Category Archives: Reviews
New Art Books: “Cherry Blossoms – Sakura Collections From The Library Of Congress”
“Cherry Blossoms” reflects on the long tradition of flower viewing in Japanese culture with vivid color woodblock prints by ukiyo-e master artists, photographs, color lithographic posters and Kōkichi Tsunoi’s exquisite watercolor drawings from 1921. The book highlights the rich connections between Japan’s centuries-old traditions and contemporary counterparts. The American public’s affection for the blossoms is revealed in vintage and contemporary photographs of the Tidal Basin, collections related to the National Cherry Blossom Festival and the Cherry Blossom Princess Program, as well as decades’ worth of creatively designed festival posters.
Vibrant springtime traditions of cherry blossom viewing in Japan and Washington, D.C., are explored in the new book “Cherry Blossoms: Sakura Collections from the Library of Congress,” published today by Smithsonian Books, in association with the Library of Congress.
Visual art, including prints, drawings and photographs from the Library’s collections, provide a fresh look at the tradition of cherry blossom celebrations that originated more than 1,200 years ago. Japan shared the tradition with the United States when they presented the nation’s capital with 3,020 cherry trees in 1912. Ever since, D.C. residents and visitors have been mesmerized by the trees and have joined in the festivities of the National Cherry Blossom Festival, which draws more than 1.5 million visitors each year.
Fascinating Facts about Cherry Blossom Traditions:
- It started over 1,200 years ago…with plum blossoms! The Japanese custom of flower viewing, or hanami, is thousands of years old. Beginning in the 9th century, saplings and trees were brought down from the mountains to grace the gardens of the aristocracy. The practice was first associated with plum (ume) blossoms before it became linked almost exclusively with cherry blossoms during the Heian period (794-1185).
- A feudal warlord threw some of the most lavish parties. Before it became popular with people at all levels of society, cherry blossom viewing in Japan was reserved for the elite. Legendary feudal warlord and samurai Toyotomi Hideyoshi (1537-98) sponsored some of history’s most lavish cherry blossom-viewing events. His 1594 celebration at Mount Yoshino included a poetry party, a nō play, and a hanami party with 5,000 guests. In 1598, he built hillside teahouses to accommodate guests for his party at Kyoto’s Daigoji temple and transplanted 700 cherry trees to the site.
- Blossoms Symbolize Fleeting Delights in Life. Cherry blossoms are heralds of spring, but their short blooming period also evokes the ephemeral beauty of life. Edo period (1603-1868) hanami celebrations featured the pleasure of food and drink, poetry and music – tinged with wistful appreciation of the fleeting beauty of both blossoms and earthly delights. This tradition continues. The transitory beauty of life becomes vivid when gusty spring winds end the blooming season with showers of drifting petals, an effect the Japanese call hanafubuki (cherry blossom blizzard).
- A “Field of Cherries” in Potomac Park? It took the U.S. Army Corps of Engineers three decades to transform the low-lying area known as Potomac Flats into Potomac Park. A 1914 sightseer map of Washington features the new park and labels the road around the west end of the Tidal Basin as the “Speedway.” U.S. Department of Agriculture botanist David Fairchild and cherry tree advocate Eliza Scidmore promoted the site as an ideal place for a “field of cherries.”
- Not all cherry blossoms are pink. Cherry blossoms varieties include multiple colors: white, pink, yellow – even green. Twelve different varieties of cherry blossom trees were sent from the city of Tokyo to Washington D.C. in 1912. While most were the white-pink Somei Yoshino, there were also 10 different varieties of double-flowered (or manifold) trees, one variety with green blossoms, called Gyoikō, and some varieties with fragrance. The trees around today’s Tidal Basin are limited primarily to Somei Yoshino and Kwan-Zan.
Authors Mari Nakahara and Katherine Blood, both curators in the Library’s Prints and Photographs Division, present a comprehensive view of the history of this annual celebration, illustrated by prints, posters, photographs and artifacts from the Library’s rich collections.
Fusion Of Design & Film: The “Making Of Mercedes-Benz Vision AVTR” (Video)
Mercedes-Benz and the upcoming “Avatar” films – what at first seemed to be an unexpected global partnership, turned into a unique interdisciplinary experience.
Inspired by the world of “Avatar”, the two partners created the astonishing VISION AVTR. In this exclusive behind-the-scenes feature, key team members from both parties share their thoughts on the cooperation process and provide fascinating insights into the concept vehicle itself.
Credits: ™ & © 20th Century Fox Film Corp.
Profiles: 56-Year Old Fashion Designer Marc Jacobs’ “Protean Life”
Excerpts from a New York Times Style Magazine online article (February 10, 2020)
“People want newness, and they want it from a new person. I understand that I’m not the 25-year-old who was given this incredible job at Perry Ellis, or who created the grunge collection, or who was the bad boy of the 1990s,” he said. “I am a 56-year-old man who still has the privilege of doing a collection.” But his voice was calm as he said this, full of acceptance and experience.
“THE DRIVING FORCE in my life is fear,” Marc Jacobs said.
IT WAS A bright December afternoon, a week or so before Christmas, when Jacobs and I met for the last time. I waited in the reception area of his atelier next to a sculpture of Neville, Jacobs’s bull terrier, whom I had recently begun following on Instagram (he has over 200,000 followers). I thought I could finally understand why Jacobs commands such devotion from those around him. He exudes a precariousness that is deeply affecting to anyone even dimly aware of the mysterious connection between creativity and tragedy. If he attracts protectors, it is because one cannot speak at any length to him without feeling that, as Oscar Wilde wrote about his titular character in “The Picture of Dorian Gray,” “a note of doom runs like a purple thread” through “the gold cloth” of his talent.
American Classic Cars: “1959 Chevrolet Impala”
The Chevrolet Impala is a full-size car built by Chevrolet for model years 1958 to 1985, 1994 to 1996, and 2000 onward. The Impala is Chevrolet’s popular flagship passenger car and is generally among the better selling American made automobiles in the United States.
The 1959 Chevrolet Impala was redesigned. Sharing bodyshells with lower-end Buicks and Oldsmobiles as well as with Pontiac, part of a GM economy move, the Chevrolet’s wheelbase was 1-1/2 inches longer. Using a new X-frame chassis, the roof line was three inches lower, bodies were two inches wider, and curb weight increased. Its tailfins protruded outward, rather than upward. The taillights were a large “teardrop” design at each side, and two slim-wide nonfunctional front air intake scoops were added just above the grille,
The Impala became a separate series, adding a four-door hardtop and four-door sedan, to the two-door Sport Coupe and convertible. Sport Coupes featured a shortened roof line and wrap-over back window. The standard engine was an I6, while the base V8 was the carryover 283 cu in (4.6 L), at 185 hp (138 kW). Optional were a 283 cu in with 290 hp (220 kW) and 348 cu in (5.7 L) V8 up to 335 hp (250 kW). Standard were front and rear armrests, an electric clock, dual sliding sun visors, and crank-operated front vent windows. A contoured hooded instrument panel held deep-set gauges. A six-way power seat was a new option, as was “Speedminder”, for the driver to set a needle at a specific speed and a buzzer would sound if the pre-set was exceeded.
From Wikipedia
Artists: Inside Story Of Andy Warhol’s “Athletes” Paintings (Christie’s)
From a Christie’s Magazine online article (February 2020):
‘The sports stars of today are the movie stars of yesterday,’ proclaimed the artist. It was true; thanks to rapid advances in TV broadcasting, sporting champions in the 1970s were starting to achieve the same level of popularity as other entertainers.
In 1977, Richard L. Weisman approached his friend Andy Warhol with the idea for a new series: a set of silkscreen portraits of the day’s leading sports stars. Called ‘Athletes’, these pictures have come to be regarded as some of the standout works of Warhol’s later years.
Weisman (1940-2018) was a dedicated collector, and the two men bonded mostly over art, although they also crossed paths regularly at social gatherings across New York. On some occasions, these gatherings were held at Warhol’s Factory studio; on others, at Weisman’s apartment on United Nations Plaza.
Top New Camper Vans: “2020 Mercedes-Benz Metris Weekender”
Built by Driverge Vehicle Innovations in partnership with Peace Vans as part of our MasterSolutions™ program, the new Weekender draws inspiration from glorious 
camper vans of the past while incorporating the latest safety, reliability, and convenience features — taking the pop top van to new heights.
- Seats five, sleeps four. With an elevating roof, swiveling front seats, integrated table, a rear bench that converts to a bed, an extra battery for more power, and much more, the Weekender comes standard with enough features to go from day-to-day life to adventure mode with ease.
- Power up your weekends with optional features like integrated solar panels for more power, a 1.5” suspension lift for greater off-road capabilities, upgraded navigation features, roof racks, and camping upgrades like an 8’ awning, mosquito screens, rear lift tent, and a pullout rear kitchen.
- The Weekender is built on the tried-and-true Metris platform: Tow rating of 5,000 lbs., excellent safety and fuel economy, up to 15,000 mile service intervals, ATTENTION ASSIST®, Crosswind Assist, rearview camera, load adaptive ESP and ECO start/stop, and much more.
Housing: “Nestron” Is First Prefab, Fully Integrated Smart Home In The World
Nestron is the first fully prefabricated, integrated and equipped house in the world. Zero construction required.
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Adaptive insulation – The house is suitable for living in all kinds of climates. The isolation system in walls, double-tempered glass, and fitted doors guarantee the highest possible comfort.
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Solid construction – The steel structure and top quality materials guarantee the highest level of safety. Every Nestron house meet fireproof and earthquake-resistant standards.
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AI System – Your Nestron is a fully integrated smart house. Use your voice to control the most important functions and let the appliances learn your way of living.
Top Photography Books: “At Glacier’s End” In Iceland By Chris Burkard
“Iceland’s glacial rivers are nature’s abstract paintings. It seems obvious that rivers this wild and stunning are protected, yet the harsh reality is that many have been dammed, mainly to provide power for aluminum plants.
A massive conservation movement is underway to preserve these rivers, but will it succeed? At Glacier’s End gives a voice to Iceland’s glacial rivers – providing both a cultural and environmental perspective – on the journey from glacier to sea.”
Healthcare System: “There’s No Dignity In Hospital Gowns” (BMJ)
From a The BMJ Views and Reviews article by David Oliver (February 5, 2020):
Last year the Lancet published a paper on the impact of wearing gowns, surveying 928 adult patients and carrying out structured interviews with 10 patients. Over half (58%) reported wearing the gown despite feeling uncertain that it was a medical necessity. Gown design was considered inadequate, with 61% reporting that they struggled to put it on or required assistance and 67% reporting that it didn’t fit. Most worryingly, 72% felt exposed, 60% felt self-conscious, and 57% felt uncomfortable wearing the gown.
I’ve often wondered why on earth we routinely put so many patients into hospital gowns within minutes of their arrival at hospital.
Sometimes referred to as “dignity gowns,” such dignity as they afford is only in comparison to being stark naked. They don’t come in a wide range of sizes or lengths, and they’re open along the back. You tend to get what you’re given and make do. The effect is to leave patients with lots of exposed flesh, with underwear or buttocks intermittently displayed and a feeling of extreme vulnerability, not to mention being cold if they have no other layers to wear.
Boomers Daily 