From a Sotheby’s Online Magazine (March 26, 2020):
From Sargent to Sorolla, Jonas Wood to Winston Churchill, Berkshire to Bali — how artists have found solace and inspiration in gardens the world over.
Tag Archives: Arts
Profiles: Australian Ceramic Artist Nicolette Johnson – “Enigmatic And Timeless” Objects Of Art
From a Yatzer.com online article (March 14, 2020):
Hand-crafted through a laborious, almost ritualistic process, which sometimes has Nicolette individually sculpting and applying hundreds of protrusions to one vessel for days, her work transcends the dichotomy between artefact and artwork.
Whether it’s a reaction to the intangible aspect of our digital age, or a consequence of the trend-setting power of Instagram, there’s been a resurgence of ceramics in the last few years, both as an art form and a hobby. Perhaps it’s quite telling then that London-born, Australia-based ceramic artist Nicolette Johnson recreationally begun taking pottery classes just a few years ago as a counterbalance to her day job as a photographer.
Fast forward five years and Nicolette has distinguished herself as an acclaimed ceramist artist through the enchanting sophistication and painstaking craftsmanship of her work that channels ancient forms with contemporary precision.
Nicolette Johnson is a ceramic artist whose work explores symmetry, motifs, and the importance of the artefact.
Nicolette was born in London, England in 1990, grew up in Texas, USA, and today is based in Brisbane, Australia. Working in stoneware and employing wheel-throwing, coiling, and sculpting techniques, Nicolette applies a modern aesthetic to re-imagined ancient forms. Her work is included in the permanent collections of The National Gallery of Victoria and the Museum of Brisbane.
With a background in photographic art and social documentary, Nicolette began studying ceramics in 2015 and is continuing her practice-led exploration into functional and sculptural ceramic vessels, hand-making and firing each of her works in her Brisbane home studio.
Art Videos: “El Greco: Ambition And Defiance” (Art Institute Chicago)
Explore the exhibition “El Greco: Ambition and Defiance” with curator Rebecca Long and research associate Jena Carvana. Follow along as they lead you through the galleries and share some of the reasons El Greco and his work continue to fascinate us.
Artist Profiles: 69-Year Old American Painter Sigrid Burton (Video)
“I draw literally and figuratively from the natural world. My drawing and mark making refer to and derive from botanical and biological anatomies, including marine life, as well as, the structures of both macro and micro cosmologies and writing systems, such as logograms.”
Sigrid Burton is an American painter, long based in New York City, whose semi-abstract work is known for its use of expressive, atmospheric color fields and enigmatic allusions to natural and cultural realms. Burton has had solo exhibitions in New York City, Los Angeles, San Francisco, Chicago and Osaka, including at Artists Space and the Michael C. Rockefeller Arts Center, and been included in shows at A.I.R. Gallery, the John and Mable Ringling Museum of Art, and the Carnegie Art Museum, Oxnard. Her work belongs to the public collections of the Metropolitan Museum of Art, Rockefeller Foundation, and Palm Springs Desert Museum, and has been reviewed in Arts Magazine, Arts & Antiques, Jung Journal, Chicago Tribune and LA Weekly.
Writers most frequently observe that Burton’s atmospheric works recall artists such as J.M.W. Turner, Odilon Redon, Pierre Bonnard and Mark Rothko, as well as the light of her native California. Art & Antiques described her approach as “chromatic expressionism” in which color is “her undisputed protagonist”. Peter Frank observed, “The dialectic between color and form has always inflected, even impelled” Burton’s painting, with color the more omnipresent element, and form the more persistent. Art historian William C. Agee wrote, “The domains she explores […] meet, intersect, fuse, and then disappear, like apparitions, in liquid pools of mist and color. Her pictorial odyssey refers simultaneously to both a higher order, a timeless cosmic vastness, as well as to a private, interior world, abounding in personal histories and memories.” Burton has lived and worked in Pasadena, California since 2013.
From Wikipedia
“Watercolor In March”: Artist Thomas W. Shaller Releases New Works (2020)
“The grasses up north are as blue as jade, Our mulberries here curve green-threaded branches; And at last, you think of returning home” Li Bai
“A feat, this heart’s control
Moment to moment
To scale all love down
To a cupped hand’s size”
Edith Tiempo, Bonsai
Thomas W. Schaller is an award-winning artist, architect, and author based in Los Angeles. As a renowned architectural artist, he received a Graham Foundation Grant and was a two-time recipient of the Hugh Ferris Memorial Prize. He has authored three books; the best-selling, and AIA award winner, Architecture in Watercolor (VNR – McGraw Hill) The Art of Architectural Drawing (J.Wiley and Sons), and Thomas W. Schaller, Architect of Light : Watercolor Paintings by a Master – a retrospective of his recent artwork released by North Light Books / F+W Media and now Penguin / Random House, NYC in 2018.
“My work is a study in contrasts: light and dark, vertical and horizontal, warm and cool tones, the real and the imagined, as well as the past, present, and future. These elements and others are designed to collide and sometimes find resolution on the surface of the paper. And by so doing, I invite you to take part in my artistic process – not to determine the stories I am telling – but hopefully, to inspire you to tell stories of your own.”
Health Lecture: “Sleep Medicine, Art & Literature” By Professor Meir Kryger
Sleep medicine, art and literature – ars longa, vita brevis. Organised by the Sleep Medicine Section 4 February 2020.
Professor Meir Kryger, Author and Professor, Yale School of Medicine – Sleep Disorders & Effective Treatments.
Lecture: Sleep in art: A 7000 year odyssey
Arts & Culture Video: “The Future Of Japanese Craftsmanship” (Monocle)
To celebrate our forthcoming book about Japan, we are presenting a new film series that dives into the intriguing ecosystem that has preserved Japanese traditional skills over centuries. Meet the people who are future-proofing the age-old know-how.
Artist Profiles: Finnish-American Riitta Klint – “Dreamlike” Drips Of Paint With Pencil On Clay Panels
My paintings on clay panels begin with thin veils of paint that drip, pool and congeal, and like nature, move out of my control, beautifully mysterious. I work intuitively within these initial drips and pools, searching for structure. Each successive stroke of paint or pencil mark continues to build a dreamlike otherworldly place. The mood is one of nature untamed, enchanting and rife with hidden secrets.
My paintings are my connection to the Earth, its nature and beautiful mysteries. 
There is a sadness as I witness the loss of our last wild places. My paintings are an attempt to keep alive those places and offer my audience a sanctuary in which to reflect.
Riitta Klint is from Helsinki, Finland and currently lives in Fort Worth, Texas and maintains a studio in nearby Aledo. Between these two places is a lifetime spent traveling the world thanks to her father’s career with IBM. Living in her native Finland, as well as in Iran, Portugal, Indonesia, Germany, Mexico, and the United States, together with extensive travel in Asia and Europe has shaped her unique vision and palette. Her work offers the viewer a front seat to that journey, and a threshold to cross over into their own imagination.
Klint works primarily in acrylic and pencil on Claybord™, smooth kaolin clay covered panels that offer the ideal surface for her manipulation of color and medium.
Painters Of The 1920’s & 1930’s: “Moonlight Ballad – The Art Of Martin Lewis”
Born in Victoria, Australia, Martin Lewis was a printmaker who is known for his scenes of urban life in New York during the 1920s and 1930s. As a youth Lewis held a variety of jobs that ranged from working on cattle ranches in the Australian Outback, in logging and mining camps, to being a sailor. In 1898, he moved to Sydney for two years where he received his only formal art training. During this period he may have been introduced to printmaking; a local radical paper, The Bulletin, published two of his drawings.
Lewis left Australia in 1900 and first settled in San Francisco. He eventually worked his way eastward to New York. Little is known about his life during the following decade except that he made a living as a commercial artist and produced his first etching in 1915. Lewis’ skill as an etcher was noticed by Edward Hopper, who became a lifelong friend. In 1920, dissatisfied with his job, Lewis used his entire savings to study art and to sketch in Japan. He returned to New York after a two-year stay and resumed his commercial art career, but also pursued his own work as a painter and printmaker.
During the Depression, Lewis moved to Newtown, Connecticut, but later returned to Manhattan, where he helped establish a school for printmakers. From 1944-1952 Lewis taught a graphics course at the Art Students League in New York.
During his thirty-year career, Lewis made about 145 drypoints and etchings. His prints, like Shadow Dance and Stoops in Snow, were much admired during the 1930s for their realistic portrayal of daily life and sensitive rendering of texture. The artist’s skill in composition and his talent in the drypoint and etching media have received renewed attention in recent years. Lewis is one of the few printmakers of this era who specialized in nocturnal scenes. Some scholars consider his print Glow of the City his most significant work because of the subtlety of handling. A minute network of dots, lines, and flecks scratched onto the plate creates the illusion of transparent garments hanging in the foreground, while the Chanin Building, an art deco skyscraper, towers over the nearby tenements.
New Travel Books: “Do You Read Me?” – Bookstores Of The World (Gestalten)
From Daikanyama Tsutaya Books in Tokyo to Kosmos Buchsalon in Zurich, Do You Read Me? travels the globe to discover these gems and some of the people behind them, who turn an ordinary trip to the bookstore into an extraordinary experience.
Bookstores are more than just places that sell books. They are focal points of communities, a warm welcome to a city, a place for first-time visitors and longtime residents alike to gather in a shared love of the written word. They are places where time moves a little slower, where customers can get lost in the pages of a book, or enjoy readings, concerts, and events that bring together like-minded individuals with a thirst for knowledge.
Each bookstore is as unique as the diverse customers who frequent them. There are the secret ones tucked away with stacks reaching floor to ceiling; there are minimalist concept stores; there are dazzling book temples. There are ones in apartments, on boats, and in Gothic cathedrals.
Travel writer Marianne Julia Strauss has scoured the globe for the past decade in search of the top bookstores. In Do You Read Me? she has collected a selection of the ones you need to include in your next itinerary.
Boomers Daily 