The Labor Department’s new jobs report comes out today as Congress is poised to pass a new round of COVID-19 relief. The Biden administration ended Trump’s “Remain in Mexico” policy, but that doesn’t mean the asylum system is up and running.
And, the Chinese national parliament meeting that begins today will include a proposal to give the Chinese government new control over Hong Kong’s elections.
In Texas the power is back after several days for most of the population, but now they have to worry about whether the water is safe after treatment plants were temporarily offline.
Also, President Biden gives his first speech to world leaders. He wants to move beyond his predecessor’s “America First” policies. And, Native American tribes have been hard hit by the coronavirus pandemic. But tribes are quickly and efficiently vaccinating their communities.
Democrats demand accountability for President Trump’s actions. If their push to invoke the 25th Amendment fails, they’ll try to impeach him again. But what difference does it make if his term is up in nine days?
Law enforcement officials continue to investigate and arrest rioters, but they’re also preparing for next week’s inauguration. Far-right extremists say they’ll be back. And only about a third of the available coronavirus vaccines have been administered. The incoming Biden administration plans to make nearly all vaccines immediately available.
People in Georgia will finish voting today. At stake is control of the U.S. Senate. But the runoff elections have been overshadowed by the president’s false claims.
The U.S has administered fewer than 5 million coronavirus vaccines. How can we safely speed up? And U.K. Prime Minister Boris Johnson ordered a new national lockdown for England until at least mid-February.
NPR’s Scott Simon reflects on the legacy of F. Scott Fitzgerald’s The Great Gatsby. The literary classic’s copyright expired on the first day of 2021.
The copyright on F. Scott Fitzgerald’s The Great Gatsby expired on the first stroke of 2021 and the book entered the public domain.
The classic 1925 novel of love foiled, ambitions foisted, class and betrayal sold fewer than 25,000 copies before Fitzgerald died. It has since sold nearly 30 million. I gave our daughter the copy I had in high school when she read it last year. The Great Gatsby has been turned into stage productions, an opera, five film versions, a Taylor Swift song and inspired innumerable prequels, spinoffs and variations.
In the public domain, Gatsby may now become even more familiar. Two new editions are about to come out and who knows what kind of projects — a Gatsby rom-com? Gatsby joins The Avengers? — might now get a green light, which recalls the imperishably eloquent last passage of the book: “Gatsby believed in the green light, the orgastic future that year by year recedes before us.”
Gatsby’s Jazz Age Long Island may not look like a microcosm of contemporary America. Neither does Don Quixote, The Scarlet Letter, Macbeth or Their Eyes Were Watching God. We want young readers to be able to see themselves in stories; but literature can also show us that people we don’t think are much like us at all turn out to have some of the same heart, blood and dreams. That can be the power of empathy in art.
We remember Charley Pride, one of the first African Americans to become popular as a country artist. Pride died yesterday at the age of 86, of complications from COVID-19.
Charley Frank Pride (March 18, 1934 – December 12, 2020) was an American singer, guitarist, and professional baseball player. His greatest musical success came in the early to mid-1970s, when he was the best-selling performer for RCA Records since Elvis Presley. During the peak years of his recording career (1966–87), he had 52 top 10 hits on the BillboardHot Country Songs chart, 30 of which made it to number one. He won the Entertainer of the Year award at the Country Music Association Awards in 1971.
While he was active in baseball, Pride had been encouraged to join the music business by country stars such as Red Sovine and Red Foley, and was working towards this career. In 1958, in Memphis, Pride visited Sun Studios and recorded some songs.
He performed his music solo at clubs and with a four-piece combo called the Night Hawks during the time he lived in Montana. His break came when Chet Atkins at RCA Victor heard a demonstration tape and got Pride a contract. In 1966, he released his first RCA Victor single, “The Snakes Crawl at Night”. Nashville manager and agent Jack D. Johnson signed Pride. Atkins was the longtime producer at RCA Victor who had made stars out of country singers such as Jim Reeves, Skeeter Davis, and others. Pride was signed to RCA Victor in 1965. “The Snakes Crawl at Night” did not chart. On the records of this song submitted to radio stations for airplay, the singer was listed as “Country Charley Pride”. Pride disputes that the omission of a photo was deliberate; he stated that getting promoters to bring in a black country singer was a bigger problem: “people didn’t care if I was pink. RCA signed me… they knew I was colored…They decided to put the record out and let it speak for itself.” While living in Montana, he continued to sing at local clubs, and in Great Falls had an additional boost to his career when he befriended local businessman Louis Allen “Al” Donohue, who owned radio stations including KMON, the first stations to play Pride’s records in Montana.
Soon after the release of “The Snakes Crawl at Night”, Pride released another single called “Before I Met You”, which also did not chart. Not long afterwards, his third single, “Just Between You and Me”, was released. This song finally brought Pride success on the country charts. The song reached number nine on Hot Country Songs on February 25, 1967.
According to a news item by the Associated Press, Pride made this comment in a 1992 interview: “They used to ask me how it feels to be the ‘first colored country singer’ .. Then it was ‘first Negro country singer;’ then ‘first black country singer.’ Now I’m the ‘first African-American country singer.’ That’s about the only thing that’s changed”. 
“Pride’s amazing baritone—it hints at twang and melisma simultaneously, and to call it warm is to slight the brightness of its heat”
The success of “Just Between You and Me” was enormous. Pride was nominated for a Grammy Award for the song the next year. In the late summer of 1966, on the strength of his early releases, he was booked for his first large show, in Detroit‘s Olympia Stadium. Since no biographical information had been included with those singles, few of the 10,000 country fans who came to the show knew Pride was black, and only discovered the fact when he walked onto the stage, at which point the applause trickled off to silence. “I knew I’d have to get it over with sooner or later,” Pride later remembered. “I told the audience: ‘Friends, I realize it’s a little unique, me coming out here—with a permanent suntan—to sing country and western to you. But that’s the way it is.’ ”
In 1971, Pride released what would become his biggest hit, “Kiss an Angel Good Mornin'”, a million-selling crossover single. The same year, he won the Country Music Association‘s entertainer of the year award, as well as its top male vocalist award in 1971 and 1972.
“Kiss an Angel Good Mornin'” became Pride’s signature tune. Besides being a five-week country number one in late 1971 and early 1972, the song was also his only pop top-40 hit, hitting number 21, and reaching the top 10 of the Adult Contemporary charts, as well.