“I want to paint like a bird sings,” Claude Monet once stated. In this episode of Expert Voices, Simon Shaw describes Monet’s direct and unmediated response to his subject matter. In The Islands in Port-Villez, one can feel just that – Monet sitting on his boat on the seine, absorbing his surroundings.
In this episode of Expert Voices, Lisa Dennison discusses a masterful painting created by Frank Stella in the early part of his career. In the 1950s, Stella left Princeton and moved to New York at the height of Abstract Expressionism. Despite being a progenitor of Minimalism, Stella’s gestural hand is visible in the concentric squares – most likely influenced by the Abstract Expressionists.
Frank Philip Stella is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City.
In this video, join essayist and New Yorker staff writer Adam Gopnik in an exploration of two masterpieces from the early twentieth century: Georgio De Chirico’s “Il Pomeriggio di Arianna (Ariadne’s Afternoon)”and Man Ray’s “Black Widow (Nativity).” Both painted near the outset of the first world war, these works not only capture the effusive zeitgeist of their age but prefigure the aesthetic movements that would come to characterize modern art.
Making their auction debut, “Il Pomeriggio di Arianna (Ariadne’s Afternoon)”and “Black Widow (Nativity)”will be offered as highlights of Sotheby’s Impressionist & Modern Art Evening Sale in New York. (28 October | New York) Learn more: https://www.sothebys.com/en/series/to…
“’Auvers is very beautiful, really profoundly beautiful” wrote Vincent van Gogh to his brother Theo, and his stay there in the final days of his life proved to be enormously productive. In his seventy days in Auvers, van Gogh would paint seventy or so canvases, including the masterwork Fleurs dans un verre. Intricately rendered, this vibrant canvas represents one of the few still life paintings executed during this period and will be a highlight of Sotheby’s Impressionist and Modern Art Evening Sale in New York.
Learn More: https://www.sothebys.com/en/buy/aucti…
In this episode of expert voices, David Galperin examines the painting that entirely shifted the remaining decade of Mark Rothko’s career. In 1958, Rothko’s transforms his color palette into the somber, meditative colors intended to provoke a submersive, awe-inspiring event upon viewing. Learn how in Untitled (Black on Maroon), Rothko embarks on this endeavor for the very first time. Untitled (Black on Maroon) is a highlight of the Contemporary Art Evening auction (28 October 2020, New York).
Eugène Delacroix, Greece on the Ruins of Missolonghi, 1826, oil on canvas, 208 cm × 147 cm (Musée des Beaux-Arts de Bordeaux). Speakers: Dr. Steven Zucker and Dr. Beth Harris.
Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.
Pick your favourite between Paris and London as we pit Europe’s premier art capitals against each other in a tongue-in-cheek battle. Compare and contrast the allure of each location as we build-up to our marquee evening auctions on Modernités/Contemporary (21 October | Paris/London).
Discover some of defining moments of the 20th and 21st centuries by the greatest artists working in Europe and beyond. From the birth of the avant-garde and modernism, to seminal contemporary works, the artists represented all forged a distinct path.
Master Surrealist Francis Picabia created complex-dream like paintings for his series, “Transparencies”. In this episode of Anatomy of an Artwork, discover the hidden inspirations for his painting, Minos, and learn about the meaning behind each transparent layer.
Francis Picabia (1879 – 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts.
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng explores the life of Lodovico Capponi, the subject of a 16th-century portrait at the Frick by Agnolo Bronzino. A page at the Medici court, Lodovico had the misfortune of falling in love with a Florentine noblewoman whom Duke Cosimo I intended to marry to one of his cousins. Join Aimee with an Aperol Spritz as she discusses one of her favorite works in the museum and examines what some of the details—from his black-and-white outfit to the partially obscured cameo in his right hand—may tell us about the young man and his life.
To view this painting in detail, please visit our website: https://www.frick.org/agnolobronzino
In the popular imagination, possibly no other artist’s work is more recognizable than that of Salvador Dalí. Indeed, for many he is the ultimate mad artist, whose singular vision remorselessly probed his own psychological depths. His nightmarish visions and bizarre landscapes express the angst and turbulence of the twentieth century.
Dalí’s creativity embraced many different modes of expression and was never constrained by any one style. Over eight decades, the prodigious range of Dalí’s activity spanned every conceivable medium, from painting and drawing to sculpture, film, furniture, books, stage design and jewelry, not to mention his highly eccentric public persona, which could be considered an art form in itself.
Selected by curator and art historian Paul Moorhouse, Assouline presents Salvador Dalí: The Impossible Collection, spotlighting 100 works by this extraordinary creative mind, exploring Dalí’s inspirations and array of influences, from Old Masters to realism, Impressionism, Fauvism and Cubism as well as experimental approaches that delved into his obsessions with religion, science and stereoscopy.
Paul Moorhouse is a London-based art historian and curator. Currently chief executive of the Anthony Caro Studio, he was senior curator and head of displays at the National Portrait Gallery, London (2005–17) and senior curator at the Tate (1985–2005), where he was closely involved with the creation of Tate Modern and Tate Britain. He has curated numerous exhibitions internationally and published extensively, with books and exhibition catalogues on major modern and contemporary artists, including Anthony Caro, Salvador Dalí, Alberto Giacometti, Howard Hodgkin, Hans Hofmann, Richard Long, Gerhard Richter, Bridget Riley, Cindy Sherman and Andy Warhol.