Tag Archives: NYC

New Destination Bars: “Fever-Tree Porch” Is In “Iconic Location” In NYC

From a Forbes.com online review:

A collection of mixed drinks at the new Fever-Tree Porch at Bryant ParkANTHONY DEEYINGExpect many of those chairs to be filled in the months ahead. The Winter Village is a huge draw, built around a massive ice rink enjoyed by upwards of 300,000 skaters throughout the holiday season. “We want people to enjoy great cocktails and drinks at the Porch, to take time to relax and appreciate the city with all its extraordinary energy,”

Earlier this month, cocktails started pouring at Fever-Tree Porch–a new, branded bar in Manhattan’s tree-lined Bryant Park. The year-long partnership marks the first of its kind between one of New York City’s premiere public spaces and the world’s top-selling purveyor of premium tonics and mixers. It also provides an al fresco outpost for some of the 12 million visitors making their way through the destination, annually. Given its prime location at the corner of 6th Avenue and 40th Street–one of the most trafficked sections in the country–the folks behind it are gearing up to serve as many as 75,000 cocktails over the course of the next 12 months.

To read more: https://www.forbes.com/sites/bradjaphe/2019/11/13/fever-tree-opens-its-first-ever-branded-bar-in-new-york-city/#56dae5434636

Museum Insider: Curators & Artists Oversee New Frames, Placement Of Paintings At MoMA (Video)

The new MoMA opens. Cherished works return to the walls of the galleries in brand new frames, while curators and artists watch the completion of the reinstallation. After being closed for four months, MoMA reopens its doors to the public.

TABLE OF CONTENTS

0:13 – Associate sculpture conservator Roger Griffith and sculpture conservation fellow Joy Bloser clean Arthur Young’s Bell-47D1 Helicopter.

0:52 – Senior curator of Painting and Sculpture Anne Umland and chief curator of Painting and Sculpture Ann Temkin oversee the hanging of Pablo Picasso’s “Les Demoiselles d’Avignon.”

1:20 – Peter Perez, frame shop foreman, discusses “The Starry Night’s” new, black frame.

2:53 – Artist Amy Sillman explains how she curated and arranged “The Shape of Shape,” part of the long-running Artist’s Choice exhibition series in which artists selects works to show from the Museum’s collection

4:17 – Photography curator Sarah Meister and conservator Lee Ann Daffner adjust the lighting on Joseph-Philibert Girault de Prangey’s “Rome. Arch of Septimus Severus and Capitoline Lion.”

5:02 – Senior deputy director of exhibitions and collections Ramona Bronkar Bannayan and director of exhibition design and production Lana Hum make a final checklist of things to accomplish before the opening.

5:32 – Artist Betye Saar sees her exhibition for the first time.

7:11 – Manager of enterprise applications Rik Vanmechelen and developer Ryan Sprott check the new ticket machines.

8:04 – Chief facilities and safety officer Tunji Adeniji welcomes the public to the new MoMA on opening day.

8:30 – Silent film accompanist Ben Model improvises a live piano soundtrack for Frank Powell’s 1915 film “A Fool There Was.”

9:12 – Security supervisor Chet Gold greets volunteer Fred Liberman. Gold returns to his favorite room in the new MoMA.

Museum Exhibitions: “The Renaissance Of Etching” At The Metropolitan Museum Thru Jan. 20, 2020

From a MetMuseum.org online release:

The Renaissance of Etching Metropolitan Museum NYThis exhibition traces the first sixty years of the etched print (circa 1490 to circa 1560), from its emergence in the workshop of the German printmaker and armor decorator Daniel Hopfer to the years when a range of artists from Germany, Flanders, Italy, and France began experimenting with etching. Approximately 125 etchings, produced by both renowned and lesser-known artists, are displayed alongside a number of drawings, printing plates, illustrated books, and armor.

The history of printmaking has been punctuated by moments of great invention that have completely changed the course of the medium. The beginning of etching in Europe in the late fifteenth and early sixteenth centuries—when the technique moved out of the workshop of armor decorators and into those of printmakers and painters—represents one of those pivotal moments. Etching, essentially drawing on the surface of a metal plate, had an ease that opened the door for all kinds of artists to make prints. The pioneers of the medium included some of the greatest painters of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder.

To read more: https://www.metmuseum.org/exhibitions/listings/2019/renaissance-of-etching

Architecture: The Frank Lloyd Wright Designed Guggenheim Museum Celebrates 60th Year

Frank Lloyd Wright Guggenheim MuseumThis year marks the 60th anniversary of Frank Lloyd Wright’s building for the Solomon R. Guggenheim Museum. Since opening its doors on October 21, 1959, the architectural icon has inspired countless visitors and is widely seen as Wright’s masterpiece.

From its opening to the present day, the Solomon R. Guggenheim Museum has been an unparalleled physical and cultural presence in the New York landscape.

Over the course of the sixteen-year period between the commissioning of the Solomon R. Guggenheim Museum in 1943 and its 1959 opening, the project underwent a series of revisions. The iconic spiral form remained primarily unchanged, but a close reading of documents in the Guggenheim Museum Archives sheds additional light on an array of obscure details that were designed out over time to accommodate budgetary, programmatic, and structural needs and constraints.

To read more: https://www.guggenheim.org/the-frank-lloyd-wright-building

Top New Exhibitions: “The Last Knight” At The Metropolitan Museum, NYC Through Jan 5, 2020

From the MetMuseum.org online:

The Last Knight Metropolitan Museum of Art Exhibition BookThe Last Knight: The Art, Armor, and Ambition of Maximilian I examines the profound significance of European armor at the dawn of the Renaissance, through the lens of Emperor Maximilian I’s (1459–1519) remarkable life. On view only at The Met, The Last Knight coincides with the five-hundredth anniversary of Maximilian’s death, and is the most ambitious North American loan exhibition of European arms and armor in decades. Including 180 objects selected from some thirty public and private collections in Europe, the Middle East, and the United States, The Last Knight will explore how Maximilian’s unparalleled passion for the trappings and ideals of knighthood served his boundless worldly ambitions, imaginative stratagems, and resolute efforts to forge a lasting personal and family legacy.

This exhibition features many works of art on view outside Europe for the first time, including Maximilian’s own sumptuous armors that highlight his patronage of the greatest European armorers of his age, as well as related manuscripts, paintings, sculpture, glass, tapestry, and toys, all of which emphasize the emperor’s dynastic ambitions and the centrality of chivalry at the imperial court and beyond.

To read more: https://www.metmuseum.org/exhibitions/listings/2019/last-knight-art-armor-ambition-maximilian?utm_source=Exhibitions&utm_medium=email&utm_campaign=2019_1019_Met_Exhibitions

Iconic Restaurants: Remembering “Windows On The World” At The World Trade Center

From an Eater.com online article:

The view from Windows on the World, in this photo taken in 1977, included Governors Island and the Statue of Liberty Getty ImagesThe light is different, higher contrast. Real-life chiaroscuro. And sound is muted, still, almost absent. Except when the wind is kicking up a tremendous, otherworldly, howl. And the city looks so small, innocent, like a child’s train set, the Statue of Liberty a tchotchke in a tourist shop. Sixty-mile views that reach the Hudson Highlands up north, the Atlantic Ocean to the east and south, and, much closer, planes landing and taking off at three major airports.

There are few New York City restaurants more storied than Windows on the World. The restaurant made its debut on the 107th floor of the World Trade Center’s North Tower in 1976, offering sweeping views of Manhattan, Brooklyn, and New Jersey — the earth itself peppered with the buildings, the bridges, the Statue of Liberty; the sky with tourist helicopters. “Windows was a shining ambassador for New York, an escape from a city that was, in decades past, drug addled, dirty, and crime-ridden below,” Eater NY’s Ryan Sutton reminisced in 2014. “Even if you didn’t know much about fine dining, you knew such a dream-like place existed, and you knew that it came tumbling down on September 11, 2001.”

To read more: https://www.eater.com/2019/9/17/20862698/world-trade-center-restaurant-windows-on-the-world-history-design-book-excerpt

Top Upcoming Exhibitions: “Paul Klee – 1939” At The David Zwirner Gallery NYC Sept. 10 – Oct. 26

From the DavidZwirner.com online listing:

Paul_Klee___Armer_Engel___1939The works on view illustrate how Klee responded to his personal difficulties and the broader social realities of the time through imagery that is at turns political, solemn, playful, humorous, and poetic. Ranging in subject matter, the works all testify to Klee’s restless drive to experiment with his forms and materials, which include adhesive, grease, oil, chalk, and watercolor, among others, resulting in surfaces that are not only visually striking, but also highly tactile and original. The novelty and ingenuity of Klee’s late works informed the art of the generation of artists that emerged after World War II, and they continue to hold relevance and allure for artists and viewers alike today.

David Zwirner is pleased to present Paul Klee: 1939, the gallery’s inaugural exhibition of Paul Klee’s (1879–1940) work since announcing its exclusive collaboration with the Klee Family. On view at 537 West 20th Street, New York, the exhibition focuses on Klee’s art from 1939, the year before he passed away, which marked one of the artist’s most prolific periods.

To read more: https://www.davidzwirner.com/exhibitions/1939#/installation-views