Energy usage by large, old buildings like the Empire State Building represents a huge obstacle to cities’ dreams of carbon neutrality. New York City’s buildings account for 70% of its carbon emissions, for example, and half of those emissions are produced by the largest 5% of its structures. But retrofitting old buildings to make them more energy efficient represents a formidable challenge, both from an engineering perspective and in terms of convincing owners that doing so is in their financial interest.
Washington Square Park is a 9.75-acre public park in the Greenwich Village neighborhood of Lower Manhattan, New York City. One of the best known of New York City’s public parks, it is an icon as well as a meeting place and center for cultural activity.
It is named for George Washington (1732-1799), the commander of the Continental Army, who was inaugurated in New York City as the first President of the United States on April 30, 1789.
The land was once a marsh fed by Minetta Brook located near an Indian village known as Sapokanikan. In 1797 the City’s Common Council acquired the land for use as a “Potter’s Field” and for public executions, giving rise to the legend of the “Hangman’s Elm” in the park’s northwest corner.
Used first as the Washington Military Parade Ground in 1826, the site became a public park in 1827. Following this designation, prominent families, wanting to escape the disease and congestion of downtown Manhattan, moved into the area and built the distinguished Greek Revival mansions that still line the square’s north side. In 1838 the park hosted the first public demonstration of the telegraph by Samuel F.B. Morse.
Soon after the creation of the City’s Department of Public Parks in 1870, the square was redesigned and improved by M.A. Kellogg, Engineer-in-Chief, and I.A. Pilat, Chief Landscape Gardener. Their plan followed the principles of Fredrick Law Olmsted – providing a more rustic and informal space with curvilinear paths along its periphery, retaining many of the diagonal paths within the park’s core, and defining plots of grass with shade trees. The most dramatic change was the addition of a carriage drive through the park’s interior connecting Fifth Avenue to Lower Manhattan.
The marble Washington Arch, designed by noted architect Stanford White, was built between 1890-1892 and replaced a wooden arch erected in 1889 to honor the centennial of the first president’s inauguration. Statues of Washington were later installed on Arch’s north side – Washington as Commander-in-Chief, Accompanied by Fame and Valor (1916) by Hermon MacNeil, and Washington as President, Accompanied by Wisdom and Justice (1918) by Alexander Stirling Calder.
A lot of American cities have great nicknames. But it was 100 years ago when the nation’s biggest city got its most famous one. Michelle Miller has the details on how “The Big Apple” came to signify New York.
“The history of the Waldorf Astoria is the history of New York City,” says Andrew Miller, CEO of Dajia U.S., the owner and developer of the building. “We have embraced a profound responsibility as the stewards of the Waldorf Astoria’s heritage, taking great care to restore the building to its 1931 opulence. The Waldorf has a special place in the hearts of people across the globe.”
The legendary Waldorf Astoria New York Hotel opened its Art Deco doors to Park Avenue in 1931 and has played host to every U.S. president from Herbert Hoover to Barack Obama, world leaders such as Queen Elizabeth II and Emperor Hirohito, famous celebrities such as Frank Sinatra and Angelina Jolie, and foreign dignitaries including the Duke and Duchess of Windsor as well as Winston Churchill.
At the ripe old age of 90, like many an aging beauty, it was decided that it was time for some cosmetic surgery. In fact, it was probably the most expensive facelift in New York history. But before reconstructive surgery took place, the grand dame had some preliminary work done.
The Empire State Building is a 102-story Art Deco skyscraper in Midtown Manhattan in New York City, United States. It was designed by Shreve, Lamb & Harmon and built from 1930 to 1931. Its name is derived from “Empire State”, the nickname of the state of New York.
Mass unemployment, colossal bankruptcies, and a shattered tourism industry have ravaged New York City during the coronavirus pandemic. In January 2021, Governor Andrew Cuomo proposed raising taxes on the wealthy, while cutting Medicaid and school spending to balance the multi-billion dollar budget deficit. Opponents say tax hikes could lead to a mass exodus of the wealthy New Yorkers who fund a large portion of the city’s revenue. Others say that the crisis has exasperated existing inequalities and cutting social services will only hurt those most affected.
Architectural Digest takes you to the Upper East Side of Manhattan to visit a luxurious pre-war penthouse on the market for $39,000,000. The Marquand at 11 East 68th Street is immediately adjacent to Madison Avenue and its array of high-end shops, while the magnificent Central Park waits right outside your door. With 2600 ft. of outdoor terrace situated minutes from the best the city has to offer, whether downtown or up, 11 East 68th Street is urban life at its most refined.
Henry Chang, the unofficial O.G. of Chinatown, waxes nostalgic for his friend, the famed photographer Corky Lee, and the beauty of the neighborhood’s streets.
Vibrant Chinatown is a densely populated neighborhood that draws foodies and tourists to its many Chinese and Southeast Asian restaurants for dumplings, pork buns and hand-pulled noodles. The busy sidewalks are packed with souvenir stores, bubble tea shops, and markets selling everything from fresh and dried fish to herbs and spices. Locals hang out in leafy Columbus Park for Tai Chi, chess and mahjong.
For the fifth episode of Gagosian Premieres, we celebrate “Anselm Kiefer: Field of the Cloth of Gold”—a new exhibition at Gagosian, Le Bourget—with a conversation between the artist and art historian James Cuno and a debut ballet performance by Hugo Marchand and Hannah O’Neill, choreographed by Florent Melac and set to music composed by Steve Reich. The episode airs on March 23 at 2pm EDT. In this episode of Gagosian Premieres, James Cuno, president and CEO of the J. Paul Getty Trust, speaks to the artist in an exclusive interview about the inextricable relationship between history and place that animates the works on view. Hugo Marchand and Hannah O’Neill—principal dancer and first soloist, respectively, at the Ballet de l’Opéra national de Paris—perform original choreography by Florent Melac in the gallery. Set to Steve Reich’s “Duet,” a contemplative composition scored for two solo violins and a string ensemble, the dance was created in direct response to Kiefer’s exhibition of monumental paintings in the vast Jean Nouvel–designed former airplane hangar.
Join curators Keith Christiansen, Stephan Wolohojian, and Adam Eaker on a tour through the newly installed European Paintings galleries and explore new dialogues and themes among the works. A New Look at Old Masters is part of the European Paintings Skylights Project and is a prelude to the final, expansive re-installation of the European Paintings galleries that will take place after the project is completed.