While its focus is on familiar backyard birds–blue jays, nuthatches, chickadees–it also examines certain species that can be fairly easily observed, such as the
seashore-dwelling Atlantic puffin. David Sibley’s exacting artwork and wide-ranging expertise bring observed behaviors vividly to life.
The bird book for birders and nonbirders alike that will excite and inspire by providing a new and deeper understanding of what common, mostly backyard, birds are doing–and why.
“Can birds smell?” “Is this the same cardinal that was at my feeder last year?” “Do robins ‘hear’ worms?” In What It’s Like to Be a Bird, David Sibley answers the most frequently asked questions about the birds we see most often. This special, large-format volume is geared as much to nonbirders as it is to the out-and-out obsessed, covering more than two hundred species and including more than 330 new illustrations by the author.

And while the text is aimed at adults–including fascinating new scientific research on the myriad ways birds have adapted to environmental changes–it is nontechnical, making it the perfect occasion for parents and grandparents to share their love of birds with young children, who will delight in the big, full-color illustrations of birds in action. Unlike any other book he has written, What It’s Like to Be a Bird is poised to bring a whole new audience to David Sibley’s world of birds.
DAVID ALLEN SIBLEY is the author and illustrator of the series of successful guides to nature that bear his name, including The Sibley Guide to Birds. He has contributed to Smithsonian, Science, The Wilson Journal of Ornithology, Birding, BirdWatching, North American Birds, and The New York Times. He is a recipient of the Roger Tory Peterson Award for Promoting the Cause of Birding from the American Birding Association and the Linnaean Society of New York’s Eisenmann Medal. He lives and birds in Massachusetts.
A selection of three essential articles read aloud from the latest issue of The Economist. This week,
The Amalfi Coast is the pinnacle of the Italian dream. Tucked amongst the lemon blossoms and the bougainvillea is a line of thirteen towns that comprise the Amalfi Coast. Known for its vertical landscape, the villages are only accessible via the Strada Statale 163 — a narrow, winding, cliffside route that while unsettling to traverse, offers unparalleled views. 
Lady when her husband John F. Kennedy was elected President.

…a stairway and greenery gently connected the upper and lower floors along a diagonal line, creating a space where all three generations could take comfort in each other’s subtle presence. Not only does the stairway connect the interior to the yard, or bond one household to another, this structure aims to expand further out to join the environs and the city —connecting the road that extends southward on the ground level, and out into skylight through the toplight.
A two-family home in a quiet residential area of Tokyo. With other houses and apartment buildings pressing around the site, the architectural volume was pushed to the north to take in daylight, ventilation, and greenery of the yard into the living environment by a large glass front southern façade. The layout plan made it possible to preserve the existing persimmon tree beloved by the previous generations. Considering the potential difficulties of going up and down the stairs, the rooms for the older couple were arranged on the 1st floor. The eight cats living with the older couple roam in and outdoors more freely, and encourages the mother to enjoy her hobby of gardening more freely. The younger couple and their child reside on the 2nd and 3rd floors. To avoid the two households being completely separated at the top and bottom, a “stairway-like” structure was designed in the south yard, continuing upward into the building and penetrating the 1st through 3rd floors. Enclosed inside the “stairway” are functional elements, such as bathrooms and a staircase for actual use, with the upper part taking on the look of a semi-outdoor greenhouse with abundant greenery as well as a sun-soaked perch for the cats to enjoy climbing.
year. Directed by Cosima Spender, this film maps the roots of Barlow’s oeuvre, as she revisits childhood memories, domestic and urban spaces, and their subsequent role in her creative process. 