curator at The Frick Collection.
They speak in the Fragonard room at Frick Madison, the temporary home of The Frick Collection.
About THE MAGNOLIA PALACE Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue, returns with a tantalizing novel about the secrets, betrayal, and murder within one of New York City’s most impressive Gilded Age mansions.
Behind this iconic painting by Vincent van Gogh is the artist’s inspiring story about healing, as he struggled with the challenges of a psychiatric disorder. Learn more about this period in his life in which he produced some of his most famed work.
Getty has joined forces with Smarthistory to bring you an in-depth look at select works within our collection, whether you’re looking to learn more at home or want to make art more accessible in your classroom. This six-part video series illuminates art history concepts through fun, unscripted conversations between art historians, curators, archaeologists, and artists, committed to a fresh take on the history of visual arts.
“One of the hopes of this exhibition was really to try to enlist visitors’ bodily experience in their understanding of these works of art that can sometimes seem a little bit like they live entirely in our heads, a little bit intellectualized.”
Although Nicolas Poussin is widely regarded as the most influential painter of the 17th century—the father of French classicism—he is not as well-known as many of his contemporaries, such as Rembrandt, Rubens, and Caravaggio. This is due, in part, to Poussin’s austere painting style and erudite subject matter, which often came from Roman history or the Bible. As a result, his work can sometimes feel a bit cold or remote to today’s audiences.
But earlier in his career, Poussin was inspired by dance. His paintings of wild revelry, filled with dancing satyrs and nymphs, emerged as his signature genre from that time. Poussin and the Dance, organized by the Getty Museum and the National Gallery in London, is the first exhibition to explore the theme of dance in Poussin’s work. By supplementing his delightful dancing pictures with new dance films by Los Angeles–based choreographers—this unique exhibition invites viewers into the world of Poussin in a fresh, relatable way.
In this episode, Emily Beeny, curator in charge of European paintings at the Fine Arts Museums of San Francisco and curator of Poussin and the Dance, joins Sarah Cooper, public programs specialist at the Getty, to delve into Poussin’s process and love of dance.
The exhibition, which received generous support from the Leonetti/O’Connell Family Foundation and is sponsored by City National Bank, is on view at the Getty Center through May 8, 2022.
Take a closer look at three touching, humanist drawings by Rembrandt (1606 –1669) in the Morgan’s collection. John Pierpont Morgan loved Rembrandt. He owned 500 prints by Rembrandt, and in 1909 acquired his first drawings by the artist. Today, the Morgan has about 23 drawings in the collection by Rembrandt. A master of the European Baroque, Rembrandt’s paintings are often of grand themes. In his drawings, there is an intimacy and affection that has endeared him to generations of viewers. Listen to Colin B. Bailey, Director of the Morgan, as he shares his perspective on Rembrandt’s facility, creativity, and mastery.
Even if you don’t know the name, chances are you’ve seen a reproduction of one of his prints. What is it about his work that has made it last? Through paintings, drawings, prints, and letters, our exhibition ‘Dürer’s Journeys: Travels of a Renaissance Artist’ brings to life this art history megastar and the people and places he visited.
“I think it just shows very well how Rubens worked, how he got the inspiration from antiquity, but he transforms it into something completely new and very alive.”
The Flemish Baroque painter Peter Paul Rubens is most famous for his dynamic, colorful renderings of religious scenes and mythological stories. Yet Rubens’s work was also deeply inspired by the art of the past. He was a keen student of classical antiquity, engaging with ancient sculptures, coins, gems, and cameos both at home and in his travels through Italy. His friendships with antiquarians, patrons, and scholars provided a network for vibrant intellectual exchanges that informed the artist’s work.
In this episode, Getty curators Anne T. Woollett, Davide Gasparotto, and Jeffrey Spier discuss their exhibition Rubens: Picturing Antiquity, which explores how Rubens was affected by and, in turn, transformed the classical past in his paintings, drawings, and designs. The exhibition, which received major support from Jo Carole and Ronald S. Lauder and generous support from the Leonetti/O’Connell Family Foundation, is on view at the Getty Villa through January 24, 2022.