Anger. A word that often does the rounds in the 21st century. On a global scale, citizens are increasingly dissatisfied with their governments — from discord within the current American administration to rising hostility within France, Germany, Greece, Iraq, and Lebanon. Anger due to the persistence of racial violence, threats against the rights of women and workers, discrimination against the LGBTQ community, repression, as well as fear and instability surrounding health care systems, income inequality, the environmental crisis, and the effects of mass migration.
Join a nuanced conversation in this MoMA R&D Salon hosted by Paola Antonelli, Senior Curator of Architecture & Design and Director of Research & Development at MoMA, with speakers (in alphabetical order):
Shaun Leonardo: a multidisciplinary artist whose work discusses societal expectations of manhood––namely definitions surrounding black and brown masculinities––along with its notions of achievement, collective identity, and experience of failure.
Lydia Lunch: a writer, singer, poet, actress, and speaker whose career was spawned by the New York City “No Wave” scene. Widely considered one of the most influential performers originating from New York City, Lydia has worked with a range of bands and artists.
Andrew Marantz: a staff writer at The New Yorker, where he has worked since 2011. His work has also appeared in Harper’s, New York, and Mother Jones. He recently published his first book, Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation.
Marilyn Minter: a contemporary artist whose works are in the collections of MoMA, the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, and the Museum of Contemporary Art in Los Angeles, among others.
Pamela Sneed: a poet, writer, visual artist, and performer. She is the author of the books Imagine Being More Afraid of Freedom than Slavery (1998) and Kong and Other Works (2009), as well as the chapbooks Lincoln (2014), Gift (2015), and Sweet Dreams (2018).