USC Fisher Museum of Art proudly presents Charles Arnoldi | Four Decades, a survey of the versatile and prolific Venice Beach artist, which traces the evolution of the artist’s expansive and materials-focused practice from the 1970s to the present.
USC Fisher Museum of Art proudly announces Charles Arnoldi | Four Decades from the Collection of Jordan D. Schnitzer and His Family Foundation, a survey of Venice Beach artist Charles (Chuck) Arnoldi. The exhibition, organized by the USC Fisher Museum of Art with the generous support of the Jordan Schnitzer Family Foundation and curated by Bruce Guenther, author of Charles Arnoldi: Paper (2017), opens January 21, 2020 and runs through April 4, 2020.
Charles Arnoldi was a young man from Dayton, Ohio who had seen little of the world when he arrived in Southern California in the mid 1960s. Following stints at a local community college and Chouinard Art Institute, Arnoldi won LACMA’s New or Young Talent Award in 1969 and thus began his ever-evolving career which continues to this day in his sprawling Venice studio.
For close to 50 years, Arnoldi’s work has reflected a passion for the material world, a commitment to experimentation, and a tireless focus on studio production. Charles Arnoldi | Four Decades is drawn from the holdings of the collector Jordan D. Schnitzer and His Family Foundation.
In 1930s Paris, leading modern artists experimented with tapestry design, thanks to pioneering entrepreneur Marie Cuttoli (1879–1973). Cuttoli lived between Algeria and Paris and collected work by artists such as Pablo Picasso, Joan Miró, and Georges Braque.
This exhibition traces her career, from her early work in fashion and interiors to her revival of the French tapestry industry. She commissioned the most celebrated artists of her time—Rouault, Léger, Picasso, Braque, Le Corbusier, Man Ray, and Miró, among others—to create designs for the historic tapestry workshops in Aubusson. By uniting these important paintings and drawings with the resulting tapestry, this exhibition shows their true purpose, revealing modernism’s profound dialogue with the decorative arts.
British painter J.M.W. Turner was both prolific and peripatetic, producing more than 30,000 watercolors during a lifetime in which he traveled throughout Europe.
But these works are extremely susceptible to light damage and can be shown only once in a generation. Now, they’re on view at the Mystic Seaport Museum in Connecticut — their only North American stop. Jared Bowen of WGBH reports.
Jeffrey D. Wasson, the armorer who crafted the accurate replica of the Art Institute’s Greenwich armor, and Jonathan Tavares, the Art Institute’s associate curator of arms, armor and European decorative arts before 1700, discuss how utilizing experimental archaeology allowed them to uncover the methods used by Renaissance armorers in crafting the bulletproof protection.
To read more: https://www.artic.edu/events/4684/conversation-bullets-and-steelthe-making-of-elizabethan-armor-2
…the Ronald Reagan Presidential Foundation and Institute announced its “Operation Nighthawk Landing” project – a Reagan Foundation & Institute and Lockheed Martin Skunk Works® joint effort that will soon bring an F-117 Nighthawk Stealth Fighter to the Reagan Museum for permanent exhibition. Made possible by loan from the National Museum of the U.S. Air Force, the F-117 placed on display will serve as a visible reminder to the Library’s near half-million annual visitors of President Reagan’s commitment to the rebuilding of the U.S. military through his “Peace through Strength” program. The F-117 Nighthawk, Tail #803, nicknamed “Unexpected Guest,” flew more combat sorties (78) than all other F-117s combined. The aircraft entered service in May 1984, during President Reagan’s administration.
“The Reagan Library will now be one of two places in the nation where the general public can visit an F-117 Stealth Fighter on permanent display,” said John Heubusch, executive director of the Ronald Reagan Presidential Foundation and Institute. “We are deeply grateful to Lockheed Martin for their outstanding assistance in restoring the aircraft for such a meaningful display and to the U.S. Air Force for making it possible for the Reagan Library to exhibit the plane for millions of visitors to enjoy for years to come.”
The F-117 Nighthawk was the world’s first operational stealth aircraft. Between 1981 and 2008, Lockheed Martin produced 59 operational F-117s and five developmental prototypes, but the aircraft weren’t publicly acknowledged until 1988. Known as “stealth fighters,” the F-117’s angular shape was designed to reflect radar waves and was bolstered by the use of a radar-absorbing material. Because the aircraft was only expected to operate at night, it was painted black to make it more difficult to discern against the night sky.
An exhibit at South Carolina’s Columbia Museum of Art shows Vincent van Gogh in a new light. “Van Gogh and His Inspirations” presents the younger, wayward artist who learned from looking hard at the world — and the work of artists around him. A private collection of his inspirations is made public for the first time and presented alongside a dozen original van Gogh works. Jeffrey Brown reports.